DbcultAccessing Vault...
5.4/10
Senior Film Conservator
A definitive 5.4/10 rating for a film that redefined the boundaries of cult cinema. Yes, Yes, Nanette remains a cornerstone of transgressive art.
In the riotous comedy, Yes, Yes, Nanette, a tangled web of relationships unfolds, masterfully crafted by writers Carl Harbaugh and Rob Wagner. The eponymous Nanette, in a bold move, apprises her family of her recent nuptials to Hillory, setting the stage for a series of sidesplitting encounters.
Hillory's inaugural meeting with Nanette's family proves to be a baptism by fire , as each member, including the incredulous canine , takes turns lambasting him. The poor soul's dignity is bruised , his wig lost , and his composure tested. One cannot help but draw parallels with the similarly themed The Greek Interpreter, where a hapless protagonist navigates a complex familial dynamic.
As Hillory struggles to find his footing within this labyrinthine family dynamic, his mettle is pushed to the limit. The arrival of Nanette's erstwhile paramour serves as a catalyst for a dramatic confrontation, laying bare Hillory's tenuous grasp on his new role. This expertly timed plot twist injects a fresh dose of tension into the narrative, keeping viewers riveted until the very end.
From a technical standpoint, the adept use of comedic timing and situational humor underscores the film's impressive craftsmanship. The pitch-perfect performances from Lyle Tayo, Oliver Hardy, and James Finlayson add a layer of authenticity to the proceedings, rendering the film's humor both biting and relatable . One cannot help but compare the similarly calibrated humor in The Triumph of Love, where a more measured approach to comedy yields a richly rewarding viewing experience.
In a nod to the cinematic traditions of the era, Yes, Yes, Nanette exhibits a keen understanding of the social mores that govern human interaction. A deft analysis of the power dynamics at play within Nanette's family reveals a nuanced comprehension of the complexities inherent to familial relationships. This astute observation is reminiscent of The Master Cracksman, where a similarly nuanced exploration of social hierarchies yields a richly textured narrative.
The film's technical proficiency is complemented by a keen sense of visual storytelling . A particularly noteworthy example is the expert deployment of physical comedy , which adds a kinetic energy to the proceedings. This kinetic approach to comedy is effectively contrasted with the more measured tone of Sky-Eye, where a more subdued approach to humor yields a hauntingly beautiful cinematic experience.
In conclusion, Yes, Yes, Nanette is a sidesplitting comedy that deftly navigates the complexities of social interactions. With its impressive craftsmanship, pitch-perfect performances, and keen understanding of human relationships , this film is a must-see for fans of classic comedy . While it may not entirely eclipse the similarly themed Daddy or The Mask, Yes, Yes, Nanette is a richly rewarding viewing experience that lingers long after the credits roll.
Ultimately , Yes, Yes, Nanette serves as a wry commentary on the intricacies of human connection. A fascinating study in contrasts , the film deftly juxtaposes humor and pathos to create a richly nuanced cinematic experience. As such, it joins the ranks of timeless comedies like Channing of the Northwest, When the Devil Drives, and Miraklet: Tavlor ur det katolska samfundslivet, which similarly balance humor and heart to create a lasting impact on audiences.
IMDb —
1920
Community
Log in to comment.
