Recommendations
Senior Film Conservator

Since its 1935 debut, Baboona has maintained a stylistic flair status, you are likely searching for more films that share its specific artistic vision. We have meticulously scanned our vault to find hidden gems that resonate with this work.
The 1935 landscape was forever altered by the arrival of to push the boundaries of conventional storytelling.
Planes sweep down over thousands of running zebras and buffalo; lions creep up on the planes where the adventurers are ensconced with cameras and guns; baboons and monkeys do some remarkable tricks; black natives argue in their languages.
The influence of Martin E. Johnson in Baboona can be felt in the way modern News films handle stylistic flair. From the specific lighting choices to the pacing, this 1935 release set a high bar for atmospheric immersion.
Based on the unique stylistic flair of Baboona, our vault has identified these titles as the most compelling follow-up experiences for fans of News cinema:
Dir: Harry Garson
Marta Estevan is ready to leave the convent where she has been reared. Dona Luisa Artega, mother of Rafael and the young girl's guardian, arranges a marriage between the two, because she thinks that Marta's influence will rescue her son from the wild life he is leading and make a man of him. Marta rescues the American Bryton, when he is attacked by Indians, and falls in love with him. Rafael's mother sends Bryton away by telling him that the girl has entered a convent for life, and after telling Marta that Bryton had been killed on the trail she exacts a vow from the girl that she will marry her son. Marta marries Rafael. Bryton comes back after the marriage and after Marta has found out the true character of her husband. The story moves on from this point to a happy ending, but with much action of tense and strenuous nature in between. - Moving Picture World, May 15, 1920.
View Details
Dir: J.P. McGowan
A fascinating piece of cinema that shares thematic elements.
View Details
Dir: J. Gordon Edwards
Don Caesar de Bazan, a reckless nobleman, falls for Maritana, a gypsy dancing girl. When Maritana is insulted by a drunk, Don Caesar wins her love by coming to her rescue. The two go to Madrid, where the girl is summoned to dance before the Queen. Maritana also attracts the attention of King Charles. Don Jose, the prime minister, who secretly loves the Queen, plots to get Maritana for the King. To do this, he schemes to have Maritana marry a nobleman so she can enter the King's court. Don Jose chooses Don Caesar, who has been imprisoned and sentenced to death for dueling during Holy Week. Don Caesar agrees to marry the woman selected by Don Jose. After the ceremony, his wife believes he has been pardoned, but Don Caesar is sent to a firing squad. He is saved by a youth who has removed the bullets from the rifles. Eventually, Don Caesar wins the King's approval, and he is made prime minister.
View Details
Dir: George Beranger
John Fenton visits a fortune-teller to gain insight into his parentage. While there, a police raid occurs, and he climbs the fire escape to the apartment above. There he finds a girl standing over the body of a young man who has just shot himself. The girl, Belle Charmion, explains that her half brother, Gordon Brewster, had stolen some jewels from their uncle and, fearing that the police would capture him, had attempted suicide. Fenton conceals the brother in another room and impersonates him when the police arrive. Later, he and Belle take Brewster to his uncle's home. In the excitement, the jewels have been forgotten, and Fenton returns to search for them. By this time, the family butler, who is a member of an underworld gang, has tipped off his friends, who then steal the Fenton jewels. At the butler's home, a scuffle ensues; Fenton recovers the jewels and learns that he is actually a distant relative of the Charmions, having been kidnapped in infancy by a crook. With both mysteries thus resolved, Belle and Fenton become engaged.
View Details
Dir: Charles Swickard
A young Egyptian goes to the rescue of his employers, a wealthy European family, when they are menaced by a local strongman and his gang.
View Details
Dir: Perry N. Vekroff
While in New York seeking work, Cynthia, a young English girl, meets Bruce Crittenden and George Rhode who introduce her to Madame Savarin, a wealthy woman seeking a companion for a sea voyage. She hires Cynthia, and while at sea, Cynthia discovers that Bruce is the ship's purser. Cynthia's father was a famous wireless expert who taught her how to read code, which enables her to overhear a plot to sink the ship and steal Mrs. Savarin's jewels. Soon after, the crew mutinies, and while Rhode and Bruce fight the crew, Cynthia sounds the alarm. As he is attempting to foil the jewel thieves, Bruce falls overboard, and Cynthia swims to his rescue with the jewels strapped to her back. They are rescued by a government patrol boat and taken back to New York where Cynthia and Bruce are married.
View Details
Dir: Victor Heerman
In the gold fields of the Canadian Northwest, a man is falsely accused of a crime and determines that a lookalike is responsible.
View Details
Dir: Josef Stein
Bela Lugosi plays a lascivious Arab sheikh confronting European travelers in the desert in an adventure story set in the Sahara.
View Details
Dir: William F. Adler
A travelogue/documentary including explorations of the fauna and people of Siam, New Guinea, and Java, with interpolations of an apparently fictitious encounter between the filmmakers and cannibalistic natives of Frederick Henry Island in the South Pacific.
View Details
Dir: Otto Messmer
Newsreel segment on the popularity of cartoon character Felix the Cat.
View DetailsAnalysis relative to Baboona
| Film Title | Atmosphere | Complexity | Similarity |
|---|---|---|---|
| For the Soul of Rafael | Surreal | Dense | 93% Match |
| Elmo the Fearless | Gritty | Abstract | 85% Match |
| The Adventurer | Surreal | Dense | 95% Match |
| A Manhattan Knight | Ethereal | Linear | 96% Match |
| An Arabian Knight | Gritty | Abstract | 94% Match |
This guide was algorithmically generated using the cinematic metadata of Martin E. Johnson's archive. Last updated: 8/16/2026.
Back to Baboona Details →