5.8/10
Senior Film Conservator

A definitive 5.8/10 rating for a film that redefined the boundaries of cult cinema. Sensation Hunters remains a cornerstone of transgressive art.
If you have an hour to spare and love trashy 1930s boat dramas, Sensation Hunters is a pretty fun watch. It is perfect for anyone who loves Pre-Code movies where women wear ridiculous hats and talk really fast.
But if you hate cheap sets and thin plots, this will probably make you roll your eyes. It is definitely not high art.
The story starts on a south-bound ship. Dale Jordan (played by Arline Judge) is trying to fit in with the rich folks on the top deck.
Everything goes fine until they find out she is actually a cabaret girl. She is traveling with a rowdy group led by Trixie Snell, heading to work at the Bull Ring Cabaret in Panama.
The transition from "classy lady" to "social outcast" happens in about two seconds. The rich people literally turn their noses up, and it is so hilariously dramatic.
I noticed a guy in the background during the ship scene who looks completely lost. He just stares at the camera for a second before walking away.
Its got that fast Pre-Code energy, reminding me a bit of the family drama in New Morals for Old, but way cheaper and with more cheap alcohol. This movie does not care about lessons; it just wants the juice.
Once they get to Panama, the movie gets much better. The Bull Ring Cabaret is clearly just a single dusty room with some tables thrown in.
The cabaret outfits look like they were put together with safety pins and hope. Arline Judge has this one hat that is so big, it looks like it is trying to eat her face.
Preston Foster plays the tough guy, Danny. He looks like he urgently needs a cigarette in every single scene he is in.
His acting is mostly just squinting very hard. It actually works, though, because everyone else is screaming their lines.
"You can't buy me with a cheap drink, mister!"
There is a scene where a character gets kicked out of a room, and the door slams so hard the fake wall shakes. Nobody seemed to care, so they kept it in the final cut.
Also, watch out for a very young Walter Brennan in a tiny, tiny role. He is blink-and-you-miss-it, but his face is unmistakable.
The pacing is so fast you do not have time to get bored. It runs barely over an hour, which is the perfect length for this kind of nonsense.
It is not trying to teach you anything. It just wants to show you some "bad girls" having a tough time in Central America.
If you want a double feature of goofy vintage movies, try pairing this with A Blonde for a Night for maximum silly energy.
Is it a masterpiece? Absolutely not.
But the bad sound quality and shaky sets just add to the charm. It feels like a real relic from a time when movies were made in three days.

IMDb 6.5
1933
Community
Log in to comment.