Cult Review
Senior Film Conservator
If you like old films that feel like they were pulled from a dusty trunk, sure. If you need pacing that doesn't feel like a slow walk through a muddy field, you’ll probably want to skip this one. It's not for everyone, mostly because it’s a bit of a relic.
Bux is just a guy trying to make people laugh, right? But the movie is way more interested in his love life than the actual act of clowning. I spent half the runtime waiting for him to do something funny in the ring, but he's mostly just sad and pining for Nicole. 🤡
The movie really leans into the idea that the big top is exhausting. There’s this one sequence where the lighting feels so flat it’s almost like they were filming in a basement. It’s weirdly grounded. Not in a gritty way, just in a 'the tents are falling apart' kind of way.
Nicole is kind of a wild card. She runs off with Bux because she thinks it’s all romantic, but then she realizes circus life means living in a wagon and eating dust. Watching her realize she made a mistake is honestly the most human thing in the whole flick. It’s not dramatic, it’s just annoying for her, which feels real.
The middle part gets a bit tangled with these false accusations. It felt like the writers got bored of the romance and decided to throw a crime thriller in there for ten minutes. It didn't really land. It felt like watching a totally different movie—maybe something like Do Detectives Think? but with way less charm.
I kept thinking about The Crowd Roars while watching this, mainly because both movies have this obsession with the lives of people who perform for a living. But where that one has a pulse, Le clown Bux just kind of sighs at you. It’s not bad, just tired.
Don't go in expecting a masterpiece. Go in for the weird, grainy atmosphere and the way the lead actor looks at his shoes whenever things go wrong. It’s got that specific flavor of old French cinema that’s hard to replicate, even if it’s a bit of a slog to get through. 🎪

Year
1935
IMDb Rating
—

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Deciphering the legacy of transgressive cult cinema.
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