
Jack Temple adores his wife, but she remains extremely jealous of him. At an ice-cream parlor, Jack is attracted to a flirtatious vamp and meets her again later on a department store's roof garden.


Picture, if you can, a speakeasy of the heart where every frosted glass trembles with suspicion; that is the micro-climate Bryant Washburn navigates as Jack Temple—a man whose smile arrives half a beat before his conscience. The film’s very first iris-in occurs inside an ice-cream parlor that looks like a cathedral o...

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Comparing the cinematic DNA and archive impact of two defining moments in cult history.

James Cruze

James Cruze
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" Picture, if you can, a speakeasy of the heart where every frosted glass trembles with suspicion; that is the micro-climate Bryant Washburn navigates as Jack Temple—a man whose smile arrives half a beat before his conscience. The film’s very first iris-in occurs inside an ice-cream parlor that looks like a cathedral of sugar: gilded columns, brass rails, a cherub of a soda-jerk doling out guilt in silver dishes. The camera, nosy as ever, dollies past tables of linen and gossip until it lands on..."
William Morris, Elmer Harris, Frank Wyatt
United States


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