Hidden Genre Gems In Alignment with the style of Betty and the Buccaneers: Cult Guide

Dir: Rollin S. Sturgeon

A fascinating piece of cinema that shares thematic elements.

Dir: Rollin S. Sturgeon

A visual fragment from the archive: The thematic resonance of The Upper Crust perfectly mirrors the editorial trajectory of our deep dive.

Poor Molly O'Toole takes a job as housekeeper at the country home of wealthy Mrs. J. Van Ranselear Todd. Arriving at "Castle Crags," Molly is mistaken by the villagers for Mrs. Todd, and decides to continue the masquerade, thus attracting the attentions of Captain Hancock, her wealthy neighbor. Meanwhile Mrs. Todd's roguish son Algernon has purchased a donkey and cart from peddler Joe Holmes and is traveling through the country when he arrives at Castle Crags to discover Molly masquerading as his mother. Deciding not to reveal his own identity or expose Molly, Algernon takes a job as her chauffeur. The two fall in love and Algernon begs Molly to marry him, but she is reluctant to part with the captain's millions. A series of events makes Molly believe that her chauffeur has become a forger on her account, however, and she realizes her love for him. She resolves to give up the captain, but at that point Mrs. Todd arrives, claims Algernon as her son and welcomes Molly as her future daughter-in-law.

Dir: Rollin S. Sturgeon

Hugon, a Canadian backwoodsman who is respected for his strength both of limb and of character, falls in love with Marie even though she has another sweetheart, a young man named Gabriel. Realizing that Marie favors Gabriel, Hugon good-naturedly offers to help the boy develop muscles and stamina but soon abandons the hopeless task. Meanwhile, Roque and his group of crooked surveyors have made plans to swindle the woodsman out of his property. Hugon's discovery of the plot leads to a brutal fight in which he is seriously injured. Deeply ashamed, he hides himself in a lonely cabin. Seeking to console Hugon, Marie reminds him of the strength of the spider, which continually rebuilds its broken web. Gabriel proposes to Marie but later backs out, and she, realizing her love for Hugon, builds a home with him on his restored property.

Dir: Rollin S. Sturgeon

A visual fragment from the archive: The thematic resonance of Hugon, the Mighty perfectly mirrors the editorial trajectory of our deep dive.

Realizing that it would be difficult to support a wife on his meager income, struggling physician Jack Stilling loses his love, Faith Channing, to the wealthy James Winthrop. After Faith and Winthrop marry, they begin to drift apart as Winthrop becomes consumed with his pursuit of social ambition. When her husband falls under the spell of fashionable Hortense Filliard, Faith determines to bear him a child in order to win him back. The infant dies soon after its birth, however, and Faith falls into a deep depression, forcing Stilling to prescribe morphine for her. Winthrop, spurred on by Hortense, conceives of a plan to addict Faith to the drug and then file for divorce. His plans backfire, however, when he becomes a slave to the drug and dies in a fit of delirium. Stilling intervenes in time to spare Faith the ravages of addiction, and the doctor and the woman he never ceased loving prepare for a new life.

Dir: Rollin S. Sturgeon

When Amos Divine is retired with a meager pension, his spoiled wife Christina castigates him, but their optimistic daughter Mary Beth, who longs for a musical career, helps them economize. Meanwhile, composer Richard Warner arrives from Vermont, but his hopes of selling his ballads are dashed by publishers who want cheap, trashy melodies. Mary decides to rent the attic room, and Richard, hearing her play, takes it. After Richard accidentally starts a fire while raptly composing, Mary begins to fall in love. Penniless, Richard starts to asphyxiate himself, but Mary brings him biscuits and encourages him to persevere. After Mary finds Richard's song, "The Rainbow Girl," dedicated to his "Loved One," he explains that he cannot marry his sweetheart until he has made good. Mary jealously says that she too has a sweetheart, "Snookums," but they have quarreled. After Mary secretly sells Richard's song to a publisher, Richard, seeing her cry, sends flowers from "Snookums" to effect a reconciliation. When Mary reveals that there is no "Snookums," Richard confesses that Mary is his "rainbow girl," and they embrace.

Dir: Rollin S. Sturgeon

A visual fragment from the archive: The thematic resonance of The Serpent's Tooth perfectly mirrors the editorial trajectory of our deep dive.

A man and two women suspected of stealing bonds are traced to a country hotel. While one of them, Judith, is out riding, the other two, Walter and Vera, are arrested. During a storm Judith is injured falling off her horse and Boone Pendleton comes to her rescue. Soon the river becomes impassable, and they are trapped in Boone's cabin and fall in love, but because of her plight, Judith refuses Boone's marriage proposal. After the river recedes, detectives come for her; she escapes, then aids Walter and Vera in breaking out of jail. They take refuge at Walter's country estate, where the detectives intercept them again. It is then revealed that Judith is Walter's sister and Vera his wife, the theft was his first offense and Judith and Vera were helping him escape punishment. When Walter returns the bonds, charges are dropped, and Judith is free to marry Boone.

Dir: Rollin S. Sturgeon

A girl's father cannot afford a train ticket, so he ships his daughter by Wells Fargo & Co. Express. He loses his money to a villain and cannot claim his "shipment." The villain attempts to claim her, but the Wells Fargo agent foils the plot and claims her himself.

Dir: Rollin S. Sturgeon

A visual fragment from the archive: The thematic resonance of The Rainbow Girl perfectly mirrors the editorial trajectory of our deep dive.

Mildred Manning, known as Middy, is an apprentice in Madame Lizette's fashionable shop. Her beauty is discovered by Madame's brother, George Martin, and she is made a model. One afternoon, she tries on a rejected bathing suit and by adding a touch here and there, makes it into a beautiful creation. Madame then sends her to the beach to carry out a clever advertising scheme. At the shore, Middy is pursued by a reporter and photographer, who have been commissioned by Madame to photograph the girl for calendar advertising. In her flight from the publicity men, Mildred takes refuge in a car owned by lawyer Philip Gordon, who gets into the vehicle and drives off with Middy. Middy, fearing exposure, asks him to drop her off at a fashionable residence. When Gordon later returns to the address to call on Middy, he is puzzled to be greeted by an aging spinster. After Middy's picture appears in the calendar despite her objections, Middy quits her job at Madame Lizette's and threatens to sue to prevent the use of her photo for advertising purposes. At this point, Gordon traces her through the calendar and takes her case, refusing to let her go again until she promises to marry him.

Dir: Rollin S. Sturgeon

Robert Wainwright, arriving in the Argentine Republic to look after his father's business, finds himself in a hotbed of revolution. Stopping at the home of Don Arana, foreign minister to Rosas, the tyrant, he meets and falls in love with Bonita, Don Arana's niece. Bonita favors the rebels and through Wainwright's love for her, wins him to their cause. He communicates with General Urguiza, the rebel leader, but the messenger is intercepted by Tirzo, Rosas' spy. As Tirzo also aspires to the hand of Bonita, he schemes to get Wainwright out of the way, and insinuatingly suggests that he leave the country at once. Wainwright arranges for passage on the first ship leaving for the north, but contrives to escape, after the vessel leaves port. He returns to Don Arana's home, meets Bonita and acquaints her with his plan to join the rebels. She makes him a present of Mephisto, a wonderful horse, and suggests he change his name to Alvarez. Wainwright, now a rebel under the name of Captain Alvarez, so distinguishes himself that he becomes the scourge of the Federals. He is commissioned by General Urguiza to get in communication with Don Arana, who is secretly in sympathy with the rebels, and arrange for the capture of a convoy of a million in currency dispatched to the Federal forces. Captain Alvarez and Don Arana are arranging for the delivery of the convoy when the house is surrounded by the Federals through the work of Tirzo. Captain Alvarez is captured and led off a prisoner. Tirzo remains and promises Bonita to save Alvarez's life is she will marry him. She is about to consent when word comes that the prisoner has escaped. Alvarez returns to Bonita's home, fearful that harm has befallen her, and promises to return again at midnight to make sure of her further safety. Alvarez returns to his command, and captures the million in currency and is on his way to keep his midnight appointment with his sweetheart, when he hears Tirzo plotting with a band of gypsies to kidnap Bonita. Alvarez arrives at Don Arana's first, waits for Tirzo, who comes alone, and in a fight kills the spy whose body is carried off by the gypsies. A band of Federals intercept them, recognize Tirzo, and rush to Don Arana's house, where they capture Alvarez, and he is to be shot at sunrise. In the meantime the Federals are defeated and Rosas, the tyrant, flees for his life. Alvarez, by a trick, induces the Federals guarding him to flee. The rebel forces arrive opportunely, and all ends happily in a picture emblematic of the birth of a new republic.

Dir: Rollin S. Sturgeon

Charles Howard, a young artist in " In The Folly's Trail, " is induced by a friend to attend a week-end party, given by a millionaire social bounder named Max Goldberg. At this event he joins in the general round of elaborate dinners, masquerade dances and the like. He meets a girl singer named Lita O' Farrell, a friend of Goldberg's. The host of the occasion really loves Lita, but she is uncertain of her regard for him. Lita is attracted to Howard and he to her. Though both are doubtful of the outcome, they marry. Howard cannot endure Lita's lack of breeding and she resents his cold, superior attitude. They quarrel frequently and she offers him a chance for a divorce by deliberately going back to Goldberg. Howard, stung by his jealousy, follows, threatening to kill Goldberg. The latter assures him no harm has come to Lita. He finds her and she tells him of her coming child. They determine to make another effort to live happily together. - The Moving Picture World, 1920.