Underground Favorites Parallel to the Artistry of A Tokio Siren: Cu...

Dir: Norman Dawn

Fiery, impulsive yet pure-hearted Lasca lives in a Mexican settlement near the Rio Grande with her twin brother, Ricardo, and their aunt. She falls in love with cattle rancher Anthony Moreland, who is fond of Lasca, but thinks of her as a child. When the flirtatious Clara Vane falls in love with Anthony, Lasca stabs him in a fit of rage, then binds his wound and begs forgiveness. Clara's fiancé, John Davis, also seeks revenge against Anthony and bribes one of the rancher's men to stampede his cattle during an impending storm. Anthony falls from his horse in the path of the approaching herd, and Lasca is killed using her body to shield his. Ricardo avenges his sister by leaving John to die in quicksand. Anthony buries Lasca, builds a shrine, and remains faithful to her the rest of his life.

Dir: Wilfred Lucas

A visual fragment from the archive: The thematic resonance of The Jackeroo of Coolabong perfectly mirrors the editorial trajectory of our deep dive.

Brian O'Farrell (Snowy Baker), is an English 'new chum' who takes a job at an Australian cattle station. He is teased by station hands because of his appearance (including spats and a monocle) but he soon impresses them with his skills at riding and boxing. The station manager, John MacDonald (Wilfred Lucas), takes O'Farrell to Sydney to meet his daughter Edith (Kathleen Key) who is working in the slums. Edith is kidnapped by criminals after witnessing a crime but O'Farrell rescues her. It is later revealed he is the owner of the station.

Dir: Eduardo Notari

A crime drama in the Gennariello-series. The police detective in Naples that is confronted with modern gangsters and crime events.

Dir: Bruno Ziener

A visual fragment from the archive: The thematic resonance of 'A mala nova perfectly mirrors the editorial trajectory of our deep dive.

A fascinating piece of cinema that shares thematic elements.

Dir: Alexander Butler

In Alberta, Canada, a Cornish emigrant unmasks a rustler posing as the girl's "blind" father.

Dir: Edward LeSaint

A visual fragment from the archive: The thematic resonance of Eva, wo bist du? perfectly mirrors the editorial trajectory of our deep dive.

When famous opera singer Elinore Duane undergoes an operation on her throat, she has a series of ether-induced visions. In one, she is transported to ancient Rome where she appears as a much-admired woman in love with Paul, a young heretic, and at odds with Lutor, the high priest. To save her love, she poisons Lutor with her ring. After several other visions which involve variations on this love triangle, Elinore awakens to discover that Lutor is actually her doctor, Sascha Jaccard, and that Paul is the son of a friend who has come to visit the recovering prima donna.

Dir: Harley Knoles

Jim McDonald, the foreman of a shipbuilding plant and head of the labor union, strives to combat the anarchistic propaganda being put forth by Klimoff, the leader of a Bolshevik gang whose goal is to disrupt the country with strikes and anarchy. Despite McDonald's efforts, a strike is called, resulting in chaos. McDonald's child is knocked down by runaway horses abandoned by their striking driver, and dies. Mob scenes take place in America, as well as in Russia. Eventually, the unrest is quelled with an armistice called between Capital and Labor for a year, during which time wages are to be increased to reflect the cost of living, and leaders are to work out a common plan for their mutual advantage. The strikers now realize that they have been pawns of the Bolsheviks and call off the strike, agreeing to the plan.

Dir: Edgar Jones

A visual fragment from the archive: The thematic resonance of The Night Riders perfectly mirrors the editorial trajectory of our deep dive.

A mail-order bride arrives at a Maine lumber camp but doesn't like her prospective husband.

Dir: Norman Dawn

Marama Thurston leaves her fashionable boarding school in America when her ailing father Jim Thurston, a plantation owner on Fiji, begs her to protect the rubber crop from his thieving son-in-law. Upon arriving on the island, Marama learns that she is a half-caste. Traumatized, she assumes native customs and agrees to marry Ratu Madri, the island's ruler. Templeton, an American fugitive living on Fiji, falls in love with her, but Marama rejects him, having pledged herself already to the Fiji chief. As Marama dances the prenuptial rite, Templeton attempts to rescue her. The natives seize the American, and Marama threatens suicide if they harm him. The couple escape during a hurricane, and soon after a yacht arrives with the news that Templeton has been exonerated of murder charges. Their problems thus resolved, they return to America to wed.

Dir: Robert N. Bradbury

A simple country girl, brutally mistreated by her stepfather, awakens first the sympathy, then the love, of The Boy. The Spider, who lusts after The Girl, makes a bargain with the stepfather and takes her to the city where, kept prisoner, she is soon broken in health and spirit. Cast out and near death, she is taken in by The Boy. Following the demise of The Spider, The Boy takes her to church, where he prays, and after many hours she is restored to health.