Recommendations
Senior Film Conservator

The cinematic DNA of Are All Men Alike? (1920) is truly one of a kind, finding other movies that capture that same lightning in a bottle is a top priority. We have meticulously scanned our vault to find hidden gems that resonate with this work.
As a pivotal work in United States cinema, Are All Men Alike? to challenge the status quo through its avant-garde structure.
Tomboy socialite Theodora Hayden, known to friends as "Teddy," is an amateur aviatrix and racing car enthusiast. Relishing her freedom, Teddy spurns lawyer Gerry Rhinelander West, her childhood sweetheart, and runs away to Greenwich Village. There she meets model Ruby Joyce and Ruby's lover, boxer "Gunboat" Dorgan. She becomes the student of portraitist Raoul Uhlan, who tries to make love to her. Infuriated by the artist's audacity, Teddy has him beaten by Gunboat, who misinterprets her gratitude. Gunboat kisses Teddy, who repulses him, then borrows her car and strikes another auto. After tracing the car to its owner through the license plate number, the driver of the injured vehicle sues Teddy. Raoul then sues Teddy for injuries inflicted by Gunboat; and Ruby sues her for alienation of Gunboat's affection. When her family refuses to help her, Teddy turns to Gerry, who settles the suits and wins her hand.
Critics widely regard Are All Men Alike? as a cult-favorite piece of Comedy cinema. Its thematic gravity is frequently cited as its strongest asset, solidifying its place in United States's film legacy.
Based on the unique thematic gravity of Are All Men Alike?, our vault has identified these titles as the most compelling follow-up experiences for fans of Comedy cinema:
Dir: Wilfred Lucas
Brian O'Farrell (Snowy Baker), is an English 'new chum' who takes a job at an Australian cattle station. He is teased by station hands because of his appearance (including spats and a monocle) but he soon impresses them with his skills at riding and boxing. The station manager, John MacDonald (Wilfred Lucas), takes O'Farrell to Sydney to meet his daughter Edith (Kathleen Key) who is working in the slums. Edith is kidnapped by criminals after witnessing a crime but O'Farrell rescues her. It is later revealed he is the owner of the station.
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Dir: Edward LeSaint
When famous opera singer Elinore Duane undergoes an operation on her throat, she has a series of ether-induced visions. In one, she is transported to ancient Rome where she appears as a much-admired woman in love with Paul, a young heretic, and at odds with Lutor, the high priest. To save her love, she poisons Lutor with her ring. After several other visions which involve variations on this love triangle, Elinore awakens to discover that Lutor is actually her doctor, Sascha Jaccard, and that Paul is the son of a friend who has come to visit the recovering prima donna.
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Dir: Phil Rosen
The hero impersonates a "spook" bandit and aids in bringing the band to justice.
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Dir: Maurice Elvey
A lady marries a horse trainer but withholds herself until her crippled brother is cured.
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Dir: Reggie Morris
A fascinating piece of cinema that shares thematic elements.
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Dir: Harley Knoles
Jim McDonald, the foreman of a shipbuilding plant and head of the labor union, strives to combat the anarchistic propaganda being put forth by Klimoff, the leader of a Bolshevik gang whose goal is to disrupt the country with strikes and anarchy. Despite McDonald's efforts, a strike is called, resulting in chaos. McDonald's child is knocked down by runaway horses abandoned by their striking driver, and dies. Mob scenes take place in America, as well as in Russia. Eventually, the unrest is quelled with an armistice called between Capital and Labor for a year, during which time wages are to be increased to reflect the cost of living, and leaders are to work out a common plan for their mutual advantage. The strikers now realize that they have been pawns of the Bolsheviks and call off the strike, agreeing to the plan.
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Dir: Phil Rosen
Mary Bird and Myron Sharpe are newlyweds and live happily in a small New England town until the birth of their children. Myron becomes dissatisfied as Mary's time becomes more devoted to her children than to making herself attractive for her husband. When Mary's old friend Pauline Dallas comes to visit, Myron finds himself attracted to her chic appearance. The two are on the threshold of a love affair when Mary becomes lost in a storm while boating. Believing that his wife has drowned, Myron realizes how deeply he loves her, and when Mary is rescued, the couple are reconciled.
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Dir: William Parke
Bruce Wendell, the son of West Virginia coal mine owner James Wendell, graduates from West Point and prepares to lead a fighting unit to the front during World War I. As his father lies dying, however, he convinces Bruce to remain at home and guard the mine. Bruce's fiancée Ann Blair assumes that he is a coward and breaks off their engagement, but her brother Bobbie remains Bruce's loyal friend. Meyer, a German agent, persuades railroad president Parrish to refuse to transport Wendell's coal, but when Bruce adamantly refuses to close the mine, the spy's men decide to blow it up. While Ann is being abducted by Meyer, Bobbie is buried in an explosion at the mine. Bruce rescues Bobbie and then sends a plea to Lieutenant Parrish to rescue Ann. Meyer and his gang are captured and Ann renews her vow of love to Bruce.
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Dir: Dallas M. Fitzgerald
Confidence artist Flossie Golden attempts to fleece foolish but wealthy James Venable with a breach-of-promise suit. Venable's shrewd attorney, Richard Harding, outwits Flossie by proposing that she marry Venable and live on an allowance of $3,000 per year. Flossie is determined to get even with Harding for ruining her plans. In an attempt to con him, she poses as Innocence Page, but falls in love and marries him instead. Larry, Flossie's former accomplice, endeavors to blackmail her with her errant past, but Harding is already cognizant of the facts and Larry fails.
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Dir: Richard Smith
Two female candidates for Chief of Police live across the hall from each other, and their political rivalry follows them home, leading to plenty of hi-jinks.
View DetailsAnalysis relative to Are All Men Alike?
| Film Title | Atmosphere | Complexity | Similarity |
|---|---|---|---|
| The Jackeroo of Coolabong | Ethereal | High | 85% Match |
| A Sister to Salome | Gothic | High | 88% Match |
| The Double Hold-Up | Gothic | High | 87% Match |
| The Hundredth Chance | Gritty | Dense | 87% Match |
| Striking Models | Tense | High | 96% Match |
This guide was algorithmically generated using the cinematic metadata of Phil Rosen's archive. Last updated: 6/26/2026.
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