Recommendations
Senior Film Conservator

After experiencing the cinematic excellence of Chang and the Law (1920), finding other movies that capture that same lightning in a bottle is a top priority. These recommendations provide a deep dive into the same stylistic territory occupied by Chang and the Law.
This 1920 Short classic stands as a testament to challenge the status quo through its avant-garde structure.
Critics widely regard Chang and the Law as a cult-favorite piece of Short cinema. Its cinematic excellence is frequently cited as its strongest asset, solidifying its place in United States's film legacy.
Based on the unique cinematic excellence of Chang and the Law, our vault has identified these titles as the most compelling follow-up experiences for fans of Short cinema:
Dir: Carl Harbaugh
Shirley Reynolds returns home from boarding school to find that her mother, weary of her husband's philandering, has filed for divorce. Hoping to effect a reconciliation, Shirley visits her father's apartment, where she interrupts a riotous party held in honor of his new mistress, Lola Wayne. Shirley prevents Lola's outraged father from killing her own father, but later, Wayne decides to wreak his revenge through Shirley and hires the lecherous Trask to lure her to ruin. On a particular evening, Wayne persuades Shirley to visit Trask's disreputable roadhouse, where Lola has arranged to meet with Reynolds. Suspicious, Shirley's sweetheart, Richard Ormsby, follows her to the inn. Reynolds hears Shirley struggling with Trask behind a locked door but is unable to assist her until Richard arrives. Trask, in his struggle to escape the two men, leaps from a window to his death, after which Wayne takes Lola home. Shirley then convinces her mother to forgive her remorseful husband.
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Dir: Harry Southwell
A fascinating piece of cinema that shares thematic elements.
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Dir: Edgar Jones
A mail-order bride arrives at a Maine lumber camp but doesn't like her prospective husband.
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Dir: Eduardo Notari
A crime drama in the Gennariello-series. The police detective in Naples that is confronted with modern gangsters and crime events.
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Dir: Carl Harbaugh
Marie Grandon, one of the multitude that labor in a big New England oyster cannery, meets "Iron" Lloyd, millionaire financier and tenement owner, whose yacht is cruising off the coast near the town where Marie works. Lloyd is visiting the little city incognito. He gets into a fight and is injured. During his illness he becomes acquainted with Marie, and as he convalesces their friendship ripens into love. Marie tells him that if she had the means she would wage battle against the oppressive tenement lords and carry on a campaign of reform. To test her, Lloyd, whom she knows as Strange, has his lawyer transfer a fortune to her. Marie thinks the money is a legacy from a long lost relative. The girl goes to New York and does what she vowed she would do. She concentrates her fight on Lloyd and his tenements. Ogden Deneau, Lloyd's business rival, associates himself with Marie, claiming interest in her work, but really to crush Lloyd. But Marie also has old scores to settle with Deneau, and in her plan to ruin both of these financiers enlists Strange's aid. Strange, or Lloyd, helps her gladly, and on the evening of the day the grate coup is to be made, meets her. He tells Marie that Deneau is bankrupt. When she asks about Lloyd, he informs her of the deception he has practiced. At first she is furious. Later she hears his explanation of the test and finally agrees to start life over again with him, a life not to be marred with sordid tenements.
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Dir: Carl Harbaugh
After Mary Page marries Fred Walton, she soon discovers that he is a womanizer. She tries to ignore Fred's affairs but, refuses to file for divorce even when Platt Sinclair, her husband's lawyer, urges her to do so. Mary does not realize that Sinclair is actually helping Fred, who is in love with his current mistress, Helen Lee, and wants to marry her. To escape her misery, Mary organizes a settlement house in the slums and there meets reporter Eric Mann, with whom she becomes very close. One night, as Sinclair goes to Mary's house to try to convince her to change her mind, he sees Eric through the window and informs Fred that she is seeing another man. Fred wants to sue Mary for divorce, but when Eric threatens Sinclair with disbarment, the suit is dropped. One night, Mary interrupts Fred during his evening with Helen on the same night that Jimmy Hope, a burglar, is robbing their house. The result of the night's activities are the death of Fred and the ultimate arrest of the real murderer who was obsessed with Hope.
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Dir: Hal Roach
An American book salesman (Lloyd) is persuaded to go to the kingdom of Thermosa to impersonate the Prince. He is greeted by a peasants' revolt before the real prince shows up to claim his throne and princess. The revolution succeeds, and the American is elected president of the new republic.
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Dir: Carl Harbaugh
Jack Spurlock's college escapades, which include a particularly raucous incident involving a bear, finally get him expelled, and his father, John Spurlock, Sr., compels him to go to work in the family's wholesale grocery business. The eager young man inexplicably purchases a huge surplus of onions and then supports the onion workers when they go on strike. After Spurlock, Sr. finally agrees to recognize the Onion Workers' Union, he fires his son and cuts off his allowance. Jack is forced to work as a waiter until his sweetheart, Anita Grey, introduces him to Professor Jackson, who has patented a health tonic made chiefly from onions. The publicity attending the Onion Workers' strike results in a huge demand for Jackson's tonic. In order to produce more of the cure-all, Jack purchases his father's onion surplus, thus redeeming his place in Spurlock, Sr.'s good graces.
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Dir: Carl Harbaugh
Robert Booth travels to Pittsburgh both to negotiate a million-dollar war contract with a foreign prince and to marry his sweetheart Ruth Hunneywell. Robert's rival Chester Firkins hires thugs to kidnap Robert so that he can win the contract for himself. Robert, however, escapes from the kidnappers, and after a series of adventures, during which he is pursued by the police and nearly blown up by a stick of dynamite, the daring Robert rescues Ruth, saves the prince's life and obtains the prized contract.
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Dir: Reggie Morris
A fascinating piece of cinema that shares thematic elements.
View DetailsAnalysis relative to Chang and the Law
| Film Title | Atmosphere | Complexity | Similarity |
|---|---|---|---|
| Other Men's Daughters | Ethereal | Linear | 96% Match |
| The Kelly Gang | Tense | Linear | 95% Match |
| In the River | Gritty | High | 92% Match |
| 'A mala nova | Surreal | Layered | 92% Match |
| A Rich Man's Plaything | Surreal | Linear | 91% Match |
This guide was algorithmically generated using the cinematic metadata of Carl Harbaugh's archive. Last updated: 6/25/2026.
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