Recommendations
Senior Film Conservator

Since its 1917 debut, A Kiss for Susie has maintained a unique vision status, the legacy of A Kiss for Susie is a beacon for those seeking the unconventional. Our criteria for this list were simple: only the most unique vision and relevant titles.
The 1917 landscape was forever altered by the arrival of to sustain a sense of mystery that persists after the credits roll.
Susie is the daughter of a very good bricklayer. The lad who loves her is a very rich lad, as all lads should be, but, alas are not. To win her, he poses as a hod-carrier, certainly an unromantic disguise for a wooer. His mother has social aspirations for him, with Newport as a base of action, but what cares he? He loves the bricklayer's daughter. Is it not simple? It is. Simple, but sweet. Later Susie gets rich by means of a legacy, and the bricklayer's family moves into opulent quarters. Then sweet Susie is elegantly-gowned, but no happier. What are mere dollars to sweet Susie? The main situation in which Susie figures is one of finance. Seeing that dollars mean unhappiness, she plans to induce her father to invest in the stock market and to let him believe that he has lost all. This scheme succeeds in bringing the picture to its ideal end, and Susie marries the lad who posed as the hod-carrier. - Picture Play Magazine 1917.
Critics widely regard A Kiss for Susie as a cult-favorite piece of cult cinema. Its unique vision is frequently cited as its strongest asset, solidifying its place in United States's film legacy.
Based on the unique unique vision of A Kiss for Susie, our vault has identified these titles as the most compelling follow-up experiences for fans of cult cinema:
Dir: Robert Thornby
When the Duke of Wynninghame, a "simple soul" who prefers science to royalty, meets Molly Shine, a London shop girl, he is enthralled by her love of books and begins to send her two pounds weekly so that she can purchase the books that she adores. Molly's mother discovers the money and, assuming that the duke is paying her daughter for immoral reasons, drags the girl to the duke's home, where she charges him with seduction. The duke good-naturedly agrees to marry Molly, and then ignores her. Molly loves her husband, but his neglect, coupled with the enmity of Octavia, the duke's sister, compels her to leave. As she prepares to flee, the duke realizes that he has fallen in love with his wife, and the two face a happy future together.
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Dir: Robert Thornby
Vaudeville artist LaBelle Geraldine and her dancing partner Freddie Montgomery are stranded in Arizona when their troupe breaks up. In order to raise money, Geraldine orders Freddie to impersonate masked bandit Black Jim so that she may turn him in and collect the $2,000 reward. When the real Black Jim holds up her coach, Geraldine, believing that he is Freddie, boldly pulls out her gun, and the bandit shoots her in the wrist and takes her to his cabin. Later Freddie is captured too, but when members of the gang insult Geraldine, he refuses to protect her. Gradually Black Jim falls in love with her, and she comes to admire him so deeply that instead of seizing a chance to escape one night, she returns to warn him of the gang's plot to kill him. Together they hold the gang off until their cabin is set on fire. Dashing through the flames, they leap onto their horses and escape to safety.
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Dir: Robert Thornby
Young Celeste Janvier ( Bessie Love ) lives in an East Side tenement with her immigrant grandfather, a humanitarian and socialist. Like her kindly grandfather, Celeste also has a kindhearted soul, and her friendly nature has earned her the nickname, " the little sister of everybody." When several unpleasant men try to court her, Celeste turns them down. Meanwhile, Hugh Tavers Jr., ( George Fisher ) whose father owns a factory, has died suddenly. The young Tavers poses as a laborer in order to understand why the workers want to strike. He meets and falls in love with Celeste, who works at the factory, and he secures a better job for her. Celeste learns that anarchist Ivan Marask ( Hector Sarno ) plans to kill Travers, she hurries to warn her employer and is shocked to learn that he is the poor laborer whom she loves. Marask comes to respect Travers, who agrees to improve working conditions for the factory workers, and finds lasting contentment with the lovely Celeste.
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Dir: Robert Thornby
As Nan Lorimer's mother lies dying, she makes Nan promise to take care of her younger sister Masie. Unfortunately, Masie falls for the shady Dr. Thornton and travels secretly around New York City to meet him. One night she is rescued during a subway accident by wealthy John Harwood, a miner, who falls in love with her and marries her. Although the two are deeply in love, John begins to neglect his wife for his mining business, and soon Masie begins to see Dr. Thornton again. Complications ensue.
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Dir: Robert Thornby
Young playwright Harold Montague travels to the Kentucky mountains to seek the local color that his manager has complained is lacking in his new play. There he falls in love with Kate Kendall, a mountain girl, and tries to befriend a group of moonshiners, who regard him with suspicion because of their fear of revenue officers. Looney Lige, jealous of Harold's success with Kate, alerts the officials to the location of the still, and the mountaineers, led by Big Hank, decide that the outsider whom they assume has betrayed them must hang. Kate saves Harold at the last moment, and, badly shaken, he catches the next train back to New York. At the rehearsal of his play, his manager introduces him to his leading lady--Kate Kendall, who had also been sent to the mountains for local color.
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Dir: Robert Thornby
Newt Spooner's determination to kill Henry Falkins. who has denounced Newt and sent him to prison, grows deeper rooted with the years. It seems that the red-branded hatred in his mind has seared its impression upon every fiber of his being. And then Minerva Rawlins enters his life. The change in Newt's nature does not come in a flash. Despite the influence of the girl he loves, he still cherishes his hatred. Fate throws the two men together in the Philippines. Amidst battle and bloodshed the vision of Minerva follows Newt. His opportunity to slay Henry Falkins occurs, but the influence of Minerva reaching out even across miles of salt ocean, stays his hand at the eleventh hour. How Newt's final stage on the upward path he has set himself to follow is reached, is depicted dramatically. The last barriers with which Newt has steeled his dark hatred are swept away and a woman's power saves him from himself and the vengeance of the law.
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Dir: Robert Thornby
Jill Cummings and her sisters Marguerite and Jane are left penniless when their father dies. To provide for the family, Jill accepts a sales position in a department store, where she attracts the attention of her unhappily-married boss, George Hemingway. Desperate to escape her difficult circumstances, Jill accepts Hemingway's proposal that she live as his mistress and subsequently is kept in high style in a large, beautiful house. Some years later, Hemingway dies, and with the fortune he leaves her, Jill tours Europe. There she becomes engaged to Harry Adams, but when George Hemingway, Jr. appears to act as best man in the wedding, Jill is forced to confess her past to Harry. The two separate for a year to think things over, and when Harry returns, he suggests to Jill that they live together "in a happy way." Jill leaves him and continues her life alone.
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Dir: Robert Thornby
A feud over boundaries between the McKinstry and Harrison families, both from Kentucky, but squatting in California in search of gold, has caused Cressy McKinstry to show disdain for Joe Masters, a cousin of the Harrisons, even though she secretly loves him. Nellie Dabney, who left her husband Ben for city-bred John Ford but then was deserted by him, returns and is rejected by Ford, who is now the schoolteacher of the settlement and is attracted to Cressy. After Ben fights Ford and takes Nellie back, Cressy schemes with Ben for him to buy the land in her name. A San Franciscan representative of the legal owner arrives to take possession and provokes a fight at the boundary line which leaves Joe with a bullet in his arm. Cressy proves that the land belongs to her and Joe, who she will soon marry, and the families are reconciled.
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Dir: Robert Thornby
Mining engineer Paul Grayson writes a play that is sent to theatrical producer McKay Hedden, who decides that it is so good it is worth stealing. Hedden makes a copy and then returns the original with a note that it is worthless. At Hanleytown Harbor on the New England coast, Hedden meets Silver Sands, the daughter of an old sea captain, and decides to star her in the play. Paul also visits the harbor and falls in love with Silver. Hedden begins rehearsals with Silver in New York, then a drama critic notifies his friend Paul of the treachery. Paul arrives in New York and rescues Silver from Hedden's advances. Hedden acknowledges Paul as author of the play which is a success with Silver in the leading role.
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Dir: Robert Thornby
Mary Willard takes over her father's railroad after his death. Her major competitor is a ruthless crook named Harvey Judson. She arranges for Judson to be kidnapped and taken to an isolated spot deep in the forest and turned loose to fend for himself. She accompanies the kidnappers to the wild and Judson, not knowing who she is, begins to fall in love with her. Complications ensue.
View DetailsAnalysis relative to A Kiss for Susie
| Film Title | Atmosphere | Complexity | Similarity |
|---|---|---|---|
| Simple Souls | Gothic | Dense | 87% Match |
| Lawless Love | Gothic | Abstract | 98% Match |
| A Little Sister of Everybody | Ethereal | High | 97% Match |
| The Almighty Dollar | Tense | Linear | 92% Match |
| Her Inspiration | Gritty | Layered | 92% Match |
This guide was algorithmically generated using the cinematic metadata of Robert Thornby's archive. Last updated: 6/28/2026.
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