The Auteur's Selection Complementing the Tone of Adele: Cult Guide

Dir: Wallace Worsley

Jane Cabot, a working girl whose mother Marion sings in a cabaret and whose father Jim simply loafs, dreams of leaving the slums for a new life. After Jane's mother is discharged, however, Jane is forced to take her place in McGann's saloon, where she attracts the attention of political boss Thomas Dolan and his young assistant, Lee Stevens, who has recently come to New York from the mountains of the West. When Dolan insults Jane, she throws wine in his face, which infuriates Dolan but deeply impresses the idealistic Westerner. Dolan's systematic harassment causes Jane to lose every position she secures, but Lee, believing her unfaithful, returns to the mountains. Meanwhile, Jane's father is convicted of killing a policeman, and on the day he is imprisoned, her mother commits suicide. Lee learns that Jane still loves him and returns to New York just as Dolan is taking the dazed girl to his apartment. The two men engage in a fierce struggle until the police, who have discovered the politician's corruption, enter and arrest Dolan.

Dir: Wallace Worsley

Feeling neglected by her husband, the wife of a prominent San Francisco doctor finds herself attracted to a young newspaper reporter. Although they haven't brought their relationship to "the next level", her husband finds out about them and forces the young man to leave town. Dejected, he gives up his career, moves to New York, and winds up an alcoholic in one of the most dangerous neighborhoods in the city. The doctor's wife sets out to find him.

A visual fragment from the archive: The thematic resonance of Don't Neglect Your Wife perfectly mirrors the editorial trajectory of our deep dive.

Dir: Wallace Worsley

Helen Rowland is unresponsive towards her rich husband Henry and spends most of her time at social events. Henry agrees to give financial assistance to young clergyman John Sterling for his missionary cause if Helen can become interested in Sterling's work in the slums. Helen becomes so interested in Sterling's mission work that she admits to Henry that she is in love with the clergyman. Henry then insists that Sterling arouse Helen's hatred. Sterling feigns drunkenness and Helen is so disgusted that she hurries home. Henry is remorseful about the scheme, but confesses he did it out of love for her, and so Helen discovers, finally, that she loves her husband.

Dir: Wallace Worsley

New York playwright Vincent Manton invests his entire fortune in stock, to keep his socially ambitious wife Lucille happy, but quickly loses it. Devastated when Lucille angrily elects to divorce him, Vincent moves to Alaska and begins to drink heavily. His sad rendition of "Home Sweet Home" on the piano in Big Dan Johnson's dance hall moves Johnson's foster daughter Rose to pity, and she gently reproaches him for his drinking. Unaware of her relation to Big Dan, Vincent treats Rose like one of the dance hall girls, and as a result, he is beaten senseless. Rose faces rejection for nursing the stranger's wounds, but Vincent falls in love with her, and they are married. Shortly afterward, Vincent strikes gold, and while he is visiting New York to incorporate his mine, he encounters his first wife. Lucille musters all of her charms to regain Vincent, but he soon realizes that she is only desirous of his money and decides to return to the woman who really loves him. Upon his arrival, Rose presents him with a baby son.

A visual fragment from the archive: The thematic resonance of Playthings of Passion perfectly mirrors the editorial trajectory of our deep dive.

Dir: Wallace Worsley

In an effort to uphold his distinguished family's financial position, Henry Guion embezzled $400,000, and is now on the verge of ruin. When engineer Peter Devenant, a former suitor of Henry's daughter Olivia, returns East after making his fortune and hears of the family's dire circumstances, he offers to repay the funds. Olivia, now engaged to British nobleman Colonel Ashley, objects to his offers initially, but finally reconsiders to save her father's reputation. Abhorred that his fiancee is indebted to a former suitor, Col. Ashley breaks the engagement. Hearing of her niece's difficulties, Olivia's wealthy aunt, Mme. De Melcourt, intercedes and refunds Peter's money, forcing her niece to realize that her true affections lie with the young engineer rather than with the haughty nobleman.

Dir: Wallace Worsley

An orphan boy from the Kentucky hills joins the Union Army and rescues his adopted family from Morgan's raiders. He learns his real identity when he returns after the war.

A visual fragment from the archive: The thematic resonance of Social Ambition perfectly mirrors the editorial trajectory of our deep dive.

Dir: Wallace Worsley

Members of a secret anarchist group take revenge.

Dir: Wallace Worsley

Mary Thorne, a quarter-breed Native American, returns home from the East with a college degree and an air of refinement, although she relishes the freedom of her father Marshall's mountain cabin. When Mark Hamilton and Chester Martin visit the cabin on a hunting expedition, Mary, in a spirit of mischief, dons her Indian clothing and convinces them that she is full-blooded. Mark falls deeply in love with the girl, while Chester, contemptuous of her Indian background, though attracted to her, decides to possess her. While her father is hunting for gold at Lost Lake, Chester enters Mary's room and attacks her. Mark rescues her, after which he realizes, by the modern décor of her room, that Mary is a cultured young lady. Later, Marshall is killed by an Indian guard at Lost Lake, but Mary inherits the gold he discovered and marries Mark.

A visual fragment from the archive: The thematic resonance of The Street Called Straight perfectly mirrors the editorial trajectory of our deep dive.

Dir: Wallace Worsley

Viola Baxter is deceived into a hasty marriage with her guardian, Marshall Welch, who is after her money and has framed her fiancé, Dick Fletcher, for theft. She discovers and exposes her husband's perfidy. Humiliated, Welch decides to take his wife's life along with his own, but she is saved by her Great Dane.

Dir: Wallace Worsley

In return for money and medical aid for his invalid mother, struggling author Robert Sandell agrees to subject himself to experiments by Dr. Lamb, who claims he is trying to extend the human lifespan. Despite warnings from the doctor's wife and a hunchbacked assistant, Robert allows himself to be strapped to an operating table, whereupon he learns the true nature of the surgeon's experiments: To prove the theory of evolution by devolving his human subjects into an approximation of their simian ancestors. However, before Dr. Lamb can proceed, the hunchback un-cages another victim, an ape-man, who crushes Dr. Lamb to death.