7.1/10
Senior Film Conservator

A definitive 7.1/10 rating for a film that redefined the boundaries of cult cinema. Hundert Tage remains a cornerstone of transgressive art.
So, Hundert Tage. Is it worth digging up today? Look, if you’re a **serious** history buff, especially about Napoleon's Hundred Days, maybe. And I mean *serious*, like you know the dates and the minor players. Otherwise? It’s probably a pretty hard pass. It’s a very old movie, very much a product of its time, and anyone expecting big, dramatic action will be bored stiff.
It’s about Napoleon, right? Breaking out of Elba. The movie charts his journey, with his small group, heading for Paris. It tries to show the **momentum** of his return, how he gathers support along the way.
But it's less 'epic march' and more 'guys walking across fields.' You know? The film often feels very staged. A lot of static shots. Gustaf Gründgens, playing Napoleon, often stands giving these grand speeches, and the camera just kinda sits there, watching.
The crowd scenes? They sometimes feel a bit sparse. Like, they got everyone they could find for the day, and that was that. You’d think a moment of such historical weight would feel more *alive*, but it's often quite stiff. There's this one moment when Napoleon first lands, and it's just… so quiet. Almost awkward, actually. 😬
Gründgens as Napoleon is interesting. He certainly has an intensity about him. But it's a very particular kind of acting, very theatrical, very much for the stage. You don't get much in the way of subtle emotions here; it’s all **big, deliberate gestures**.
Some of the supporting cast kinda blend into the background. There's one guy, I forget his name, but his reaction shot to a decree… it was just a totally blank stare. For a long time. Made me wonder what he was thinking, or if he just forgot his line.
The film doesn't really try to get into the gritty reality of war or political chaos. It’s more about the *idea* of Napoleon. The sheer scale or fear isn't really there. It simplifies a lot. The political bits feel a bit rushed, like a montage of important talks without much actual talking. You just kinda get the gist, you know?
There's this one scene, a campfire at night. The way the shadows fall on the actors' faces, it almost looks like they're telling ghost stories. Not planning world domination. And the uniforms, they look a bit *too* clean for men who've been marching across the countryside. Like they just walked off the costume rack. 👕
It’s not trying to be a modern blockbuster, obviously. It’s more like a historical record, presented dramatically for its time. It has its moments, glimpses of that old filmmaking style that can be fascinating in their own right. But it’s also a bit of a slog to get through.
If you're into vintage cinema and genuinely curious about how this specific historical event was portrayed back then, give it a shot. Otherwise, there are probably better ways to spend **one hundred days** of your life. 😉

IMDb —
1935
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