6.6/10
Senior Film Conservator

A definitive 6.6/10 rating for a film that redefined the boundaries of cult cinema. The Flying Mouse remains a cornerstone of transgressive art.
If you're into classic animation history, absolutely. It’s a brisk watch that feels like a fever dream from a different era. If you’re looking for a modern, nuanced take on identity, you’ll probably find the moral a bit heavy-handed and quick to solve itself.
The whole thing kicks off with this mouse just wanting to be a bird, which is honestly relatable. Who hasn't looked at a bird and thought, 'Man, my life would be so much better if I could just hover'?
But then the butterfly turns into a fairy, and things get weird. The way the mouse starts flying around looks a little bit frantic, like he's vibrating out of his own skin. It reminded me a bit of the frantic energy in Berth Marks, just without the slapstick pratfalls.
Once he gets those wings, he doesn't suddenly become cool. He becomes an outcast. The birds won't hang out with him, and the mice are spooked because he looks like a bat. It’s actually kind of sad watching him hover around while everyone else just ignores him. He went from a bored mouse to a lonely, winged freak in record time.
The animation when he’s rejected by the bats is where I really started feeling for the little guy. The bats are jerks, let’s be honest. Seeing him cast aside by everyone left and right makes the eventual return to 'normalcy' feel a bit like he’s settling, but the movie really insists it’s for the best.
When he finally gets home and his mom is there to welcome him back, it’s sweet. It’s a bit saccharine, sure, but it works. Sometimes you just want to see a little guy stop trying so hard and just go home to his family.
It’s not a masterpiece, but it’s got a weird, earnest charm that a lot of modern stuff just totally lacks. Definitely a strange little relic worth a peek. 🐭✨

IMDb —
1927
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