Recommendations
Senior Film Conservator

Looking back at the 1933 milestone that is Big Executive, the specific character-driven intensity of this work is a gateway to a broader Drama world. Our archive is rich with titles that mirror the character-driven intensity of Erle C. Kenton.
As Erle C. Kenton's most celebrated work, it defines to create a dialogue between the viewer and the character-driven intensity.
Victor Conway, a successful young Wall Street executive, persuades feisty old-world businessman Commodore Richardson to sell him his share of a bank, despite the fact that Richardson disapproves of him. After a fight with his wife Sarah, Victor goes on a hunting expedition, and he accidentally shoots Sarah, killing her. Victor is released by the police for lack of motive and returns to work. Helena, Richardson's daughter, invites Victor to her home for a visit, hoping to kindle a romance between them and improve Richardson's and Victor's antagonistic relationship. A detente ensues until Richardson finds out Victor and Helena are engaged and he vows vengeance. After Victor's secretary, Miss Dolly Healy, brings Victor seemingly incriminating evidence concerning the death of his wife, Victor explains his situation to the Richardsons. His honesty is rewarded when Richardson destroys the evidence, but it is clear Victor is no longer a welcome visitor. Richardson then proceeds to destroy completely Victor's business, while also causing a market crash. Victor pays a goodwill visit to Richardson, who tells him that he has terminated his engagement to Helena. Helena regretfully returns Victor's ring, which he sells to a pawn shop for $1,000. Determined to get her man, Helena meets him at the shop and they are reunited.
Big Executive was a significant production in United States, showcasing the immense talent of Mildred Hardy, Tenen Holtz, Barton MacLane. It continues to be a top recommendation for anyone studying Drama history.
Based on the unique character-driven intensity of Big Executive, our vault has identified these titles as the most compelling follow-up experiences for fans of Drama cinema:
Dir: Tod Browning
Achmet Bey, a Turkish chieftain, catches one of his many wives in adultery and murders her lover. Throwing aside the cuckolding wife, he abducts his harem an innocent girl. However, a brave American who loves her comes to her rescue.
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Dir: Frank Beal
During a raging Montana snowstorm, Doctor Jim Barnes collapses at Esther Anderson's cabin door. Esther offers Jim refuge, but when he discovers that their food supplies are running dangerously low, he braves the journey into town in order to replenish them. On the way, he is overcome with exhaustion and fails to return. Esther, unaware of Jim's condition and abused by her stepfather, joins a theatrical troop and leaves home. Time passes and Jim finally finds Esther, but a vindictive member of her troupe accuses her of having an affair with the manager and Jim believes the accusation. He leaves and Esther goes to New York City where she becomes engaged to a jealous artist, although she still loves Jim. Sam Tuttle, a long time friend, is aware of Esther's continuing love, and so brings Jim to New York City in time to save Esther from an unhappy marriage.
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Dir: F. Martin Thornton
In Paris an orphan cartoonist loves a man with a mad wife, who dies in time to prevent her marriage to a jilted Comte.
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Dir: Wilfred Lucas
Brian O'Farrell (Snowy Baker), is an English 'new chum' who takes a job at an Australian cattle station. He is teased by station hands because of his appearance (including spats and a monocle) but he soon impresses them with his skills at riding and boxing. The station manager, John MacDonald (Wilfred Lucas), takes O'Farrell to Sydney to meet his daughter Edith (Kathleen Key) who is working in the slums. Edith is kidnapped by criminals after witnessing a crime but O'Farrell rescues her. It is later revealed he is the owner of the station.
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Dir: Erle C. Kenton
A timid man's domineering wife keeps catching him at what seem in be compromising situations with pretty young women, and she won't believe they're as innocent as he claims they are.
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Dir: Maurice Elvey
A lady marries a horse trainer but withholds herself until her crippled brother is cured.
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Dir: Bruno Ziener
A fascinating piece of cinema that shares thematic elements.
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Dir: Edward LeSaint
When famous opera singer Elinore Duane undergoes an operation on her throat, she has a series of ether-induced visions. In one, she is transported to ancient Rome where she appears as a much-admired woman in love with Paul, a young heretic, and at odds with Lutor, the high priest. To save her love, she poisons Lutor with her ring. After several other visions which involve variations on this love triangle, Elinore awakens to discover that Lutor is actually her doctor, Sascha Jaccard, and that Paul is the son of a friend who has come to visit the recovering prima donna.
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Dir: Charles Horan
While working as a flower girl in Devlin Maddox's nightclub, Nellie Vaughan meets wealthy young Pelton Van Teel and falls in love. Maddox, desirous of using Nellie to blackmail Van Teel, spreads a rumor that she is his mistress. This makes Nellie uncomfortable, and she demands that Van Teel marry her immediately, to which he agrees. Meanwhile, Van Teel has been losing money gambling to Maddox, who threatens to break up the marriage by producing a worthless check that the young husband has written. Venturing to Maddox's apartment for a showdown, Nellie pulls a gun and demands the check, accidentally shooting Maddox when he throws a lamp at her. Maddox plans to charge Nellie with assault, but when the police arrive, his butler, actually a detective employed by the elder Van Teel, exposes Maddox, who is then arrested, clearing the path for the couple's happiness.
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Dir: Robert N. Bradbury
A simple country girl, brutally mistreated by her stepfather, awakens first the sympathy, then the love, of The Boy. The Spider, who lusts after The Girl, makes a bargain with the stepfather and takes her to the city where, kept prisoner, she is soon broken in health and spirit. Cast out and near death, she is taken in by The Boy. Following the demise of The Spider, The Boy takes her to church, where he prays, and after many hours she is restored to health.
View DetailsAnalysis relative to Big Executive
| Film Title | Atmosphere | Complexity | Similarity |
|---|---|---|---|
| The Virgin of Stamboul | Gothic | Layered | 97% Match |
| The Devil's Riddle | Ethereal | Dense | 86% Match |
| The Flame | Surreal | High | 97% Match |
| The Jackeroo of Coolabong | Ethereal | High | 85% Match |
| No Mother to Guide Him | Ethereal | Layered | 89% Match |
This guide was algorithmically generated using the cinematic metadata of Erle C. Kenton's archive. Last updated: 5/30/2026.
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