Recommendations
Senior Film Conservator

If the cult status of George B. Seitz's work in Calm Yourself left an impression, the juxtaposition of cult status and narrative makes it a Romance outlier. Experience the United States influence in these recommendations that echo Calm Yourself.
By merging cult status with Romance tropes, it to elevate Romance to the level of high art.
Advertising executive Preston 'Pat' Patton is fired from his job by Col. Allenby when he discovers him wooing his daughter Mary Elizabeth. Pat tries to remain calm and starts the agency 'Confidential Services, Inc.' On his first assignment Pat gets off to a bad start by delivering the wrong drunk to an overweight wife's bed. Next, he is hired to keep beautiful Rosalind Rockwell away from her father's new, young wife because her father Kenneth S. Rockwell has been passing himself off as a younger man. So, Pat hires Rosalind as his secretary, allowing her to become involved in some comic misadventures. They also become romantically involved.
Calm Yourself was a significant production in United States, showcasing the immense talent of Ivan Miller, Shirley Ross, Charles Trowbridge. It continues to be a top recommendation for anyone studying Romance history.
Based on the unique cult status of Calm Yourself, our vault has identified these titles as the most compelling follow-up experiences for fans of Romance cinema:
Dir: George B. Seitz
Lost film serial. Only about 2-minute fragmentary segments of this serial about World War One remains.
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Dir: Richard Smith
Two female candidates for Chief of Police live across the hall from each other, and their political rivalry follows them home, leading to plenty of hi-jinks.
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Dir: George B. Seitz
A beautiful young woman is a daring master thief. She meets the young millionaire Thomas Babbington Norton, while fleeing from the scene of her latest theft.
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Dir: Maurice Campbell
Carver Endicott, a young sophisticate, is rejected by his fiancée for being too foppish and dull. When she feigns an interest in his father, Carver attempts to disgrace his family name by working as a farmhand and later as a busboy in a hotel. However, the newspapers only praise him for his self-sacrificing principles; and finding that he cannot bring shame to the family through menial labor, he takes up with a notorious actress. But when this maneuver also fails, he returns to his former fiancée, who has no further complaint about his being an inexperienced dullard.
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Dir: Victor Heerman
In the gold fields of the Canadian Northwest, a man is falsely accused of a crime and determines that a lookalike is responsible.
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Dir: George B. Seitz
Our hero's fiancée, who has broken off their engagement, agrees to make a trip around the world, starting absolutely naked, without money or help of any sort from others in order to prove his worth to her.
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Dir: Charley Chase
A young married couple volunteer to take charge of several orphans after the asylum has burned down. Of course they find their hands full with their troublesome charges.
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Dir: Unknown Director
The Judge needs a present for his wife's birthday, so Harry suggests a new corset. They go to the shop, but he's so embarrassed to ask the saleslady he hides in a phone booth.Harry goes in, but finds a GUY wearing one, and runs out.They both dress as women to get back in, but Mrs. Rummy gets there and chases him out.
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Dir: George B. Seitz
A young heiress of an American gun factory is threatened by a masked man after her father was murdered. This criminal might be a member of her family or a German agent, who wants to get information about the factory's products, perhaps his mystery has a combined solution - we will probably never know...
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Dir: George B. Seitz
Episode 1: "The Lost Torpedo" Craig Kennedy's marvelous invention, a super-force torpedo to revolutionize warfare, has been stolen. Kennedy himself has disappeared, although Elaine has a note from him begging her not to grieve whatever happens, for he is safe. And then, one night, on a barren strip of land jutting out into the Atlantic, a fisherman, concealed behind a rock, sees the periscope of a submarine rise; sees a man's head and shoulders rise seemingly out of the sea, and sees a pair of athletic arms strike out bravely for the shore. That night, at a hotel in New York, a distinguished-looking foreigner, much resembling the man who seemed to rise up out of the sea, is shadowed by a fussy old gentleman resembling the fisherman of the coast scenes. The foreigner goes out and the fussy old gentleman goes to his room, where, after a short, sharp struggle with a valet, he searches through all drawers and papers. One paper he pockets with glee, and then departs. Elaine and Jameson are visited by the distinguished-looking foreigner who tells them he is a secret service agent from Washington, and begs to get information with regard to Kennedy and the lost torpedo. Elaine's dog, digging with its forepaws in a pot of palms, unearths the lost torpedo and carries it to the attic, where he drops it behind a trunk. The torpedo's propeller, however, has been left in the palm-pot. where Marcius Del Mar, the foreigner, finds it. Elaine is suspected by him of having concealed the torpedo. The fussy old gentleman, in Del Mar's tracks since he left his rooms, is an interested spectator. He is unaware that Del Mar has spies guarding the house, and is set upon by them. Rushing madly into the conservatory, he faces Del Mar. Both draw their guns, but the fussy old gentleman fires first. His gun is loaded with bullets containing an overpowering gas. Both Del Mar and Elaine fall suffocated to the floor. How the fussy old gentleman escapes is a fitting climax to this episode.
View DetailsAnalysis relative to Calm Yourself
| Film Title | Atmosphere | Complexity | Similarity |
|---|---|---|---|
| The Black Secret | Ethereal | High | 96% Match |
| Lunatics in Politics | Ethereal | Dense | 97% Match |
| The Lightning Raider | Gritty | Linear | 88% Match |
| An Amateur Devil | Tense | Linear | 98% Match |
| The River's End | Gothic | Linear | 91% Match |
This guide was algorithmically generated using the cinematic metadata of George B. Seitz's archive. Last updated: 6/17/2026.
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