7.9/10
Senior Film Conservator

A definitive 7.9/10 rating for a film that redefined the boundaries of cult cinema. The Thin Man remains a cornerstone of transgressive art.
Alright, so, should you watch The Thin Man today? Absolutely. If you’re into sharp, quick dialogue and that kind of effortless, old-school cool, then this one’s for you. Anyone who needs their mysteries to be super twisty or wants constant action might find it a bit slow, but honestly, you’d be missing the point.
This movie, it’s not really about the murder. I mean, there *is* a murder, and Nick Charles, played by William Powell, kinda reluctantly pokes at it. But really, the whole thing is just a backdrop for Nick and Nora Charles to just… be Nick and Nora.
Myrna Loy as Nora? Just fantastic. She’s wealthy, smart, and totally game for whatever ridiculousness Nick drags her into. Their banter, right from the train scene, is so quick it almost feels improvised. Like they’ve been doing this forever.
You can tell they genuinely enjoy each other’s company, even when they’re arguing. It’s never mean-spirited. Like, Nora asking Nick if he’s still sober after he takes a drink, and his dry reply. It’s all just part of their thing. ❤️
And their chemistry, it’s just… *there*. It feels so natural. Every glance, every little chuckle. You just wanna hang out with them, even if you’re trying to solve a murder.
Can we talk about Asta? The dog is practically a main character. Asta’s reactions to everything, especially the chaos around Nick and Nora, are priceless. The way Nick talks to him like a person, it’s just another layer of charm.
That part where Asta is on the bed, just chilling, while Nick is trying to be all detective-y. It’s very endearing. Dogs just make everything better, don't they?
The movie just has this incredibly *cool* vibe. Everyone’s drinking, all the time, everywhere. Like, at the police station, during Christmas. It’s almost a running gag, how many cocktails Nick can put away without batting an eye. 🍸
The pacing is so different from today’s films. It takes its time. Some scenes just let the dialogue play out, without rushing to the next plot point. You get to just soak in the atmosphere of these lavish apartments and bustling city streets.
There’s a moment where Nora tries to shoot a target with a toy gun, and she’s not great at it, but she’s having a blast. Nick’s reaction to her being so excited about it is just perfect. It’s these small, unforced moments that stick with you.
The other characters are all pretty memorable too, even the minor ones. The suspects are a colorful bunch, and sometimes their reactions are just a little *too* much. It's great. Like Tiny Jones as the bodyguard, just kinda lurking. Or the way some of the police officers just accept Nick's quirks.
“I love you because you know how to pour a drink.” – Nora Charles. A classic line, right?
It’s also surprisingly funny, not just witty. There are genuine laugh-out-loud moments. Like the whole bit with the Christmas tree and the train set. It's a murder mystery, but it feels like a holiday party.
I remember thinking, during one of the interrogation scenes at the end, how everyone’s just gathered in this fancy living room, practically sipping tea while Nick lays out the case. It’s so casual, yet so intense for the characters involved. It’s a very specific kind of tension, you know?
Some of the plot points, if you really dissect them, are a bit… flimsy. But honestly, who cares? You’re there for Nick and Nora. You’re there for the style, the laughs, and that fantastic back-and-forth. It’s not about the destination, it’s really about the journey with these two.
It’s one of those films that just makes you feel good. A genuine classic, for a reason. Go watch it. You won't regret it.

IMDb 5.8
1934
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