Cinematic Discoveries Resonating with the Themes of Barnaby's Grudg...

Dir: Harry A. Pollard

Leander Potts, a burlesque manager, has brought his Frivolous Frolickers to Greenville for a one-night stand at the Opera House. But there are bigger things ahead for Leander in Greenville. The natives have mistaken him for the Potum of Swat, a sturdy centenarian, who with his daughters, ranging in age from 70 to 85 years, is to give a lecture on how to live a thousand years. Leander and his burlesquers are given a royal welcome, and then and there he decides to assume the identity of the real Potum.

Dir: Harry A. Pollard

Miss Jackie Holbrook is the daughter of wealthy Californians. She is noted for her frolicsome nature, and is the favored of all but Captain Robert Crowne, U.S.A., whose ship is anchored off Coronado awaiting further orders. Jackie decides to make Crowne fall in love with her, and her opportunity comes when she hears of a new sailor going to ship with Crowne to the Isle of Vergania, to quell a native uprising. The girl dons sailor clothes and sails with the ship. She is the butt of Big Bill Blount's jokes and jeers because of her effeminacy, and causes the others on board much laughter. When they arrive at Vergania she is one of those chosen to go into the interior and is the one that saves Crowne's life. Her identity is discovered to the delight of the sailors, and Crowne asks her to marry him immediately.

A visual fragment from the archive: The thematic resonance of Miss Jackie of the Navy perfectly mirrors the editorial trajectory of our deep dive.

Dir: Harry A. Pollard

Dan Blair, a retired cattle magnate's son, is one of the many youths of Red Rock, Montana who is attracted to soda water-stand operator Sarah Townley. One day, Dan partakes of six chocolate sodas in succession. When an operatic impresario, forced to stay in town overnight, hears Sarah sing at a church social, he signs her to be trained to become a diva. Three years later, after Dan's father has died, Dan visits Lord Galore, a family friend, in London and becomes involved with the Duchess of Breakwater, who, although she loves the lord, needs Dan's money. Dan hears the famous Letty Lane sing and recognizes Sarah. Although Dan courts Sarah, when he thinks that she loves Prince Ponitowsky of Russia, he proposes to the duchess. After he sees the duchess embrace Lord Galore, however, he breaks the engagement, to Sarah's relief. Joshua Ruggles, the friend and partner of Dan's father, arrives to look after Dan. After he falsely tells Sarah that Dan is broke and proposes to Sarah himself, he sees Sarah's true love for Dan and allows them to marry.

Dir: Harry A. Pollard

A fascinating piece of cinema that shares thematic elements.

A visual fragment from the archive: The thematic resonance of The Girl from His Town perfectly mirrors the editorial trajectory of our deep dive.

Dir: Harry A. Pollard

Yulita is known to the inhabitants of one of the South Sea islands as "The Peart of Paradise." Her father, Gomez, a Spanish fugitive from justice, has reared her in ignorance of the evils of the outside world. Piete Van Dekken, the captain of a Dutch schooner and the only other white man the girl has even seen, is infatuated with her. John Dellow and his fiancée on a yachting cruise are forced to jump from the yacht and the next morning Dellow is found on the beach by Yulita. Gomez orders John shot, but Yulita saves his life and Gomez tells Dellow of how years before he married an American girl after accidentally killing her husband and another man. They fled to the island and there the mother died shortly after Yulita was born. Later John realizes his love for the girl but also remembers that she is a child. Van Dekken comes to the island and engages in a fight over Yulita. Denise, Dellow's fiancée, is also saved and found by John, who takes her with him and leaves Yulita alone on the island. He then sees Yulita start out in a boat after them and plunge into the sea. Dellow awakens from his dream in time to save Yulita from Van Dekken and the next day sails for home with his "Pearl of Paradise."

Dir: Harry A. Pollard

Messalla, the embodiment of youth and innocence, lives in an old house in Washington Square, New York City, with her father, who has been ruined financially and lost his wife through the lure of Fifth Avenue. He tells Messalla that the thoroughfare is a dragon lying in wait for victims. Messalla starts out to find the dragon and goes up the avenue. Her meetings with various people bring destruction and death to those who had wrought her father's ruin, although she is unconscious of the effect she is having on their lives. Messalla escapes the wiles of the white slaver. She allows a discarded flame of a big merchant to take her place at dinner to which she has been invited, and the merchant suffers at the hands of the discarded woman. A policeman's attention is attracted to Messalla and a man is killed by an automobile while he is looking at her. At a lacemaker's shop a wealthy young woman is tempted to take a bit of lace because Messalla has admired it, but she is caught and jailed. There is a robbery affecting some papers which have been taken and replaced by a bomb, and Messalla gives the package to a woman who turns out to be her father's lost wife; the house is destroyed after the woman and Messalla leave. There is a reconciliation. All those injured were people who had injured her father, and the dragon has been slain by Messalla's youth and innocence.

A visual fragment from the archive: The thematic resonance of The Midnight Alarm perfectly mirrors the editorial trajectory of our deep dive.

Dir: Harry A. Pollard

Motherless Phyllis Ladd runs the household of her father John, a railroad president, who loves her but dreads the day that she will marry and leave. To make her social debut, Phyllis leaves her hometown of Carthage and accepts the invitation of Mrs. Fenshaw, a Washington social matron, to live with her. Phyllis soon tires of the stuffy life and boring suitors and returns. At a matinee road-show performance, Phyllis becomes infatuated with actor Cyril Adair. When she invites him for tea, the vain actor accepts, hoping to seduce her. After more meetings, Cyril's discarded lover informs Ladd, who demands that the romance cease. Phyllis elopes with Cyril, who, touched by her devotion, marries her. Although their life is plagued by Cyril's alcoholism, firings and inability to get new roles because Ladd influences theater managers to reject him, Phyllis patiently tries to bring out the best in her husband. When Phyllis and Cyril refuse Ladd's bribes to end the marriage, Ladd relents, backs a show in which Cyril is to star and is reconciled with the couple.

Dir: Richard Smith

Two female candidates for Chief of Police live across the hall from each other, and their political rivalry follows them home, leading to plenty of hi-jinks.

A visual fragment from the archive: The thematic resonance of The Pearl of Paradise perfectly mirrors the editorial trajectory of our deep dive.

Dir: Harry A. Pollard

A naive débutante longs for a romantic adventure, and sets out to have one, scandalous or not. She rashly decides to burgle a random home, but is caught. At the jail, she's mistaken for a notorious con woman, and nervously is taken into a gang.

Dir: Unknown Director

The Judge needs a present for his wife's birthday, so Harry suggests a new corset. They go to the shop, but he's so embarrassed to ask the saleslady he hides in a phone booth.Harry goes in, but finds a GUY wearing one, and runs out.They both dress as women to get back in, but Mrs. Rummy gets there and chases him out.