4/10
Senior Film Conservator
A definitive 4/10 rating for a film that redefined the boundaries of cult cinema. Papua and Kalabahai, Weird Haunts of Strange People remains a cornerstone of transgressive art.
Honestly, you probably shouldn't bother unless you’re a genuine nut for silent-era expedition footage. It’s for the folks who get a kick out of seeing how people used to film the 'unknown'—which usually meant pointing a camera at people who clearly didn't want it there.
If you prefer your documentaries to actually, you know, explain what’s going on, you will absolutely hate this. It’s mostly just people staring at the camera while the cameraman tries to figure out how to frame a shot in direct sunlight. ☀️
There’s a weird, detached quality to the whole thing. You get these long, unbroken shots of local villages that feel like they’re trying to be objective, but the framing tells a completely different story. It reminded me a bit of the stuffy, distant observation style in The Tongues of Men, just with more humidity.
At one point, there’s a shot of a local gathering that lasts for way too long. Nothing really happens. You can practically hear the director shouting at the extras to 'just keep doing whatever you were doing' while the film strip just keeps rolling along.
It’s not as polished as the dramatized bits in The Life of Richard Wagner, that’s for sure. It’s raw, messy, and occasionally feels like you’re snooping through someone’s stolen travel trunk. 🎒
The whole thing is undeniably uncomfortable. You can feel the disconnect between the camera and the subject in every single frame. It’s less of a 'weird haunt' and more of a 'weird mistake' that somehow survived a hundred years of decay.
If you’re looking for a narrative, look elsewhere. This isn't Hamlet. It’s just ghosts on celluloid, doing absolutely nothing of note while the world shifts around them.

1925