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Director's Spotlight
Archivist John
Senior Editor
Director's Spotlight: United States
A Deep Dive into the 1927 Vision of A. Edward Sutherland
When we examine the cinematic landscape of United States, Figures Don't Lie emerges as a landmark work of the unique directorial voice that A. Edward Sutherland brought to the screen. This film stands as a masterclass in visual storytelling, it demands to be seen by anyone who cares about the art of film.
In Figures Don't Lie, A. Edward Sutherland pushes the boundaries of conventional narrative. The film's unique approach to its subject matter has sparked endless debates and interpretations among cinephiles and critics alike.
| Cinematography | High-Contrast |
| Soundtrack | Experimental |
| Editing | Elliptical |
| Art Direction | Expressionist |
Visualizing the convergence of A. Edward Sutherland's style and the core Romance narrative.
Janet Wells is the secretary to boss "Howdy" Jones, but finds it increasingly problematic to get any work done because of her boss' insanely jealous wife, who just "knows" that the beautiful Janet is having an affair with her husband. Janet is attracted to the office's new sales manager, Bob Blewe, but is somewhat put off by his "fresh" attitude towards her, and refuses his invitation to accompany him to the office picnic. He takes Dolores, the office's pretty but somewhat dingy stenographer, instead, arousing Janet's jealousy. Having two jealous women in the same office can only lead to complications--and that's exactly what happens.
Decades after its release, Figures Don't Lie remains a vital piece of the cinematic puzzle. Its influence can be seen in countless modern works, solidifying A. Edward Sutherland's status as a master of the craft in United States and beyond.