Cult Review
Senior Film Conservator
Honestly, only if you are a total nerd for early cinema or just really miss the feeling of watching stuff on a flickering projector. If you hate old, grainy footage where the audio sounds like it is being played through a tin can, steer clear. This is strictly for people who find the history of performance more interesting than, well, the performance itself.
The whole thing feels like it was put together on a lunch break. You have the Four Trojans doing their tumbling act, and I spent half the time wondering if they were actually having fun or if they were just terrified of missing a landing on that tiny stage. It’s got that specific 1930s frantic energy where everyone is trying to convince you they are having the time of their lives.
Then there is Aunt Jemima singing 'Clementine.' It is… something. There is a weird disconnect in these old shorts where the stage lighting makes everyone look like they are standing in a vacuum. It reminds me a bit of the stark, weird feeling in The E-Flat Man, where you can tell the set is just a set and nothing else exists outside the frame.
Ross and Stone show up to do their routine, which is exactly the kind of banter you have heard a thousand times if you watch enough of these. It is fine, I guess. It is not exactly high-brow stuff, but it is honest work for what it is.
It is not a masterpiece. It is barely even a movie. But there is something strangely grounding about it. It makes me think of Screen Snapshots, Series 15, No. 5 in that weird, voyeuristic way where you feel like you are peeking at a past that was never meant to be preserved forever.
It gets the job done. If you have ten minutes to kill and want to feel like you are sitting in a theater in 1930, sure. Just don't expect it to change your life. 🎭

Year
1936
IMDb Rating
—

Editorial
Deciphering the legacy of transgressive cult cinema.
Community
Log in to comment.