Underground Favorites Parallel to the Artistry of Charlie Chan in L...

Dir: Charles Horan

While working as a flower girl in Devlin Maddox's nightclub, Nellie Vaughan meets wealthy young Pelton Van Teel and falls in love. Maddox, desirous of using Nellie to blackmail Van Teel, spreads a rumor that she is his mistress. This makes Nellie uncomfortable, and she demands that Van Teel marry her immediately, to which he agrees. Meanwhile, Van Teel has been losing money gambling to Maddox, who threatens to break up the marriage by producing a worthless check that the young husband has written. Venturing to Maddox's apartment for a showdown, Nellie pulls a gun and demands the check, accidentally shooting Maddox when he throws a lamp at her. Maddox plans to charge Nellie with assault, but when the police arrive, his butler, actually a detective employed by the elder Van Teel, exposes Maddox, who is then arrested, clearing the path for the couple's happiness.

Dir: Maurice Elvey

A visual fragment from the archive: The thematic resonance of The Hundredth Chance perfectly mirrors the editorial trajectory of our deep dive.

A lady marries a horse trainer but withholds herself until her crippled brother is cured.

Dir: Victor Heerman

In the gold fields of the Canadian Northwest, a man is falsely accused of a crime and determines that a lookalike is responsible.

Dir: Eduardo Notari

A visual fragment from the archive: The thematic resonance of The River's End perfectly mirrors the editorial trajectory of our deep dive.

A crime drama in the Gennariello-series. The police detective in Naples that is confronted with modern gangsters and crime events.

Dir: Hugh Ford

The 'dead' wife of a steel process inventor returns, as does her 'dead' husband, a war amnesiac.

Dir: Harry Southwell

A visual fragment from the archive: The thematic resonance of 'A mala nova perfectly mirrors the editorial trajectory of our deep dive.

A fascinating piece of cinema that shares thematic elements.

Dir: Bruno Ziener

A fascinating piece of cinema that shares thematic elements.

Dir: Edgar Jones

A visual fragment from the archive: The thematic resonance of The Great Day perfectly mirrors the editorial trajectory of our deep dive.

A mail-order bride arrives at a Maine lumber camp but doesn't like her prospective husband.

Dir: Colin Campbell

Dr. John Brandon, who cares for charity patients in the slums, is thrown together with writer Norma Ashley when her car strikes a boy whom Brandon treats. Under Norma's influence, and against the wishes of his friend Father Farrell, Brandon leaves the slums and becomes the partner of Dr. Thurston, who, unknown to Brandon, is Norma's fiance. Now prosperous, Brandon flies into a rage when he hears Thurston and Norma ridiculing him, and proceeds to beat Thurston and choke Norma to within an inch of her life. Taking to alcohol and drugs in his grief, Brandon becomes a derelict and goes out West to a mission town, where his loud proclamations of atheism provoke the wrath of a saloon crowd, from which his old friend Farrell rescues him. Farrell, now working in the Western parish, gradually restores the faith of Brandon, who falls in love with Mary Harrison, a blind girl who prays continually for her sight. Brandon performs an operation on Mary's eyes and her sight returns. Norma, who has found Brandon in the parish town, cannot persuade him to return to the city or to leave Mary, who accepts Brandon's love.

Dir: Frank Beal

During a raging Montana snowstorm, Doctor Jim Barnes collapses at Esther Anderson's cabin door. Esther offers Jim refuge, but when he discovers that their food supplies are running dangerously low, he braves the journey into town in order to replenish them. On the way, he is overcome with exhaustion and fails to return. Esther, unaware of Jim's condition and abused by her stepfather, joins a theatrical troop and leaves home. Time passes and Jim finally finds Esther, but a vindictive member of her troupe accuses her of having an affair with the manager and Jim believes the accusation. He leaves and Esther goes to New York City where she becomes engaged to a jealous artist, although she still loves Jim. Sam Tuttle, a long time friend, is aware of Esther's continuing love, and so brings Jim to New York City in time to save Esther from an unhappy marriage.