Editor's Top Picks Following the Footsteps of Betty Boop with Henry...

Dir: Hal Roach

An American book salesman (Lloyd) is persuaded to go to the kingdom of Thermosa to impersonate the Prince. He is greeted by a peasants' revolt before the real prince shows up to claim his throne and princess. The revolution succeeds, and the American is elected president of the new republic.

Dir: Ralph Ince

A fascinating piece of cinema that shares thematic elements.

A visual fragment from the archive: The thematic resonance of The Land of Opportunity perfectly mirrors the editorial trajectory of our deep dive.

Dir: Dave Fleischer

The Inkwell Clown draws a crude bulldog. Max draws his own bulldog, and the two dogs start fighting each other, with the clown caught in the middle.

Dir: Malcolm St. Clair

A dancing instructor gets involved with a newly rich family.

A visual fragment from the archive: The thematic resonance of The Clown's Pups perfectly mirrors the editorial trajectory of our deep dive.

Dir: Frank Moser

The simple story is about two siblings, little brother Bud and big sister Susie. After they've been reading "Huckleberry Finn" they dream of adventures on the Mississippi River.

Dir: Unknown Director

The Judge needs a present for his wife's birthday, so Harry suggests a new corset. They go to the shop, but he's so embarrassed to ask the saleslady he hides in a phone booth.Harry goes in, but finds a GUY wearing one, and runs out.They both dress as women to get back in, but Mrs. Rummy gets there and chases him out.

A visual fragment from the archive: The thematic resonance of Don't Weaken! perfectly mirrors the editorial trajectory of our deep dive.

Dir: Vernon Stallings

Krazy Kat is held in jail and Ignatz finally bails him out after encountering "guilt".

Dir: Henry Edwards

A millionaire bets £25,000 that he can earn his own living for six months.

A visual fragment from the archive: The thematic resonance of Down the Mississippi perfectly mirrors the editorial trajectory of our deep dive.

Dir: Richard Smith

Two female candidates for Chief of Police live across the hall from each other, and their political rivalry follows them home, leading to plenty of hi-jinks.

Dir: Maurice Campbell

Carver Endicott, a young sophisticate, is rejected by his fiancée for being too foppish and dull. When she feigns an interest in his father, Carver attempts to disgrace his family name by working as a farmhand and later as a busboy in a hotel. However, the newspapers only praise him for his self-sacrificing principles; and finding that he cannot bring shame to the family through menial labor, he takes up with a notorious actress. But when this maneuver also fails, he returns to his former fiancée, who has no further complaint about his being an inexperienced dullard.