6.1/10
Senior Film Conservator
A definitive 6.1/10 rating for a film that redefined the boundaries of cult cinema. Important News remains a cornerstone of transgressive art.
If you like old-school journalism dramas where people actually smoke in the office and wear hats indoors, you'll probably get a kick out of Important News. It isn't a blockbuster, and it doesn't try to be. If you're looking for high-octane thrills or complex twists, you'll be bored stiff within ten minutes.
It’s really just a conversation piece, honestly. A snapshot of a time when the biggest stress in life was deciding whether a local festival deserved more ink than a bank robbery. It feels quaint, maybe even a little too polite by modern standards.
Seeing a young Jimmy Stewart here is the main draw, obviously. He has that familiar, hesitant way of speaking, even back then. It’s like watching a rough draft of the persona he perfected later. He carries the desk-bound scenes with a level of comfort that makes the whole thing feel lived-in.
There’s this one moment where he’s staring at two different proofs on his desk. He doesn't say a word. Just taps his pencil. It goes on for about four seconds too long, which is exactly why I liked it. It felt like a human pause, not a scripted one.
It’s a bit like watching The Wrong Mr. Wright in terms of pacing—slow, deliberate, and reliant on the lead actor just being likable. There’s no grand explosion or dramatic reveal. The stakes are entirely internal, which is either genius or frustrating depending on your mood.
I caught myself thinking about my own local paper while watching this. Nobody cares about the bake sale anymore, but back then, it was the front page news. Maybe we lost something when we started chasing only the loudest headlines. Or maybe I'm just getting sentimental. 🗞️
Either way, it’s a tiny, dusty gem of a film. Just don't go in expecting it to change your life. It’s happy just being a quiet, well-made story about a guy trying to do the right thing with a typewriter.
