The Essential Watchlist that Capture the Essence of Broadway: Cult ...

Dir: Raoul Walsh

Dave Henderson, an orphan who has become the beneficiary of a rich man's will, falls in with race-track crooks Martin Tydeman and Bokky Sharvan who bilk him out of his $100,000 inheritance. In retaliation, Dave steals the money from Tydeman's safe, but is caught and sentenced to five years in jail. In prison, Dave becomes friendly with Millman, who is about to be released, and reveals the money's hiding place to him, arranging to rendezvous at the end of Dave's term. Once released, Dave is hounded by members of Tydeman's gang as well as the police, who are waiting for him to retrieve his bounty. While taking refuge at the house of Capriano, an old bomb maker, Dave falls in love with the old man's daughter Teresa. However, Capriano sets a trap for Dave, who awakens in a drugged state to find the $100,000 missing. With the help of Millman and Teresa, Dave recovers the money, turns it over to the police and resolves to go straight.

Dir: Harry Southwell

A visual fragment from the archive: The thematic resonance of The Kelly Gang perfectly mirrors the editorial trajectory of our deep dive.

A fascinating piece of cinema that shares thematic elements.

Dir: Jacques Jaccard

Douglas MacLeod of the Royal North West Mounted Police is in love with Suzanne Foucharde, who has adopted an abandoned Indian baby, the illegitimate child of Louis La Rocque and Na Fa Kowa. When La Rocque insinuates that the baby is Suzanne's, her brother Henry defends his sister's honor and kills the villain. In spite of his love for Suzanne, it is Douglas' duty to arrest Henry. He does so, but later allows him to escape, taking the bullet himself that was fired after Henry by Constable Burke. Meanwhile, the dead body of Na Fa Kowa is found, accompanied by a note proving that the Indian was the baby's mother. In the spring, when Douglas recovers from his wounds, he and Suzanne are married.

Dir: Maurice Elvey

A visual fragment from the archive: The thematic resonance of Under Northern Lights perfectly mirrors the editorial trajectory of our deep dive.

A lady marries a horse trainer but withholds herself until her crippled brother is cured.

Dir: Victor Heerman

In the gold fields of the Canadian Northwest, a man is falsely accused of a crime and determines that a lookalike is responsible.

Dir: Sidney Franklin

A visual fragment from the archive: The thematic resonance of The Hundredth Chance perfectly mirrors the editorial trajectory of our deep dive.

A chorus girl hopes to rise to stardom and thus accepts the advances of a wealthy man. But she becomes fearful of her reputation and safety. In an attempt to escape the rake's attentions, she hides out with a disparate group of men who room in a house called "The Barn." There she learns that there is more to life than that found on the stage.

Dir: Ewald André Dupont

Fred Hopkins, a jeweler's assistant, replaces the pearl necklace Lord Reading bought as a wedding present with a worthless imitation. A hunt begins, which the flower seller Rahel and the jumping jack dealer David are able to end by finding the jewelry. Hopkins, who is convicted, then commits suicide for fear of being punished with poison.

Dir: Jack Conway

A visual fragment from the archive: The thematic resonance of The River's End perfectly mirrors the editorial trajectory of our deep dive.

Lucy Hegan, the proprietor of a settlement house for the poor, is engaged to Hugh Gordon, the head of a large pharmaceutical and chemical firm who, unknown to Lucy, is also the ringleader of a powerful drug and white slave operation in the Chinese quarter. While conducting an investigation into illicit drug traffic for his paper, newspaper reporter Allan Martin meets Lucy and falls in love with her. In the course of her work, Lucy has befriended reformed crook Monk Mullen and his mother, and when Monk learns that she is to marry Gordon, the ex-crook provides Allan with proof of Gordon's underworld drug trafficking. Armed with his information, Allan leads a raid on Gordon's headquarters, and in the ensuing battle, the drug king is killed by his henchman, Ling Choo Fang, thus freeing Lucy to marry her young reporter.

Dir: Scott R. Dunlap

When saloon owner Bill Lark detects that gambler Jim Pemberton is cheating, both men draw their guns. In order to prevent a double killing, it is agreed that the first shot should be decided by a draw from a deck of cards. Bill loses and Pemberton gives him three days to live. Meanwhile, Pemberton has persuaded Jess Jones to leave her husband and ride with him to his cabin in the hills where he is chief of a gang of bandits. Upon discovering his wife's absence, Scipio Jones follows Jess but is driven away by Pemberton's gang. After Jones fails, Bill retrieves Jess and brings her home. The next day, Bill is severely wounded when he drives a stagecoach through an attack by Pemberton's gang, but escapes to keep his date with the outlaw. Arriving to accept his fate of the last draw, Bill discovers that the outlaw has been killed by Scipio Jones. Provided with a new lease on life, the honest saloon keeper marries his sweetheart Little Casino.

Dir: J. Gordon Edwards

William Farnum is Drag Harlan, a tough cowboy vigilante. After learning about a gold mine from a dying man, he seeks his daughter (Jackie Saunders) as well as the gold. He falls in love with her, but the same gang that shot the old man is after the gold.