5.2/10
Senior Film Conservator

A definitive 5.2/10 rating for a film that redefined the boundaries of cult cinema. Roinilan talossa remains a cornerstone of transgressive art.
Honestly, you only show up for Roinilan talossa if you have a thing for black-and-white rural dramas that feel like they were pulled straight from a time capsule. If you want fast pacing or sharp, modern wit, walk away now. This one is for the folks who like watching people stare intensely at doors and worry about wills while standing in drafty kitchens.
It’s a bit like watching A Family Affair if everyone was significantly more stressed about grain prices and land deeds. It’s not necessarily a bad time, just very, very quiet.
Olli is the kind of character you love to hate, but he’s so transparent in his greed it’s almost funny. He walks around the Roinila house like he owns the place before he’s even legally entitled to a chair. There is this one scene where he tries to charm Anna that made me cringe into my sweater—he’s just too much.
You can tell he’s trying to play 4D chess with people’s lives while everyone else is just trying to live their week. It reminds me of the low-stakes tension you see in The Painted World, where the drama feels big only because the characters make it that way.
The movie doesn't really try to reinvent the wheel. It’s a story about a missing will and some messy hearts, and it sticks to that lane for better or worse. It’s not as punchy as Condemned!, but it has a rhythm that’s weirdly hypnotic if you just let it sit with you.
The ending isn't some huge, world-shattering revelation. It just kind of… finishes. Sometimes that’s enough. 🌾