7.6/10
Senior Film Conservator

A definitive 7.6/10 rating for a film that redefined the boundaries of cult cinema. The Awful Truth remains a cornerstone of transgressive art.
Look, if you’re into old movies, or just movies where people talk really fast and are very charming, you absolutely have to see The Awful Truth. It's 1937, but it feels fresh. If you hate black and white or movies without superheroes, just skip it. But you'd be missing out. Seriously.
So, the setup is simple enough: Jerry (Cary Grant) and Lucy (Irene Dunne) are getting divorced. Super amicable, right? They even divvy up their dog, Mr. Smith, in court. But that whole "amicable" thing? It lasts about five minutes.
The movie really clicks when you see them together, even when they’re trying to be apart. Irene Dunne, man. She’s just *radiant* and has this amazing way of being totally devious but also completely endearing. Her eyes, they just sparkle with mischief. ✨
And Cary Grant! He’s playing this character, Jerry, who’s trying to be all sophisticated and proper, but then Lucy just completely throws him off. There's this one bit where he's trying to impress his new lady, and Lucy shows up, doing her whole "showgirl from Oklahoma" act. His face when she does that ridiculously bad accent? Pure gold. You can almost feel him wanting to sink into the floor. 😂
It’s not just the big funny scenes. It’s the little things. Like how Mr. Smith, their wire-haired terrier, seems to know exactly what’s going on. That dog is a scene-stealer, honestly. He prefers Lucy, obviously. And Jerry keeps trying to win him over with no success. Poor guy.
Then there’s Ralph Bellamy, playing Daniel Leeson, Lucy’s new, very earnest, very *boring* fiancé from Oklahoma. He's just so… nice. And utterly out of his depth. He’s the classic "straight man" in a screwball comedy, and he plays it perfectly. He’s in The Furies too, but here he's just... sweet, you know?
The pacing is just *whirlwind*. It doesn't waste a second. One minute they're divorcing, the next they're sabotaging each other's new relationships. It’s a constant back-and-forth, like a tennis match with very witty dialogue instead of a ball. 🎾
One scene that always sticks with me is when Lucy is trying to sneak away from her Aunt's place. The way she tries to get past Jerry, who is camped out there. It’s a simple door gag, but it just keeps going, and you can’t help but laugh. It’s so **physical** for a talking comedy.
The whole "midnight" thing at the end, too. Without giving it away, it's just such a clever, almost absurd way to resolve everything. The way they play it, you know exactly what’s happening without them needing to spell it out. It’s all in the expressions, the way they look at each other. Subtle. 🤔
I mean, yeah, the plot is a bit convoluted. Who really cares about the specifics of *why* they think the other is cheating? It’s just an excuse for them to spar. And that's fine. The joy is in the sparring. It’s not about the destination, it’s about the very bumpy, hilarious journey.
There are a few moments where the dialogue maybe drags just a hair, but then it picks right back up. You can tell they probably did a lot of takes to get the rhythm just right. The energy never really dips for long.
It's just a reminder of how good these old Hollywood stars were. They didn't have CGI or big explosions. They had charisma and timing. And a fantastic script, of course. This film, it’s just a masterclass in how to make a romantic comedy *really hit*. 🎶
So, yeah. If you haven't seen it, fix that. It's a gem. And you’ll probably find yourself rooting for these two messy, wonderful people to just get over themselves and get back together already. You just will.

IMDb —
1919
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