Deep Archive Finds Movies That Echo the Spirit of Call of the West:...

Dir: Bertram Bracken

In a prologue set in ancient Rome, the pagan Valerain attempts to abduct St. Cecilia to his debauched birthday feast, but her spiritual beauty stops him, and he kneels before her. In the main story, Conchita Cordova sings in the cathedral choir in her village of San Miguelito near the Rio Grande. Millionaire oil man John Rannie, whose oil fields have displaced the peasants, desires Conchita, and when he learns that her fiance, Juan Mendoza, has been employed by Adolf Wylie, a German spy, Rannie threatens to expose Juan unless Conchita gives herself to him. Although disillusioned, Conchita decides to save Juan, but as she removes her cross, Rannie is moved by her sacrifice, and begs forgiveness. Meanwhile, the villagers, incited by Wylie, set Rannie's fields on fire. When Juan, thinking that Conchita loved Rannie, throws her cross in the fireplace and places it on her breast as a brand of shame, she rebukes him. After Conchita saves Rannie from being burned by the villagers, he kneels beside her in church. In Rome, Valerain kneels before St. Cecilia.

Dir: Alexander Butler

A visual fragment from the archive: The thematic resonance of The Night Riders perfectly mirrors the editorial trajectory of our deep dive.

In Alberta, Canada, a Cornish emigrant unmasks a rustler posing as the girl's "blind" father.

Dir: Bertram Bracken

Jean Dubois, who has discovered a gold mine in the Canadian Northwest, seeks revenge on the man who ruined his sister. Jean befriends "Faro" Telford, a gambler who sends for a gang of crooks to take over the mine. Jean's wife runs off with a member of the gang, and Jean, heartbroken, is about to leave the village when "Goldie," a gang member, reveals that it was gang leader Dan Cregan who wronged Jean's sister. Jean is about to murder the crook when lightning strikes a tree, causing it to fall and crush Cregan. Jean's wife returns to him and the two begin anew.

Dir: Bertram Bracken

A visual fragment from the archive: The thematic resonance of Code of the Yukon perfectly mirrors the editorial trajectory of our deep dive.

Marcia Glendon an expatriate, has lived in Berlin for years. Courted by both German General Von Lentz and American spy Frank Graham, Marcia attempts to aid her country when war breaks out by capitalizing on the general's attraction to her. Misunderstanding her actions, Frank repudiates Marcia as a traitor. Subsequently, the spy is caught, and Marcia purchases his freedom by offering herself to the general. Frank is freed and transports the German secret plans across the German border to the American lines. He returns immediately leading an American regiment just in time to save Marcia's honor.

Dir: Edward LeSaint

When famous opera singer Elinore Duane undergoes an operation on her throat, she has a series of ether-induced visions. In one, she is transported to ancient Rome where she appears as a much-admired woman in love with Paul, a young heretic, and at odds with Lutor, the high priest. To save her love, she poisons Lutor with her ring. After several other visions which involve variations on this love triangle, Elinore awakens to discover that Lutor is actually her doctor, Sascha Jaccard, and that Paul is the son of a friend who has come to visit the recovering prima donna.

Dir: Bertram Bracken

A visual fragment from the archive: The thematic resonance of For Liberty perfectly mirrors the editorial trajectory of our deep dive.

From Alphonse Daudet's 1884 novel comes a variation: A scheme by a beautiful vamp to marry a wealthy young man fails, and the woman returns to her former lover, a sculptor. She is shocked to discover he has committed suicide, and the tragedy catapults her into insanity.

Dir: Bertram Bracken

Dr. Guy Hartwell, a young and wealthy Louisiana physician, was a man of strange personality. Five years previous to the opening of the story he married and bestowed sincere love upon his wife. In return she basely played him false and shortly afterward died. From that moment he was a changed man. Embittered against the world, mankind and even distrusting God, the silent and melancholy man lived on. With the doctor lived his widowed sister and her daughter, whom everyone considered as the heir of the physician's wealth. In the same city lived Beulah Benton, who was sent from the orphan asylum out into the world to earn her living as a servant girl, while her little sister Lillian found a home as the foster daughter of a rich lady. At the orphanage Beulah learned to love Eugene, another inmate, but he, too, was adopted by a wealthy family and sent abroad to be educated. He promised upon his return to make Beulah his wife. Beulah yearned to see her sister, but Lillian's foster parents forbade the two to meet. This affected Beulah deeply, but the crushing blow was about to descend. Lillian fell ill, and in spite of every effort of Dr. Hartwell the younger sister died. Beulah, seeing the crepe on the door, forced herself in and for the first time met the doctor. The kindness of his nature was reawakened by the grief-stricken girl, and he took her to his home, attended her through a serious illness, then placed her in school. But Beulah found her new surroundings far from pleasant. While the doctor as yet refused to trust any woman, he treated her with marked respect and consideration, but his sister fearing that the adopted girl would become the heir instead of her own daughter, lost no opportunity to humiliate Beulah. It was more than she could bear, and at last the girl sadly left the doctor's house and returned to the orphanage, but the doctor, however, brought her home again and provided other quarters for his sister and her daughter, both of whom were wholly dependent upon him for support. The years passed and Beulah's lover, Eugene, returned from Europe, a dissipated wretch, his love for the orphan girl forgotten and his hand pledged to the frivolous niece of Dr. Hartwell's false wife. The physician warned the foolish youth to give her up, pleading with him to remain true to his promise to Beulah, but without avail. It was now that Hartwell realized that he himself loved her and declared his affection. Beulah expressed her great gratitude, but still grieving over her false lover told him that she could not return his affections. Hartwell went North and Beulah became a school teacher. An epidemic broke out and people were perishing by the score. Doctor Hartwell returned to the stricken city. The doctor and Beulah met and side by side they fought the ravages of the disease. Clara Saunders a friend of Beulah's fell in love with Hartwell but becomes a victim of the plague, and with her departing breath joined the hands of the two, and bade them be happy. Through comradeship with Beulah, the doctor's faith in God and Man was restored, and his life made still brighter by her voluntary confession of her love for him. Their marriage followed, and Beulah and her husband fearlessly faced the future.

Dir: Bertram Bracken

A visual fragment from the archive: The thematic resonance of A Sister to Salome perfectly mirrors the editorial trajectory of our deep dive.

Architect John Chance, before building a "Dream City" for a religious cult leader, Prophet Stein, visits Paris and rescues an American girl, Cynthia Grey, from riotous masqueraders at a carnival. After they part, Cynthia returns home. Meeting Stein aboard a ship, and having an idealistic nature, she becomes a follower of Stein, who thinks her beauty will attract others. Chance builds the city, agreeing to say it was made by the "comrades" so that Stein's motto, "Beauty Through Toil," will seem to be true. Cynthia and Chance fall in love and when Stein, a married man, attempts to seduce Cynthia, Chance tells the newspapers, which expose Stein and his financially fraudulent practices. The "comrades" burn the "Dream City" and Chance saves Cynthia, while Stein, attempting to leave with his ill-gotten money, dies when a burning beam falls on his head.

Dir: Bertram Bracken

A woman leaves her husband and children for mistaken reasons. After being thought killed in a train crash, she returns in disguise to be the children's governess.

Dir: Bertram Bracken

In a prologue, blind poet John Milton dictates Paradise Lost to his daughters. Serama, the consort of Lucifer, is driven from Paradise by the Archangel Michael, who commands Conscience to enter human souls to judge and punish them. In the main story, society girl Ruth Somers, a reincarnation of Serama, prepares to marry Cecil Brooke, the wealthiest man of her set. Her guardian, Dr. Norton, an incarnation of Lucifer, constantly accompanies her. Ruth is summoned to the Court of Conscience, where the witnesses, Lust, Avarice, Hate, Revenge and Vanity, testify about Ruth's history of seducing and abandoning men. This behavior resulted in the suicide of Madge, the lover of Ned Langley, whom Ruth enthralled and promised to marry, and also the deaths of two rivals for her love. Ruth is ordered back to earth to learn her sentence. When Ned interrupts the wedding, Ruth scorns him and he shoots himself. After Brooke leaves her, the Court dooms Ruth to live with the torment of remembrance. Ruth sends Norton away, then kneels and repents.