Essential Cult Cinema Drawn from the Same DNA as Beau Geste: Cult G...

Dir: Herbert Brenon

A dramatization of the Russian revolution and the influence upon the Russian royal family of the famous "mad monk," Rasputin.

Dir: Herbert Brenon

A visual fragment from the archive: The thematic resonance of Sin perfectly mirrors the editorial trajectory of our deep dive.

Italian peasant girl deserts her fiancé for wealthy gangster and departs for America.

Dir: Edward LeSaint

When famous opera singer Elinore Duane undergoes an operation on her throat, she has a series of ether-induced visions. In one, she is transported to ancient Rome where she appears as a much-admired woman in love with Paul, a young heretic, and at odds with Lutor, the high priest. To save her love, she poisons Lutor with her ring. After several other visions which involve variations on this love triangle, Elinore awakens to discover that Lutor is actually her doctor, Sascha Jaccard, and that Paul is the son of a friend who has come to visit the recovering prima donna.

Dir: Alexander Butler

A visual fragment from the archive: The thematic resonance of A Sister to Salome perfectly mirrors the editorial trajectory of our deep dive.

In Alberta, Canada, a Cornish emigrant unmasks a rustler posing as the girl's "blind" father.

Dir: Herbert Brenon

A mermaid princess plans vengeance against a prince whose net killed her sibling. But upon meeting him, she develops romantic feelings.

Dir: Herbert Brenon

A visual fragment from the archive: The thematic resonance of The Night Riders perfectly mirrors the editorial trajectory of our deep dive.

Joan is loved by a young man of the village and they are married. In a few weeks the husband, a soldier, is sent to the war-front along with his three brothers. Word is received that her husband has been killed in battle and Joan's first impulse is suicide by she is pregnant and her prospective motherhood makes her realize her new responsibility. The military authorities start a movement to get the young women of the country to marry departing soldiers, so that the empire may have another generation of fighting men. Word is received that the King is to pass through their village and Joan organizes the women in a general protest against the war. She leads them all, dressed in black, in a long procession to meet the Monarch. The soldiers threaten to shoot her unless she turns the women back, buy Joan comes face-to-face with the ruler and kills herself, as her message from the women that they refuse to make another generation victims of a ruthless militarism.

Dir: Herbert Brenon

A sultan agrees to help a wicked witch destroy a mysterious young lady if the witch will bring his young son back from the dead with magic.

Dir: Herbert Brenon

A visual fragment from the archive: The thematic resonance of Neptune's Daughter perfectly mirrors the editorial trajectory of our deep dive.

Millionaire "Merry" Perry Merrithew is found dead on the roof of an East Side tenement. The strands of red hair clutched in his hands implicate four auburn-haired women in the murder: a millionaire's daughter, Merrithew's mistress, the daughter of a bankrupt society woman, and a cabaret dancer. In solving the crime, Dr. Clinton Worthing performs heroic deeds.

Dir: Herbert Brenon

In Paris, the beautiful orphan Henriette is kidnapped by the Marquis de Presles, a libertine, leaving her blind and defenseless friend Louise wandering the streets alone. While Mother Frochard, a beggar and thief, forces Louise to beg for her food, Henriette is rescued by the Chevalier de Vaudrey, who loves her. The chevalier's mother, the Countess De Liniere, discovers that Louise is her long-lost daughter and resolves to find her. In the meantime, Mother Frochard's son, a hunchback named Pierre, falls in love with Louise, and when his brother Jacques cruelly beats the girl, Pierre kills him. Just then, the countess locates Louise, and after the girl regains her sight, she is joined with Pierre. The countess then gives her consent to the marriage of her son and Henriette.

Dir: Herbert Brenon

Grace Leonard, a typical woman of the New York stage, beautiful but old in sin, seduces William Craig, who becomes a thief in order to shower luxuries upon her. He is sentenced to prison and emerges five years later as a sad-faced, gray-haired man, entirely cured of his mad passion for La Valencia. But she sees him and her old passion is stirred, caring not that since his release from prison he has fallen in love and married a good woman who knows nothing of his past. When William is not swayed by her fascinations, Grace threatens to expose his past life.