7.2/10
Senior Film Conservator

A definitive 7.2/10 rating for a film that redefined the boundaries of cult cinema. Miss President remains a cornerstone of transgressive art.
If you enjoy black-and-white comedies that move at the speed of a polite conversation, you’ll probably have a decent time with Miss President. It’s light, it’s fluffy, and it doesn't try to solve the world's problems. If you need gritty realism or a plot that actually goes somewhere, skip this. You'll just find yourself checking your watch.
Zsuzsa is exactly the kind of character who makes decisions based on who looks best in a suit. Watching her try to navigate factory politics while pining for a guy she’s barely spoken to is… something. It’s sweet, I guess, in a very 1930s way. The factory setting is mostly just a backdrop for people to run through doorways and look surprised.
There is a specific scene where the managing director tries to propose, and it’s just delightfully awkward. It goes on a beat too long, and you can see the poor guy sweating through his coat. It’s these tiny, unpolished moments that make the movie feel alive, unlike the slick, soulless stuff we get dumped with today.
Honestly, watching this reminded me a bit of the frantic energy in The Exquisite Thief. It’s that same brand of "let’s just make this work with charm and quick wit." It doesn't always land, but you can’t say they aren't trying.
I found myself wondering if anyone actually worked at this textile factory. Aside from a few extras walking by with bolts of fabric, it’s just the main cast arguing in fancy offices. It’s a very clean, very tidy version of industry. 👔
The ending isn't a surprise. You know exactly where it’s headed from the first ten minutes. But does that matter? Sometimes you just want to watch people be silly in fancy hats. This movie delivers that in spades. Don't go looking for deep meaning. Just enjoy the ride for what it is.