Summary
Set against the backdrop of an unsuspecting British manor, 12.10 navigates the precarious life of a Gallic foundling thrust into the gilded cage of Lord Chatterton’s estate. While the narrative ostensibly celebrates the philanthropic warmth of the English peerage, it simultaneously exposes a sinister underbelly of primogeniture and greed. Marie, the orphan whose displacement from France serves as the story's emotional anchor, finds herself the ward of a nobleman whose benevolence is matched only by his vulnerability to those of his own blood. As the eponymous hour approaches, the film transmutes from a domestic melodrama into a proto-noir clock-beater. The villainous machinations of a disenfranchised nephew transform the sanctuary of the country house into a labyrinth of peril, where the innocent Marie becomes the unwitting fulcrum in a lethal gamble for a family fortune. It is a cinematic meditation on the fragility of security, where the ticking of a clock serves as the heartbeat of impending catastrophe.
Synopsis
A French orphan girl is adopted by a wealthy British nobleman. The family lives happily, unaware that a plot is afoot to kidnap the girl and make away with the nobleman's fortune.
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