Recommendations
Senior Film Conservator

If you found yourself captivated by the stylistic flair of A Law Unto Herself (1918), the profound questions raised in 1918 still require cinematic answers today. Experience the United States influence in these recommendations that echo A Law Unto Herself.
A Law Unto Herself remains a monumental achievement to provide a definitive example of Wallace Worsley's stylistic genius.
Alouette, the daughter of prosperous French vintner LeSieur Juste DeLarme, secretly marries Bertrand Beaubien although her father wants her to wed wealthy German Kurt Von Klassner. After Kurt slays Bertrand, Alouette is forced to marry the brutal German, and only her love for her little son Bertrand, whom Kurt imagines is his offspring, but who actually is the slain Frenchman's, saves her from complete unhappiness. Years later, when the Germans invade France during World War I, Kurt assists them although they have killed his father-in-law. Bertrand's young sweetheart is killed during the German occupation of the village, and fiercely determined to drive them out, he enlists in the French army. With the arrival of the French forces, the town is rescued, and Kurt, through Bertrand's testimony, is arrested as a spy.
Based on the unique stylistic flair of A Law Unto Herself, our vault has identified these titles as the most compelling follow-up experiences for fans of cult cinema:
Dir: Wallace Worsley
Jane Cabot, a working girl whose mother Marion sings in a cabaret and whose father Jim simply loafs, dreams of leaving the slums for a new life. After Jane's mother is discharged, however, Jane is forced to take her place in McGann's saloon, where she attracts the attention of political boss Thomas Dolan and his young assistant, Lee Stevens, who has recently come to New York from the mountains of the West. When Dolan insults Jane, she throws wine in his face, which infuriates Dolan but deeply impresses the idealistic Westerner. Dolan's systematic harassment causes Jane to lose every position she secures, but Lee, believing her unfaithful, returns to the mountains. Meanwhile, Jane's father is convicted of killing a policeman, and on the day he is imprisoned, her mother commits suicide. Lee learns that Jane still loves him and returns to New York just as Dolan is taking the dazed girl to his apartment. The two men engage in a fierce struggle until the police, who have discovered the politician's corruption, enter and arrest Dolan.
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Dir: Wallace Worsley
After Alice Dane, a poor English schoolteacher, witnesses Sir John Turnbull throw an adversary over a cliff, Turnbull offers her money and marriage, because a wife cannot testify against her husband. To support her invalid father and for desired luxuries, Alice accepts, but she finds her husband humiliating and insulting. When Bobby Ralston, the superintendent of Turnbull's South African mines, reports that Turnbull's interests are endangered by a Zulu uprising, Turnbull takes Alice to Africa. After Turnbull shoots an emissary of Zulu chief Cetygoola carrying a flag of truce, Alice is taken hostage, to be burned at the stake unless the messenger's killer is offered. Knowing that Ralston loves Alice, Turnbull dares him to offer himself, which he does, but the Zulus realize he is not the guilty party. During the Zulus' subsequent attack, Ralston and Alice escape to an observation balloon. Reinforcements defeat the Zulus, but Cetygoola hides and kills Turnbull. Ralston and Alice are then free to marry.
Dir: Wallace Worsley
Unknown to his proud, wealthy family, Granger Hollister marries telephone operator Margery Harding. Granger presents his new wife at an engagement party given for his sister Jane, but Jane's fiance', Lord Cecil Graydon, threatens to break off the betrothal unless Granger's marriage is annulled. To please his sister, Granger sacrifices Margery, who seeks work and later gives birth. After her baby's death, Margery goes West, where she befriends and old miner who later leaves her his fortune. Meanwhile, Granger becomes involved in a fraudulent mining deal, and because of George Osborne's perjured testimony, he is sent to prison for five years. When he escapes, Margery agrees to hide him and is ultimately responsible for obtaining his pardon. Granger then remarries the wife he had abandoned.
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Dir: Wallace Worsley
The guests at a summer resort hotel, headed by Mrs. Van Courtlandt--Van Allstyn, are preparing to stage a charity performance of a farce, and Gaston Allegretti, threatened with dismissal by the owners, has promised to obtain the services of Broadway star Elsie Parmelee. When the actress refuses, Gaston, in despair, enlists the aid of Helen Haynes, who works in a broker's office and resembles the actress. With MacGregor, a Scottish bookkeeper, she goes to the resort for what she supposes to be a vacation and is reluctant to accept an acting role until she finds that young millionaire Bobby Bates, with whom she is in love, is engaged to play opposite her; although awkward in the part, she is hailed as a great comedienne. Bobby proposes and Helen accepts, thinking he knows her true identity. Later, he learns of the real Elsie Parmelee and is disillusioned, but MacGregor admits his duplicity and all ends well.
Dir: Wallace Worsley
Wealthy and middle-aged Gerald Fitzgerald begins to tire of his wife who is an extremely temperamental and romantic opera singer and believes he has found another woman who suits him better. He endeavors to arrange with his wife for a divorce. She agrees, but returns home from her foreign opera tour. The situation brings her face to face with the fact that she really loves him but with a woman's wiles she adopts a more subtle method. When she finds that her policy of agreeing with him is having its effect, she cleverly arranges for a dinner party and invites him to bring the other woman. She makes every situation work to her advantage and presses her advantage after dinner with the final result that she wins her husband back.
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Dir: Wallace Worsley
Viola Baxter is deceived into a hasty marriage with her guardian, Marshall Welch, who is after her money and has framed her fiancé, Dick Fletcher, for theft. She discovers and exposes her husband's perfidy. Humiliated, Welch decides to take his wife's life along with his own, but she is saved by her Great Dane.
Dir: Wallace Worsley
When taken to a San Francisco cafe by her sweetheart Jimmy, Georgia Rodman witnesses the shooting of a policeman by an underworld gang. The owner, O'Rourke, whom Jimmy believes to be his friend, sends one of his men to their table to inquire about Georgia, and after he shoots the policeman, Georgia and Jimmy are held for questioning. As a result, Georgia is turned out of her home, and O'Rourke gives the couple a room in his hotel. Assistant District Attorney Steven Graham links the missing couple with O'Rourke's activities and collects evidence against him. O'Rourke plans to bribe Graham and have Jimmy shot on the night of his annual ball, and Sally, O'Rourke's ex-mistress, learning of the plan, turns against him and informs Georgia; finding Jimmy wounded, Georgia seeks revenge at the ball, but Sally shoots O'Rourke. Georgia is reunited with her family and Jimmy, while Graham finds happiness with her sister Mary.
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Dir: Wallace Worsley
A rich young boy has to prove his worth to the gang he has just joined by enduring all sorts of hardships, including a kidnap attempt, before they'll accept him.
Dir: Wallace Worsley
In return for money and medical aid for his invalid mother, struggling author Robert Sandell agrees to subject himself to experiments by Dr. Lamb, who claims he is trying to extend the human lifespan. Despite warnings from the doctor's wife and a hunchbacked assistant, Robert allows himself to be strapped to an operating table, whereupon he learns the true nature of the surgeon's experiments: To prove the theory of evolution by devolving his human subjects into an approximation of their simian ancestors. However, before Dr. Lamb can proceed, the hunchback un-cages another victim, an ape-man, who crushes Dr. Lamb to death.
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Dir: Wallace Worsley
New York playwright Vincent Manton invests his entire fortune in stock, to keep his socially ambitious wife Lucille happy, but quickly loses it. Devastated when Lucille angrily elects to divorce him, Vincent moves to Alaska and begins to drink heavily. His sad rendition of "Home Sweet Home" on the piano in Big Dan Johnson's dance hall moves Johnson's foster daughter Rose to pity, and she gently reproaches him for his drinking. Unaware of her relation to Big Dan, Vincent treats Rose like one of the dance hall girls, and as a result, he is beaten senseless. Rose faces rejection for nursing the stranger's wounds, but Vincent falls in love with her, and they are married. Shortly afterward, Vincent strikes gold, and while he is visiting New York to incorporate his mine, he encounters his first wife. Lucille musters all of her charms to regain Vincent, but he soon realizes that she is only desirous of his money and decides to return to the woman who really loves him. Upon his arrival, Rose presents him with a baby son.
View DetailsAnalysis relative to A Law Unto Herself
| Film Title | Atmosphere | Complexity | Similarity |
|---|---|---|---|
| Honor's Cross | Surreal | Layered | 90% Match |
| A Woman of Pleasure | Gothic | High | 86% Match |
| Wedlock | Gritty | High | 85% Match |
| The Beautiful Liar | Gritty | Linear | 92% Match |
| Enter Madame | Surreal | Linear | 94% Match |
This guide was algorithmically generated using the cinematic metadata of Wallace Worsley's archive. Last updated: 5/15/2026.
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