6.9/10
Senior Film Conservator

A definitive 6.9/10 rating for a film that redefined the boundaries of cult cinema. Nani ga kanojo o sô saseta ka remains a cornerstone of transgressive art.
Is “What Made Her Do It?” worth your time today? Hmm. If you’re into watching something that just pounds you with despair, and you don’t mind a silent film from almost a century ago, then maybe. It’s a rough watch. Anyone looking for a feel-good movie or even a mildly hopeful one should absolutely steer clear. 🚫
The opening scene, with the father just... sending her off. It’s so casual, yet it kicks everything into motion. You almost want to shake him.
Then, the uncle, who you hope will be a safe harbor, just turns around and sells her. 💔 It’s a gut punch.
The circus scenes aren’t glamorous at all. They’re grimy. The way the other performers look at her, not with sympathy, but like she’s just another piece of the show. One shot of the trainer, I swear, he had this creepy smirk that lasted too long.
Tamako Nijō as the daughter, she really carries it. Her face just sinks deeper and deeper. You see her trying to find *one* kind face, just one. And it never really comes.
The silent film acting can sometimes feel big, but here, it just feels like raw, unedited pain. There’s a scene where she’s performing, and the camera just sort of stays on her. It's not a fancy shot. Just her, looking lost, while the crowd is a blur. It makes you feel really isolated with her.
The movie doesn’t give you any breaks. No moment where she finds a friend or a small kindness. It’s one bad thing after another. The plot description says “she is not able to rely on family, humanity or god for an iota of grace or assistance.” And boy, does it deliver on that. It's relentless.
I kept waiting for some twist, some moment of redemption. But it just… keeps going down. It’s bold, in a way, to just commit to that level of bleakness. No Hollywood ending here.
It makes you think about how little control people had back then, especially young women. It’s less a story and more a descent. You witness it.
The intertitles are sparse, which makes the visuals even more important. You really have to read the faces. And hers tells a whole story of quiet suffering.
I remember this one shot of her hand, just clutching at nothing. It's such a small detail, but it really stuck with me. Like she's grasping for something that isn't there.
This film, it feels less like a movie and more like a document of someone’s spirit being slowly crushed. It’s not easy to watch, but it definitely leaves an impression.

IMDb 5.4
1917
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