The Recommended Vault Parallel to the Artistry of An Adventure in Hearts: Cult Guide

Dir: James Cruze

Sylvia Figueroa, the orphaned daughter of an impoverished aristocratic family, loves Watt Dinwiddle, a struggling young attorney who has ventured to San Francisco to make his fortune. When, after his departure, Sylvia fails to hear from her lover, she follows him to the city. After spending weeks vainly searching for a job, Sylvia is forced to accept a position in the chorus line of "Vanities." Her performance is a huge success and soon she is featured as "Mabel Flowers, the Kissing Girl." Becoming disgusted with the milieu, however, Sylvia soon quits. Meanwhile, Watt has been cultivating the wealthy Jack Horner, whose wife Nancy desires a divorce because of her husband's lack of social standing. Sylvia agrees to act as corespondent in the suit in return for the promise that Jack will turn over his legal affairs to Watt. However, love triumphs as Nancy realizes that love is more important than social position, and Watt forgives Sylvia for her scandalous conduct.

Dir: James Cruze

A visual fragment from the archive: The thematic resonance of Crazy to Marry perfectly mirrors the editorial trajectory of our deep dive.

Dr. Hobart Hupp believes he can cure criminals by surgery, and experiments on Dago Red, who has been promised freedom if the operation is successful. Hobart drives to his wedding later that day, unaware that his fiancée, socialite Estrella De Morgan, is actually in love with young Arthur Simmons. Along the way, charming Annabelle Landis mistakes Hobart for her chauffeur, and he drives 300 miles to her home while deciding whether he wants to desert his waiting bride. Upon her arrival, Annabelle is intercepted by her parents, who demand that she marry the man of their choice. Dago Red comes to the doctor's rescue and they escape to an island, accompanied by Annabelle and a minister. There they find Estrella, who has eloped with Arthur. The parents arrive soon after to find Hobart married to Annabelle, and Estrella married to Arthur.

Dir: James Cruze

About a boob who put his town on the map by selling fake oil stock. For Gus didn't know an oil well from an oil stove, so the two crooks had easy pickings. Until the well started to spout.

Dir: James Cruze

A visual fragment from the archive: The thematic resonance of Gasoline Gus perfectly mirrors the editorial trajectory of our deep dive.

Young Jack Wright offers his hand in marriage to the winner of a lottery, but after committing to the winner falls in love with another woman.

Dir: James Cruze

Lawyer George Howell leaves his bride Ottilie on their wedding day, having promised client Ned Pembroke that he would procure some old love letters from Vera Vernon, a chorus girl with whom Ned was formerly infatuated. George is detained for three days, and when he returns, Ottilie finds jewels and burglar's tools in her husband's suitcase which leads her to suspect that he is a thief. Susie, the maid, sees the jewels and decides to earn the reward for their return. In the meantime, King, the real thief, turns up with George's grip, the latter having taken his by mistake. Susie calls the police, who refuse to allow anyone to leave the house. King is detained along with everyone else, and after a series of misadventures, the real thief is apprehended, Ottilie is convinced of her husband's innocence, the letters are restored to Ned and all ends happily.

Dir: James Cruze

A visual fragment from the archive: The thematic resonance of The Lottery Man perfectly mirrors the editorial trajectory of our deep dive.

A young man infiltrates the underworld by pretending to be a convicted burglar. While undercover, he meets a young woman who turns out to be no more a part of gangland than he, but with similar reasons for disguising herself.

Dir: James Cruze

When Mrs. Rolles (Farrington) insists that she will not have Austin Bevans (Reid) as a son-in-law, he insists that she will. But when his aunt dies and leaves Austin a girl's boarding school in her will, Austin gives up his suit of Susie Rolles (Bains) and decides to run the school.

Dir: James Cruze

A visual fragment from the archive: The thematic resonance of A Full House perfectly mirrors the editorial trajectory of our deep dive.

Well to do laundryman Franklin Pinney finds himself uninvited to a party his yacht club is throwing for a visiting Prince. However he does meet him , hiding from a band of anarchists who have mistakenly bagged another man in his place. To help his sweetheart's secret service father, Pinney and the Prince help capture the bad guys.

Dir: James Cruze

Heeding the pleas of Bobbie Brown, Jimmie Jones packs his trunk full of liquor to present to his desperate friend and hops on a train. Upon his arrival, Jones discovers that his cargo has been purloined in transit, and while attempting to replenish his supplies by bargaining with the local bootlegger, is detected by the local sheriff. To escape arrest, Jones impersonates reformer Anthony Goodley but his ruse takes him out of the frying pan and places him in the fire when some troublemakers decide to disrupt his lecture on the evils of tobacco. Matters are further complicated when Goodley's old maid fiancée begins to focus her attentions on the disguised Jones. After several harrowing brushes with the crowd, Jones escapes with his fiancée, Cissy Smith, leaving the real Goodley behind to face the music.

Dir: James Cruze

Rival logging companies battle for the Valley of the Giants (redwood trees) when a young engineer returns home to help his father by building a new rail line to transport the logs to the sawmill. A romance between the engineer and the rival's niece complicates the situations.