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Cult Review
Senior Film Conservator
The film Single Wives delves into the intricate emotional tapestry of a young wife named Mary who, as her first wedding anniversary approaches, begins to feel unloved and unworthy. This sense of disillusionment is palpable, as if the initial glow of marital bliss has dimmed, leaving a cold and hollow void in her heart. Mary's husband, John, remains oblivious to her inner turmoil, continuing to treat her with affection and respect, but this only serves to exacerbate her doubts and insecurities.
Amidst this personal crisis, Mary's past is brought into sharp focus. She remembers a former suitor, a man named Alexander, who had been a regular visitor to their home. Alexander, with his charming smile and unwavering charm, becomes the figure she seeks to fill the void in her life. Their rekindled relationship is portrayed with a certain tenderness, but there is an underlying tension that suggests this is not a simple return to the past. Alexander's presence in Mary's life is a source of both comfort and confusion, as she struggles to reconcile her feelings for him with her love for John.
As the story progresses, Mary's decision to leave John becomes more pronounced. She is driven by a mix of anger and despair, feeling that her marriage has failed to meet her expectations. The film's exploration of this decision is both poignant and thought-provoking, as it delves into the complexities of commitment and the pain of betrayal. Mary's internal monologue is a masterclass in emotional acting, with Kathlyn Williams delivering a performance that is both vulnerable and strong, capturing the raw emotions of a woman on the cusp of a life-changing decision.
However, the narrative takes a sudden and dramatic turn when John is seriously injured. This event forces Mary to confront her actions and reevaluate her choices. The scene where John, still in a coma, is brought home is a poignant moment that highlights the fragility of life and the importance of commitment. Mary must now decide whether to leave her husband and pursue a relationship with Alexander, or to stay and support her husband through his recovery. This decision not only affects her but also impacts their children, adding another layer of complexity to the narrative.
The supporting cast, including Jere Austin and Milton Sills, provide strong performances that enhance the emotional depth of the film. Their interactions with Mary and John are filled with subtle nuances that add to the overall atmosphere of the story. The film's cinematography is also noteworthy, with its use of soft lighting and careful framing creating a visually compelling backdrop for the emotional drama.
One cannot help but draw comparisons between 'Single Wives' and other films of its era, such as Pace That Kills and Madame Du Barry. These films also explore themes of marital infidelity and the consequences of such actions. However, 'Single Wives' stands out for its more nuanced portrayal of the characters and the emotional stakes involved. It is a film that asks the viewer to question their own beliefs about love, commitment, and the nature of marriage.
The Writers: Earl Hudson, Marion Orth have crafted a compelling narrative that is both relatable and thought-provoking. Their ability to delve into the psyche of their characters and explore the emotional undercurrents of the story is commendable. The film's pacing is well-balanced, allowing for both intense drama and moments of quiet reflection.
Overall, 'Single Wives' is a must-watch for anyone interested in classic dramas that explore the complexities of human relationships. The performances, especially those of Kathlyn Williams and Jere Austin, are standout elements that elevate the film above its contemporaries. It is a film that invites the viewer to reflect on their own experiences and beliefs, making it a timeless piece of cinema that continues to resonate with audiences.
IMDb —
1936
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