Top-Tier Alternatives In the Shadow of Aladdin and the Wonderful La...

Dir: Chester M. Franklin

The little school ma'am has come out to a Western town from her home back in Virginia. The townspeople just can't help making life miserable for the little schoolteacher, and when a young playwright who happens to be from Virginia himself, arrives in the town and meets the lonely little teacher, old Mrs. Grundy just runs riot. To make matters worse, the young people go off for a ride and when they wander off to a spring to get a drink, the horse runs away,, so they must stay out in the woods all night. Then there is a crash, and the school teacher is summarily dismissed from her position.

Dir: Chester M. Franklin

On a boat to San Francisco, Nellie Proctor is nearly caught stealing a man's wallet, but because she slips it into James Blair's pocket, he is arrested for the crime and sentenced to two years on the chain gang. Nellie, ashamed at having sent an innocent man to prison, convinces her friend Milligan to help James escape, after which all three go to an Alaskan mining town to begin new lives. While James prospects for gold, Nellie and Milligan find work in a local saloon, and Nellie takes charge of four orphaned children. Warren McKenzie, the saloon owner, is also the sheriff, and when he discovers James' identity, he threatens to turn the young man over to the law unless Nellie visits him in his cabin. To save James, with whom she has fallen in love, from a second prison term, Nellie consents, but James and the children come to her rescue.

A visual fragment from the archive: The thematic resonance of The Girl with the Champagne Eyes perfectly mirrors the editorial trajectory of our deep dive.

Dir: Chester M. Franklin

A man and his wife both have criminal pasts, but have quit crime and are now respectable citizens. One day a member of their old gang shows up and threatens to expose them if they don't help him pull a heist.

Dir: Chester M. Franklin

Ali Baba, a poor Turkish wood chopper, discovers that a robbers' cave, concealed in the mountains that surround his house, opens to the magical phrase, "Open Sesame." Learning that the cave is filled with stolen treasure, he takes home as much as he can carry, but his greedy brother forces him to reveal the cave's location. After gaining admittance to the cave, Ali Baba's brother is seen by the thieves and killed. Meanwhile, Ali Baba falls in love with Morgianna, a slave girl forced to dance in the local inn, and by securing her freedom, he wins her love and loyalty. The leader of the band of robbers suspects that Ali Baba knows the secret of the treasure cave, and in the guise of an oil merchant, he visits Ali Baba with his forty thieves concealed in oil jars. When Morgianna discovers the robbers, she fills the jars with boiling oil, thereby killing them all. Ali Baba defeats the robber chief in combat and then marries his beautiful Morgianna.

A visual fragment from the archive: The thematic resonance of Going Straight perfectly mirrors the editorial trajectory of our deep dive.

Dir: Chester M. Franklin

Sculptor Roger Heath realizes his new maid is possessed by the soul of his departed wife.

Dir: Chester M. Franklin

A French orphan girl is adopted into the home of wealthy Americans. There she becomes romantically involved with a farm worker and at the same time entangled in the deteriorating marriage of the American couple who rescued her.

A visual fragment from the archive: The thematic resonance of Ali Baba and the Forty Thieves perfectly mirrors the editorial trajectory of our deep dive.

Dir: Chester M. Franklin

Roy Somerville has turned out an interesting story that will hold the interest of the majority of audiences as produced by the Triangle-Fine Arts Company. It is a five-reel feature produced under the direction of C.M. and S.S. Franklin,. Norma Talmadge stars as Cora, who is wed to Arthur Vincent (Eugene Pallette); they have two children. Vincent is a bank president's son who devotes much of his time to cabaret dancer Jane Courtenay, who is willing to have him devote his time to her as long as he is a good provider. The wife, who has been sadly neglected, turns to her sister, who is wed to young detective Fred Brown. His brother Charles, who works in the elder Vincent's bank as a cashier, lives with them. He was Cora's first love and has never quite recovered from the fact that she jilted him to wed Vincent because of his money. The cabaret dancer makes several demands on the young Vincent, who tries to borrow money from his father to meet them; failing to receive the loan, he agrees to help several friends of the cabaret charmer rob his father's bank. After the robbery Charles Brown is accused of the crime and arrested. But the robbers are discovered in their hiding place, and in escaping all but one is killed. Cora is left a widow and the natural supposition is that she and Charles were happily married afterward. Just where the title comes in is hard to say, but the picture, while not one of the best that has been produced at the Fine Arts, is one that will get by because of its great appeal to women.

Dir: Chester M. Franklin

Adopted by the Kellys from an orphanage, Nancy is reared in dreadful surroundings and mistreated as the household drudge. She accidentally makes the acquaintance of Jack Halliday, son of a wealthy city family who is fishing near her home. When Mrs. Kelly beats Nancy for accepting the attentions of her husband, the girl escapes into the woods and conceals herself in the rear of Jack's car as he drives into the city. Arriving home, Jack discovers her and orders a beautiful new wardrobe for her. Jack's fiancée, Elizabeth, angered, recalls his parents from their trip, and while he is out buying flowers for Nancy, they persuade her that she can bring only unhappiness to their son. In her old garments she returns to the Kelly shack, where Jim Kelly tries to attack her; but Jack arrives to rescue her, and they are happily united.

A visual fragment from the archive: The thematic resonance of All Souls' Eve perfectly mirrors the editorial trajectory of our deep dive.

Dir: Chester M. Franklin

Jack exchanges his cow for some magic beans. The beans grow overnight into a beanstalk. Jack climbs it and arrives at a castle that is his. He sets a deal with the giant in exchange for the fortune.

Dir: Chester M. Franklin

Millionaire Hamilton fakes death to test wife's loyalty. His wife and brother plot to kill his children for inheritance. Hamilton warns kids through Hansel and Gretel story. Wife overhears, realizes her evil plan. Family reunites.