5.5/10
Senior Film Conservator

A definitive 5.5/10 rating for a film that redefined the boundaries of cult cinema. The E-Flat Man remains a cornerstone of transgressive art.
If you like watching people scramble because of one dumb, accidental decision, then sure. It's a short, breezy mess that mostly works because Buster Keaton is the one trying to fix the disaster. If you need a tight, logical plot, you’re gonna hate every second of this.
The whole premise is built on a misunderstanding so stupid it could only happen in a movie from this era. Elmer just wants to elope. Instead, he ends up driving a police car. The police are obviously not thrilled about this. The rest of the movie is basically just one long, loud realization that you can't outrun the law when you're literally driving their car.
There’s a specific bit where the car is acting up, and Keaton’s face is just doing that classic, blank-stare-of-doom thing he does so well. It’s funny because he isn't trying to be funny; he’s just trying to survive the sheer incompetence of his own life. Honestly, I've had days like that.
The pacing is all over the place. One minute they're hiding, the next they're barreling down a dirt road like their lives depend on it. It’s not as polished as his earlier stuff, and you can tell they were just throwing gags at the wall to see what stuck. Sometimes it sticks, sometimes it just slides right off.
It’s not a masterpiece. It’s not even a particularly great short. But there’s something charming about how desperate everyone is. It reminds me a bit of the frantic energy in Going Straight, where you just want the guy to catch a break for five minutes.
By the end, you're not really thinking about the story anymore. You’re just waiting for the next fender bender. It’s a bit of a throwaway, but hey, we all need those sometimes. 🚗💨