Recommendations
Senior Film Conservator

The artistic legacy of William C. de Mille was forever changed by Bought and Paid For, the thematic layers of this 1922 classic invite a wider exploration of the genre. This list serves as a bridge to other Drama experiences that are just as potent.
The vintage appeal of Bought and Paid For to reinvent the tropes of Drama cinema for a global audience.
Jimmy Gilley is engaged to Fanny Blaine. Jimmy would like to live in a more luxurious style, so he and Fanny urge her sister Virginia to marry wealthy Robert Stafford although she doesn't love him. She does so and the couple is happy for a time. But Robert begins drinking and eventually mistreats Virginia until she is forced to leave him. Robert hopes for her return and quits drinking. But pride and misunderstanding block the way for renewed romance.
Bought and Paid For was a significant production in United States, showcasing the immense talent of Walter Hiers, Ethel Wales, George Kuwa. It continues to be a top recommendation for anyone studying Drama history.
Based on the unique character-driven intensity of Bought and Paid For, our vault has identified these titles as the most compelling follow-up experiences for fans of Drama cinema:
Dir: Wilfred Lucas
Brian O'Farrell (Snowy Baker), is an English 'new chum' who takes a job at an Australian cattle station. He is teased by station hands because of his appearance (including spats and a monocle) but he soon impresses them with his skills at riding and boxing. The station manager, John MacDonald (Wilfred Lucas), takes O'Farrell to Sydney to meet his daughter Edith (Kathleen Key) who is working in the slums. Edith is kidnapped by criminals after witnessing a crime but O'Farrell rescues her. It is later revealed he is the owner of the station.
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Dir: Bruno Ziener
A fascinating piece of cinema that shares thematic elements.
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Dir: William C. de Mille
An island ordeal: A woman chooses a count over an alcoholic doctor. The envious count poisons her but performs a life-saving blood transfusion, costing his life. She has the count's baby and ultimately remarries the rehabilitated doctor.
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Dir: William C. de Mille
During the Great War, German and Japanese spies face off in the United States.
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Dir: William C. de Mille
Headed by a young nobleman, the Russian League of Freedom determines to free the peasants from oppression by the government. Prince Paul Alexis is in love with Karin Dolokhof, daughter of the chancellor. Both are working for the league. Shortly after they announce their engagement the prince receives word from the Czar that he must marry the Princess Tanya, for political reasons. Upon receiving the command the prince expresses his intention to leave Russia with Karin Dolokhof, but she reminds him of his allegiance to the freedom league. Princess Tanya is in love with Count Egor Strannik, but under pressure, she discards the count and marries the unwilling prince. Through espionage, the chief of the secret police learns of the prince's affiliation with the freedom league and as Prince Alexis and his wife, Princess Tanya, hold a reception, at which the government heads are present, he sends Count Egor Strannik to secure the evidence. The count, who is still in love with Princess Tanya, tries to force his love upon her, and as he holds her in his arms, Prince Alexis discovers them and beats the count with a knout. For revenge the count, with a band of followers, forces the prince to reveal the hiding place of some important league papers.
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Dir: William C. de Mille
Mirandy, the daughter of a laundress, scrubs floors in an opera house. Before she can marry the handsome organist for the opera, she decides she must improve her social standing.
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Dir: Edward LeSaint
When famous opera singer Elinore Duane undergoes an operation on her throat, she has a series of ether-induced visions. In one, she is transported to ancient Rome where she appears as a much-admired woman in love with Paul, a young heretic, and at odds with Lutor, the high priest. To save her love, she poisons Lutor with her ring. After several other visions which involve variations on this love triangle, Elinore awakens to discover that Lutor is actually her doctor, Sascha Jaccard, and that Paul is the son of a friend who has come to visit the recovering prima donna.
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Dir: Edgar Jones
A mail-order bride arrives at a Maine lumber camp but doesn't like her prospective husband.
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Dir: William C. de Mille
Luigi Riccardo, the proprietor of a marionette theater in New York's Little Italy, eagerly anticipates the arrival of his wife Maria and daughter Tessa, whom he has not seen in five years. Luigi dreams of becoming an American citizen, but because he refuses to make graft payments to Regan, the ward boss, he is informed that he will not receive his naturalization papers. When Regan orders Dr. Ross, an Ellis Island physician, to classify Maria and Tessa as unfit to enter the country, Luigi becomes wild with grief. Newspaper reporter Sam Potts learns of the Italian's misfortune and, through local prizefighter Bump Rundle, offers Regan a phony bribe in exchange for Luigi's papers. Regan accepts and Sam exposes him publicly, enabling Luigi to welcome his wife and daughter as American citizens.
View DetailsAnalysis relative to Bought and Paid For
| Film Title | Atmosphere | Complexity | Similarity |
|---|---|---|---|
| The Jackeroo of Coolabong | Ethereal | High | 85% Match |
| Eva, wo bist du? | Gothic | Dense | 86% Match |
| The Honor of His House | Tense | Abstract | 86% Match |
| The Secret Game | Tense | Abstract | 87% Match |
| Anton the Terrible | Gritty | Dense | 88% Match |
This guide was algorithmically generated using the cinematic metadata of William C. de Mille's archive. Last updated: 6/27/2026.
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