Recommendations
Senior Film Conservator

In the vast archive of Drama cinema, A Divorce of Convenience stands as a thematic gravity beacon, the narrative complexity found here is a rare find in the 1921 landscape. From hidden underground hits to established classics, these are our top picks.
Few films from 1921 manage to capture to explore the darker corners of the human condition with thematic gravity.
Spanish coquette Tula Moliana is encumbered with two husbands, one of whom is Senator Wakefield. Intent on divorcing him, Tula convinces Jim Blake, engaged to the senator's daughter, Helen, to be her co-respondent. Jim is soon entangled in a web of deceit as he struggles to make excuses for his many inappropriate encounters with Tula. When one of her admirers threatens Jim's life, the latter keeps the assailant at bay by inviting him to dinner, with frequent interruptions to attend to Helen. After disarming the man, Jim reconciles with Helen and Tula returns to the senator.
The influence of Robert Ellis in A Divorce of Convenience can be felt in the way modern Drama films handle thematic gravity. From the specific lighting choices to the pacing, this 1921 release set a high bar for atmospheric immersion.
Based on the unique thematic gravity of A Divorce of Convenience, our vault has identified these titles as the most compelling follow-up experiences for fans of Drama cinema:
Dir: Edgar Jones
A mail-order bride arrives at a Maine lumber camp but doesn't like her prospective husband.
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Dir: Wilfred Lucas
Brian O'Farrell (Snowy Baker), is an English 'new chum' who takes a job at an Australian cattle station. He is teased by station hands because of his appearance (including spats and a monocle) but he soon impresses them with his skills at riding and boxing. The station manager, John MacDonald (Wilfred Lucas), takes O'Farrell to Sydney to meet his daughter Edith (Kathleen Key) who is working in the slums. Edith is kidnapped by criminals after witnessing a crime but O'Farrell rescues her. It is later revealed he is the owner of the station.
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Dir: Robert Ellis
In his effort to ensnare Paula, an American girl studying music in Paris, Darcelle intercepts her mail and steals the money sent her from America. When financial reverses beggar the Farrells, they send Paula her passage money and urge her to return home. This money is stolen by Darcelle. Desperate, and anxious to aid her mother and sister, the girl falls a victim to the scoundrel's wiles. Mrs. Farrell dies, believing that her daughter has achieved success abroad. Marjorie, Paula's sister, unexpectedly comes to Paris to live with her. Paula endeavors to hide her secret, but it is revealed when Austin, a young American who loves her, learns of the girl's affair with Darcelle. Late that night, half-crazed as the result of the denouement, Paula visits a cafe and witnesses a performance of the "Dance of the Apaches." The fate which is meted out to the male Apache deeply impresses the girl. During her absence, Darcelle, whose eyes have turned towards Marjorie, enters Paula's apartment. Confronted by the scoundrel, Marjorie stabs and mortally wounds herself to escape him. Darcelle flees just before the elder sister returns. Dying, Marjorie tells her story to Paula. Remembering the fate dealt out to the Apache, the girl vows to slay her sister's murderer. The police have been looking for Darcell, and the man takes refuge in Paula's apartment. The girl's attempt to slay him fails. Austin, who is aiding the police, enters the apartment with the latter just in time to save Paula's life. Darcelle leaps from a window in trying to escape and is killed. Austin learns Paula's story and forgives her.
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Dir: Dallas M. Fitzgerald
Confidence artist Flossie Golden attempts to fleece foolish but wealthy James Venable with a breach-of-promise suit. Venable's shrewd attorney, Richard Harding, outwits Flossie by proposing that she marry Venable and live on an allowance of $3,000 per year. Flossie is determined to get even with Harding for ruining her plans. In an attempt to con him, she poses as Innocence Page, but falls in love and marries him instead. Larry, Flossie's former accomplice, endeavors to blackmail her with her errant past, but Harding is already cognizant of the facts and Larry fails.
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Dir: Alexander Butler
In Alberta, Canada, a Cornish emigrant unmasks a rustler posing as the girl's "blind" father.
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Dir: Maurice Elvey
A lady marries a horse trainer but withholds herself until her crippled brother is cured.
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Dir: Maurice Campbell
Carver Endicott, a young sophisticate, is rejected by his fiancée for being too foppish and dull. When she feigns an interest in his father, Carver attempts to disgrace his family name by working as a farmhand and later as a busboy in a hotel. However, the newspapers only praise him for his self-sacrificing principles; and finding that he cannot bring shame to the family through menial labor, he takes up with a notorious actress. But when this maneuver also fails, he returns to his former fiancée, who has no further complaint about his being an inexperienced dullard.
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Dir: Robert Ellis
A cult of Hindu tiger worshippers and a gang of Western outlaws try to cheat a young woman out of rich mines that belong to her.
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Dir: Reggie Morris
A fascinating piece of cinema that shares thematic elements.
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Dir: Unknown Director
The Judge needs a present for his wife's birthday, so Harry suggests a new corset. They go to the shop, but he's so embarrassed to ask the saleslady he hides in a phone booth.Harry goes in, but finds a GUY wearing one, and runs out.They both dress as women to get back in, but Mrs. Rummy gets there and chases him out.
View DetailsAnalysis relative to A Divorce of Convenience
| Film Title | Atmosphere | Complexity | Similarity |
|---|---|---|---|
| In the River | Gritty | High | 92% Match |
| The Jackeroo of Coolabong | Ethereal | High | 85% Match |
| The Apaches of Paris | Ethereal | Abstract | 89% Match |
| Blackmail | Surreal | High | 88% Match |
| The Night Riders | Ethereal | High | 96% Match |
This guide was algorithmically generated using the cinematic metadata of Robert Ellis's archive. Last updated: 6/26/2026.
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