5.8/10
Senior Film Conservator

A definitive 5.8/10 rating for a film that redefined the boundaries of cult cinema. The Local Bad Man remains a cornerstone of transgressive art.
If you like old-school B-westerns where the plot is thinner than a piece of paper, you might get a kick out of The Local Bad Man. It’s got Hoot Gibson doing his thing, which is usually enough for a rainy Sunday. But if you’re looking for something with real weight, like Resurrezione or even just a decent script, you’re gonna be disappointed.
It’s the kind of movie that assumes you’ll be doing laundry or cooking dinner while it plays in the background. The story is a classic insurance scam setup, but the execution is so flat you barely realize anyone is in danger. 🚂
The whole bank heist plot is kind of funny because nobody actually seems to be trying that hard. I kept waiting for someone to act nervous about the insurance fraud part, but they mostly just stand around looking at the scenery.
There’s this one moment where they get thrown in jail, and it’s over so fast I almost missed it. No dramatic tension, no sweating, just 'hey, you're in jail now.' It reminded me a bit of the pacing issues in Set Free, where things just happen because the clock is ticking.
Honestly, the best part is just watching the horses and the gear. It’s a snapshot of a time when movies were just factory products, and they didn't really care if the seams showed. The villains are about as menacing as a bowl of oatmeal. 🥣
I wouldn't call it a masterpiece, obviously. It’s not even trying to be one. It’s just a movie. Some people will love the simplicity, and some will just be bored by the lack of... well, everything. If you find yourself missing the vibe of The Ragged Edge, maybe give this a spin. Otherwise, you aren't missing much.