Deep Archive Finds Movies That Echo the Spirit of Call of the West:...

Dir: Bertram Bracken

Walking aimlessly in the desert, crazed by thirst and hunger, Lucy Mannister and Gaston Sinclair are overtaken by her husband George, who has pursued them around the world. Threatening to shoot them, George extracts a confession from Sinclair, once George's friend, that a group of George's Wall Street associates had conspired to ruin him. They made it appear to Lucy that George was having an affair with the notorious Sylvia De La Mere. After Lucy saw Sylvia embrace George, she despaired and left with Sinclair, who said he loved her. George lets them live, and he returns to New York, where, with the help of Sylvia, who now loves him, George terrorizes the group. One by one he leads them, and then Sylvia, to either financial ruin, disgrace, or death. When George learns that Lucy is no longer traveling with Sinclair, and that she has never even kissed him, he locates her, forgives her, and takes her back.

Dir: Bertram Bracken

A visual fragment from the archive: The thematic resonance of The Eternal Sappho perfectly mirrors the editorial trajectory of our deep dive.

From Alphonse Daudet's 1884 novel comes a variation: A scheme by a beautiful vamp to marry a wealthy young man fails, and the woman returns to her former lover, a sculptor. She is shocked to discover he has committed suicide, and the tragedy catapults her into insanity.

Dir: Bruno Ziener

A fascinating piece of cinema that shares thematic elements.

Dir: Bertram Bracken

A visual fragment from the archive: The thematic resonance of Eva, wo bist du? perfectly mirrors the editorial trajectory of our deep dive.

A rich society girl holds an Indian boy in contempt, but when an important land deal with his father arises, She pretends to be interested in him, long enough for him to persuade his father to sign.

Dir: Bertram Bracken

Harry Larrabee, a young playwright, lives in the same studio apartment house with Carolyn Vaughn, a painter of miniatures, with whom he falls in love. "The Wolf," a famous criminal, supposed to be dead, returns and communicates with his wife, a friend of Carolyn's. He forces his wife and her brother to aid him in a plot to rob Carolyn of her valuable jewels. Harry, by one of his famous "inspirations," discovers that a crime is being committed, rescues Carolyn and bears her away in a taxicab. He is himself suspected of the crime, but, undisturbed by the web of circumstance by which he is entangled, his wonderful inspirations give him the key to the conspiracy which led up to the crime. In an unusual and powerful finale the guilty parties fight among themselves and justice triumphs in an exciting climax.

Dir: Bertram Bracken

A visual fragment from the archive: The thematic resonance of The Primitive Call perfectly mirrors the editorial trajectory of our deep dive.

Millionaire meat packer Peter Cameron, greedy for more money and power, maneuvers an alliance between his daughter Rose and George Gray, the son of Cameron's business rival Max Gray, in order to increase his control of the food industry. George, a lawyer, opposes the trust, and as a result is professionally ruined by Cameron, disinherited by his father, and jilted by his fiancée. Out on his own, George gets a job at a mill and starts at the bottom. When an epidemic breaks out among his fellow laborers due to their eating spoiled meat from the trust, George secures evidence of criminal practices which ultimately brings about the conviction of Cameron and the trust. In championing the rights of the downtrodden, George wins back Rose and reforms Cameron.

Dir: Bertram Bracken

Cashier Clay Randolph is taken by Richard Dunlap, a swindling gambler, into embezzling $5,000. When Richard loses the money, Clay assumes the responsibility for the crime to protect his former sweetheart, Mary Singleton, who has married Richard. Mary's father, Col. Robert Singleton, gives Clay a copy of Mary Baker Eddy's Science and Health to help him start a new life, but the young man ignores the book and leaves for New York, where he becomes a gentleman thief. Mary and Richard soon leave the South and join him. When Steele, a millionaire, tries to implicate Mary in the supposed theft of a diamond necklace, Clay retrieves the jewels and returns them to the safe. Reciting from Science and Health , Mary telepathically warns Clay not to rob Steele's safe, and later Richard is killed while committing the crime Clay had planned. To redeem himself, Clay enlists in the army to fight in World War I, promising Mary that he will return.

Dir: Bertram Bracken

A visual fragment from the archive: The thematic resonance of The Inspirations of Harry Larrabee perfectly mirrors the editorial trajectory of our deep dive.

In a prologue set in ancient Rome, the pagan Valerain attempts to abduct St. Cecilia to his debauched birthday feast, but her spiritual beauty stops him, and he kneels before her. In the main story, Conchita Cordova sings in the cathedral choir in her village of San Miguelito near the Rio Grande. Millionaire oil man John Rannie, whose oil fields have displaced the peasants, desires Conchita, and when he learns that her fiance, Juan Mendoza, has been employed by Adolf Wylie, a German spy, Rannie threatens to expose Juan unless Conchita gives herself to him. Although disillusioned, Conchita decides to save Juan, but as she removes her cross, Rannie is moved by her sacrifice, and begs forgiveness. Meanwhile, the villagers, incited by Wylie, set Rannie's fields on fire. When Juan, thinking that Conchita loved Rannie, throws her cross in the fireplace and places it on her breast as a brand of shame, she rebukes him. After Conchita saves Rannie from being burned by the villagers, he kneels beside her in church. In Rome, Valerain kneels before St. Cecilia.

Dir: Bertram Bracken

To escape the title-hunting suitors with whom her mother and aunt have surrounded her, Barbara Chichester disguises herself as a gypsy, and after buying a gypsy wagon, roams the countryside "in search of Arcady." Meanwhile, the Earl of Chamboyne, beset by title-hunting women, has attired himself in the outfit of an itinerant peddler and set off for the country. After a gypsy tells Barbara that she will marry a traveling man, she meets the Earl when they both seek refuge from a sudden storm in an abandoned hunting lodge. They have a series of adventures together, and fall in love before they reveal their true identities to each other.

Dir: Bertram Bracken

Dave Scott, a wealthy mine owner, is killed. His daughter, Marie, goes to her father's old friend Richard Clark, knowing that he will take care of her interests. Clark and his grown son, Ted, become attached to Marie. Innocent in manner, she sees no necessity for concealing her preference for the elder Clark. In time, Ted's attachment culminates in a proposal, which is rejected. Ted accuses his father of standing in his way and the father makes Marie promise that she will accept Ted. A few minutes before the time set for the ceremony, a note from Ted explains that he realizes the love that exists between Marie and his father, and rather than exact the sacrifice, he has left his father's home, leaving them free to marry.