Hidden Genre Gems In Alignment with the style of Chalk Marks: Cult ...

Dir: John G. Adolfi

June, a country girl, comes to New York to take care of her aunt's little girl Jane. In a squalid First Avenue tenement, she meets Frank, her old sweetheart from back home who had come to the city to make good. In the same house lives a band of thieves who steal a jewel and hide it in a slipper belonging to Mame, one of the members of the gang. One day Jane finds the shoe and begins to play with it. When she accidentally tears off the heel, the gem falls to the floor. Frank, recognizing it as the stolen jewel, rushes off to get the police. Meanwhile, the crooks discover the loss of the slipper and Mame learns that June has it. They all converge upon June just as the police arrive. The crooks are arrested, and June and Frank return home for their honeymoon.

Dir: John G. Adolfi

A visual fragment from the archive: The thematic resonance of Merely Mary Ann perfectly mirrors the editorial trajectory of our deep dive.

Mary Ann, an orphan leading a life of drudgery, falls in love with a promising but equally penniless composer, John Lonsdale.

Dir: John G. Adolfi

French Secret Service agent and boxer Henri D'Alour uncovers a plot to con the government out of millions of francs in its purchase of machinery.

Dir: John G. Adolfi

A visual fragment from the archive: The thematic resonance of The Wonder Man perfectly mirrors the editorial trajectory of our deep dive.

Harry Ogden - ne'er-do-well - is caught by a sheriff's posse and is about to be hung when he is saved by Betty, the daughter of a Kentucky Colonel, who is traveling in the West for his health. Ogden is addicted to a morphine habit and Betty, who is a doctor, hides him in their house and nurses him back to health. Ogden asks Betty to be his wife, and he is returning to his family home to get some money. The Colonel, mistaken for Ogden by Taylor, a rival for Betty's hand, is shot and killed by Taylor, who leaves evidence pointing to Ogden as the killer. Betty plans to turn him over to the law when he returns. Meanwhile, Taylor is killed by Choo, who is secretly in love with Betty, and she learns through Choo that Ogden is innocent of her father's murder.

Dir: John G. Adolfi

Effie Marchand refuses to marry a man she has never met, but who has been picked out by her mother, is exiled to boarding school Then, when sculpting teacher Jules Gerard asks her to pose for him, an always impulsive Effie quickly consents. During one of the modeling sessions, however, Jules tries to seduce her, and Effie is saved only when Al Tournay, a visitor to the studio, fights off the sculptor. Later, when Jules' latest nude statue looks just like Effie, who really only posed for the head, an outraged principal expels her. Effie then begins a romance with Al, and when they get married, Effie's mother takes the wedding as just one more sign of her daughter's impulsiveness. Mrs. Marchand soon finds out, however, that her new son-in-law is the man she had chosen for Effie long before, and so mother and daughter are quickly reconciled.

Dir: John G. Adolfi

A visual fragment from the archive: The thematic resonance of A Man and His Mate perfectly mirrors the editorial trajectory of our deep dive.

After running away from an orphanage, young Alicia Jones disguises herself as a boy and gets a job on a farm. She falls in love with Harry Deigan, a farmhand who knows her secret, but when the farm's owner finds out, he fires her. Alicia is forced to return to the city, where she meets a wealthy man who adopts her. He turns out to be Thomas Deigan, the half-brother of Alicia's love Harry Deigan. Harry finds out that Thomas is his half-brother, but also finds out something that could change his, Thomas', and Alicia's lives forever.

Dir: John G. Adolfi

Unable to tolerate city life, Sadie Barker leaves her husband Max and with her baby, returns to her birth village; afraid to tell her father that she plans to raise a baby without a father, she pretends that she is still childless and asks Lucy White to look after the infant for a few months. Lucy quickly agrees; hoping to preserve Sadie's secret, she claims that the child is really her own, and even conceals the truth from her sweetheart, Dave Allen. Risking the condemnation of the community, which has already ostracized Lucy for having a baby out of wedlock, Dave decides to stand by his sweetheart. He marries her after Max and Sadie are reunited and take back their child.

Dir: John G. Adolfi

A visual fragment from the archive: The thematic resonance of The Mischief Maker perfectly mirrors the editorial trajectory of our deep dive.

Unbekownst to each other, Charles Macklin and his widowed father Arthur are having an affair with an exotic dancer called The Sphinx. When both come to see her at the same time, Charles gets upset, denounces the Sphinx, and is knocked out by Arthur. Arthur then decides to marry the Sphinx, while Charles then resumes his affair with Frances, to whom he was engaged before he met the Sphinx.

Dir: John G. Adolfi

The true story of Edith Cavell, a British nurse who served with the underground in Belgium during the First World War.

Dir: John G. Adolfi

Elaine Brooks marries Robert Ames, a member of the United States Department of Justice. The Germans, who are anxious to secure some papers that Robert possesses, employ Viola Durand to get to Robert through Elaine. Viola tricks Elaine into giving her the papers and also procures a letter that seems to establish Elaine as the traitor. George Blair, an official at the Department of Justice, finally tricks Viola into confessing her guilt, thus clearing Elaine's name.