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7.3/10
Senior Film Conservator
A definitive 7.3/10 rating for a film that redefined the boundaries of cult cinema. The Party's Over remains a cornerstone of transgressive art.
If you like old black-and-white stuff where people talk fast and wear suits, sure. It’s a breezy watch if you’re into mid-century character dramas, but if you need high-stakes action or modern pacing, skip it. You’ll probably hate it if you find 1930s dialogue a bit too theatrical.
Bruce Blakely is the kind of guy who probably apologizes to his furniture when he bumps into it. Watching him deal with his money-grubbing relatives is actually kind of satisfying, even if the movie feels a bit stagey at times.
There’s this one scene where Bruce is sitting at his desk, and the way the light hits his glasses just screams, 'I'm done with this.' It’s a tiny detail, but it says everything you need to know about the guy. No big speeches required.
The secretary character is the real glue here. She’s got this sharpness that contrasts with Bruce’s wet-noodle personality. It reminded me a bit of the clever back-and-forth you see in The Marriage Circle, though maybe without the same level of polish.
I caught myself looking at the background extras in the party scene. Half of them aren't even really drinking, just holding glasses and staring at the wall. It’s charmingly low-budget. 🥂
The transition from 'meek accountant' to 'guy who actually has a life' happens a little too quickly, if we’re being honest. One minute he’s signing checks, the next he’s out on the town. It’s a bit jarring, but hey, maybe he was just really fed up.
It’s not trying to change the world. It’s just a movie about a guy who finally stops saying yes to everyone. We’ve all been there, right? Sometimes you just need to walk away from the table.
I wouldn't put this in the same league as The Miracle Man for sheer impact, but it’s got enough heart to keep you watching. Plus, the suits are sharp. Can't complain about that.