The Cult Collection Inspired by the Vision of Behind the Lines: Cult Guide

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A group steals a death ray in order to terrorise the world into peace. The inventor and his daughter try to retrieve the death ray with the aid of a government agent.

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A visual fragment from the archive: The thematic resonance of Cameron of the Royal Mounted perfectly mirrors the editorial trajectory of our deep dive.

A young Scottish immigrant to Canada becomes a member of the Royal Canadian Mounted Police. He finds himself framed on a forgery charge, but before he can clear himself he must capture a gang of train robbers and stop a band of marauding Indians.

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During the great drought on the South African veldt, bitterness erupts between the von Haagen and Townsend families when they quarrel over a cattle spring. Nevertheless, a romance grows between Gretel von Haagan and Ned Townsend, who, to escape their families' opposition, marry and leave for the interior. Three years later, Gretel's father Carl, unable to overcome his feelings of remorse, seeks his daughter out and discovers that he is now a grandfather. He arrives in the interior just as his grandson wanders off into the jungle. After several harrowing incidents, the infant is rescued by an elephant and returned to his home where the families are joyously reconciled.

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A visual fragment from the archive: The thematic resonance of Man and Beast perfectly mirrors the editorial trajectory of our deep dive.

A white fur-trapper, Harvey Ogden (Frank Mayo) takes an Indian maiden, A-Che-Chee (Claire McDowell), as his bride, a union that meets with much disapproval when they return to civilization. But their child, a boy (Frankie Lee) helps bring about many adjustments to the attitudes of the civilized people.

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Dan McQuade, an old fisherman, finds a woman and a child cast up by the storm of the night before. The mother is beyond human aid, but the child is still alive and he takes it to his cottage. Years pass and the child has grown to be a beautiful young girl. She has filled a place in the old fisherman's heart left vacant by the death of his wife and baby many years before. She has a secret cave where she often goes, and as a means of amusement spends her time carving miniature sand statues, in which art she has become proficient. Old Dan has named the girl Coral, and one day the locket she wears falls open, showing a young man and woman. She shows them to Dan, and he tells her how he found her. After her grief has subsided the girl returns to her cave, and from the experience gets an inspiration which makes her carve a life size statue of a mother and babe lying on the rocks. In New York, Phillip Norton, a wealthy young artist and son of a diamond merchant, has been betrothed to Helen, a society girl. On the bridal tour Phillip discovers his wife to be self-centered and selfish and comes to the conclusion that she married him merely to satisfy her vanity. Every advance he makes to his wife is repulsed and he attempts to stifle his love for her. As the yacht upon which they are spending their honeymoon enters the little bay where Dan and Coral live, Phillip takes his painting paraphernalia ashore and makes some sketches to divert his mind. He is discovered by Coral, but she is in awe of him, and when he looks around she flees. As the days pass Coral again finds him, but this time he is downcast. She gives him one of her statues, and the friendship thus engendered grows as time passes. Helen, through marine glasses, espies her husband with Coral, and heaps her wrath upon him when he returns to the yacht. Phillip's pent-up emotions break their bonds, and gathering her up in his arms he carries her to the cabin, where he leaves her. While standing on the deck he sees Coral dive to the water below and swim about. Filled with longing, he seeks her out. Sympathy leads to love, and as Coral caresses the broken man she learns for the first time the meaning of love. Phillip, overcome with remorse at his double acting, asks Coral to forgive and forget him. That night old Dan dies and the girl is left alone. Despite his wife's anger and hate, he takes Coral to his parents' home in New York, where she is received with open arms. Coral's knowledge of sculpture is increased by Phillip's aid, and her happiness is punctuated only by the actions of Helen. A valuable diamond belonging to Phillip's father is missing. During a reception, one of Coral's statues is broken and the diamond disclosed. Coral is accused, but later Phillip's father learns that Helen contrived to have Coral disgraced. Seeing that she has been discovered, Helen hurriedly leaves the house and is killed in a railroad wreck. Meanwhile Coral, who has left the house, comes to the studio of Paul Dore, a sculptor, who offers to teach the girl free of charge. Later she is taken under the "wing" of the old janitor of the art school and his wife, who look upon her as their own child. Some time later the art school offers a price of $1,000 and a medal for the statue that wins the first prize at the Academy, and Coral decides to compete. Phillip has sought in vain for Coral after his wife's death and is persuaded to attend the exhibition at the Academy, and on the unveiling of a statue recognizes it as Coral's work. Coral is summoned to the studio and awarded the prize. After the committee have gone Coral tells Dore of her inspiration and shows him the locket. He recognizes it as a picture of himself and wife and tells the girl of the wreck. There is a happy reunion between father and daughter. Phillip enters and is overjoyed to meet Coral again. Coral makes a visit to the old janitor and his wife and leaves them the envelope with the prize money, which gladdens their old hearts. Some time later a white yacht drops anchor in the bay near where Coral was raised, and while Paul Dore kneels beside his wife's grave high on the cliffs above two figures appear and suddenly merge into one. Phillip and Coral are clasped in each other's arms and Phillip points out their yacht.

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A visual fragment from the archive: The thematic resonance of The Bronze Bride perfectly mirrors the editorial trajectory of our deep dive.

Heads of rival lumber camps meet in a fight. Louis Lenoir, a renegade French Canadian, causes the death of "Big" MacDonald, a hard-fighting Scotsman whose life is guided by his dogmatic religious beliefs. His son, Ranald, is left to settle the blood feud. In spite of the pleas of his sweetheart, the daughter of a minister, he participates in a gang fight on the logs in mid-river just as a log drive to Ottawa begins. Attempting to stop the fight, the girl becomes involved, falls into danger, and is carried toward a whirlpool; but MacDonald, having abandoned his attack on Lenoir, rescues her. At the finish Lenoir, grateful because his life has been spared, experiences a reformation.

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Railroad depot stationmaster Tom Grady (Wilfred Lucas) discovers a plot to blow up a railroad bridge in order to holdup and rob the train. Railroad trouble-shooter Jack Adams (William Fairbanks) sets out to foil the plot.

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A visual fragment from the archive: The thematic resonance of Coral perfectly mirrors the editorial trajectory of our deep dive.

While their father, Michael Kalmar, remains in a Siberian prison, political refugees Ivan and Irma Kalmar seek freedom in Winnipeg, Canada. However, they continue to encounter persecution at the hands of prejudiced neighbors, and from their father's enemy, Makaroff. Ivan's violin playing attracts the interest of Marjorie Menzies, but also the enmity of District Attorney Mortimer Staunton, a rival for her affection. During a party at Makaroff's home, Irma is insulted, and when her abuser is slain, Ivan is arrested. Michael, who has arrived in Winnipeg after escaping from prison, confesses to the murder. Ivan becomes a foreman in a coal mine, which Makaroff hopes to acquire illegally. After his plan fails, Makaroff attempts to blow up the mine along with its employees, but kills himself instead. Michael is freed by a family servant who admits to the murder, and Ivan becomes engaged to Marjorie.

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Tom Findlay and Bob Kerr are both in love with Margaret Baird. She favors Tom but Bob's social position and initiative almost exclude Tom. Bob's father is trying to pass a bill in the legislature that is detrimental to the farmers' interests, and Margaret's father, also a political power, opposes it. Bob's father frames Mr. Baird so that his necessary vote will be lost, but Tom and Margaret save the day. Tom of course earns first place in Margaret's affections.

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A fascinating piece of cinema that shares thematic elements.