Recommendations
Senior Film Conservator

For those who were mesmerized by Clothes Make the Pirate, a true Adventure masterpiece from 1925, its influence on Adventure cinema remains a vital reference point for fans today. This list serves as a bridge to other Adventure experiences that are just as potent.
The legacy of Clothes Make the Pirate is built upon its ability to blend thematic complexity with stunning visual execution.
The film is a comedy that centers on a disgruntled 18th century Bostonian, played by Errol, who while wishing that he was a pirate, dons the clothes and play-acts the part. He is mistaken for the real pirate, Dixie Bull (played by Walter Law) whom Errol, of course, bumps into later in the film. More importantly, Errol "slays" the villain and puts his foot upon the pirate's head. This is more than enough and he heads back home to his unappreciated wife, played by Dorothy Gish.
Based on the unique cinematic excellence of Clothes Make the Pirate, our vault has identified these titles as the most compelling follow-up experiences for fans of Adventure cinema:
Dir: Maurice Tourneur
Editor of the Louisville Gazette sends happy-go-lucky cub reporter Steve Oldham to cover a feud in the hills that began when Jim Renlow's pig was caught eating Bill White's turnips. Although Steve tries to remain impartial, he falls in love with schoolteacher Alice Renlow. At a "Truce Dance" given to raise money for Alice's salary, Steve drinks too much and innocently kisses Peggy White, who then tells her relatives that they are engaged. Later, when Steve is seen kissing Alice's hand, the Whites take Steve captive and plan to shoot him at sunrise. Alice pleads with Tilden White, who loves her, to allow Steve to escape, but he agrees only if Steve will leave alone. When Steve refuses, Alice confesses her love. They fight until the house which they are occupying is destroyed and the cavalry, notified by Steve's newspaper, arrives. The two sides are now reconciled as Steve and Alice prepare to marry.
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Dir: Maurice Tourneur
Dr. Hugh Annersley, assisted by Dr. Appledan, has succeeded in finding a cure for cancer. Julia, Dr. Annersley's sister, comes home with Griswold, a former client of the doctor, and to whom he still owes money. Griswold did not enter the house, Annersley saying to Appledan that if Griswold would pay him what he owes, he could then continue his work with the medical discovery. Griswold, now being attended by Appledan, Annersley decides to write him a letter, in which he states that unless he is paid within twenty-four hours, that he will go to Griswold's apartment to collect the account himself. Appledan takes the letter to Griswold himself. In giving medicine to Griswold, Appledan gives him an overdose, resulting in his sudden death. To ward off suspicion, Appledan places Annersley's letter threatening violence to Griswold on the latter's table, and firing two shots out of a revolver, the aged doctor leaves the room. When the police investigate they find the revolver on the floor, and on it is carved Hugh Annersley's name. Circumstantial evidence in the form of the revolver and letter points to Annersley. He is placed under arrest and charged with the murder. Julia, calling upon Appledan, notices the old doctor laughing hysterically as Frank Sargeant, a well-to-do young man, leaves his office. He tells Julia that he has just warned Sargeant he could not live more than a couple of months on account of the poor condition of his heart. With this knowledge, Julia starts in search of Sargeant, and finds him in an old quarry just as he was to commit suicide. She persuades him to listen to her. She unravels to him the story of her brother's plight, and of the fact that he could save millions of lives were he able to continue with his cancer cure. That as he, Sargeant, could not live long and was on the verge of committing suicide, would assume the murder of Griswold, clear Annersley of the charge, and thereby be of some good to humanity. Sargeant agrees and fabricates circumstantial evidence against himself so strongly that he is arrested and convicted of the crime. While awaiting electrocution, Sargeant learns that his heart was never affected, that old Doctor Appledan was mentally unbalanced, and then confined to an insane asylum. Upon learning this, Julia sets out to clear Sargeant and reverse the wheels of destiny against him. The old doctor confesses that he gave Griswold an overdose of medicine and to clear himself had placed Annersley's letter and pistol near him, thereby clearing Sargeant. How Julia repaid Sargeant for his great sacrifice by her love and affection brings the picture to a dramatic and happy ending.
Dir: Maurice Tourneur
A resourceful young girl struggles to free herself from slum life.
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Dir: Maurice Tourneur
Vincento Perez, the governor of the Portuguese colony of Exile, is an unscrupulous and brutal man who is hated by the natives. Furthering his schemes, Perez tries to force silk dealers out of business, and reveals his plans to government engineer Richmond Harvey in a letter appealing for the American's help. The engineer threatens to expose the plot and Perez, facing ruin and death, sends his wife Claudia to Harvey to offer herself in exchange for the letter. In Harvey's bungalow, Claudia confesses her love for the American who, refusing to take advantage of the situation, offers her the letter. She returns to her husband, only to meet with humiliation. After much abuse, the natives finally rebel against the governor who is lynched by the mob. Claudia is rescued by Harvey and the two face a happy future together.
Dir: Maurice Tourneur
Richard Duvall is a young American detective in the employ of the French Secret Police. While in Paris he meets Grace Ellicot, also an American, with whom he falls in love. He marries her and is about to start on his honeymoon when he is called on by Mons. Lefevre, chief of the secret police. The French Ambassador to England, Monsieur De Grissac, has lost an ivory snuff box which must be found. They depart for London to interview the Ambassador. In London they go to the Embassy. There the Ambassador tells them that he was robbed of the snuff box while he was dressing and suspecting his valet, Noel, he locked him in his room. When Duvall goes to interview the valet, he finds that he has been murdered. Meanwhile, in Paris, Lefevre has broken the news to Duvall's wife of his departure to London. She, wishing to follow Duvall, asks Lefevre where she can find him. Lefevre tells her that if she will help in the recovery of the snuff box she will find Duvall. She consents, and Lefevre tells her to go to Brussels and try to place herself in the sanitarium run by Dr. Hartmann. who is supposed to be a German spy and whom Lefevre believes to be instrumental in the theft of the snuff box, which box, Lefevre hints, is of diplomatic importance. Richard Duvall, aboard the boat for Antwerp, finds the man whom he is following, asleep in a saloon, and during the night he opens the stranger's suitcase. He finds the package given the stranger in the barber shop, and on opening it, discovers the contents to be rice powder. By this time Duvall has learned that Grace is in the sanitarium, and that she furnished the news to Lefevre's agents. He feels that Grace should leave the sanitarium as soon as possible. He goes to Mr. Phelps, the American Ambassador, and has him invite Grace to dinner, planning to escape after dinner. During dinner that night, Dr. Hartmann, who is beginning to suspect Grace and Duvall, turns up at Mr. Phelps' house as an unexpected guest. When Richard and Grace leave on the pretext of Duvall's escorting Grace back to the sanitarium, Hartmann asks if he might ride with them. Because of no plausible reason, Duvall is forced to consent. On arriving at the sanitarium, Duvall is taken prisoner by two of Dr. Hartmann's attendants. His failure to discover the snuff box angers Dr. Hartmann. He knows that Duvall must have it with him, as his luggage has been searched and his friends imprisoned on various trumped-up charges. He gives Duvall until the next evening to confess the whereabouts of the box. The time allotted him is up, and Duvall refuses to confess. Hartmann resorts to torture. Finally Richard, at night, finds his opera hat behind a packing case and secures the box from the hat. Experimenting with several ornaments on the top of the box, he discovers that it has a double top. Inside the box is a piece of tissue paper, on which a series of numbers are written. Duvall substitutes another set of numbers, and conceals the set found in the box. In order to make Grace confess where the box is, as Dr. Hartmann believes she knows, he lets her see Duvall being tortured. She is almost crazed by watching his pain, so gets the box and delivers it to Hartmann. They are at once released, and proceed to Paris. They are not able to deliver the box to Lefevre, but they give him the series of numbers. Duvall and Grace at last start on their delayed honeymoon.
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Dir: Maurice Tourneur
In order to save her mother from disgrace, Margaret marries Richard Harding even though she really loves Geoffrey Morton. Five years later, the Hardings have a little son, and Margaret's life has been made almost unbearable by her husband; she lives for nothing but her son. Morton, returning after an absence of two years, learns that Harding has made some false accusations against him and goes to his home to demand a retraction. While there, he witnesses an exhibition of Harding's cruelty as he whips his little son. After Morton leaves, Harding threatens to beat the boy again, and Margaret tells him that she will shoot him if he does. Harding defies Margaret's plea, and she carries out her threat. Together, Harding's secretary and Margaret place the revolver so that it will appear to be a suicide, but the police are not deceived. After a desperate defense by her lawyers, however, the death is ruled accidental and Margaret is free to begin life anew.
Dir: Maurice Tourneur
After being expelled from college, Giles runs away from home and meets and falls for a young lady.
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Dir: Maurice Tourneur
After robbing a bank, a criminal is wrongfully pardoned from prison.
Dir: Maurice Tourneur
When he is ruined by speculating in the stock market by bogus tips given to him by Charles Wainwright, George Garrison commits suicide, but before his death he begs his son Henry to avenge him. Henry goes West and makes a fortune prospecting, then returns to New York and assumes the name of Henry Thompson. He becomes Wainwright's protege and falls in love with his daughter Dallas, then is elected mayor of New York, backed by Wainwright's friend, political boss Richard Horrigan. In return for Wainwright's support, he is supposed to sign a franchise binding the city to the financier's railway. Henry refuses, so Wainwright and his flunkies attempt to discredit him by dredging up an old murder charge, but the charge is proved false when the supposed victim, Henry's partner Joe Standing shows up. Finally, Henry confronts Wainwright, accuses him of causing his father's death and of attempting to defraud the city. Despite his denunciation of her father, Dallas proclaims her love for Henry. In an epilogue, the hands of the victims of political boss Horrigan clutch at him from the grave.
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Dir: Maurice Tourneur
Arriving with her husband in Arabia, Katherine Wyvrne is ready for romantic times in the exotic Middle East, but her aristocratic husband prefers to be out hunting "Barbara sheep" than fulfilling his wife's desires. She soon meets up with the dashing Arab chief Benchaalai and falls for his charms, but he has a much more sinister goal in mind for her than romance.
View DetailsAnalysis relative to Clothes Make the Pirate
| Film Title | Atmosphere | Complexity | Similarity |
|---|---|---|---|
| The Cub | Ethereal | High | 98% Match |
| The Closed Road | Gritty | Layered | 95% Match |
| The Rise of Jenny Cushing | Gritty | Linear | 96% Match |
| Exile | Surreal | High | 91% Match |
| The Ivory Snuff Box | Tense | Layered | 96% Match |
This guide was algorithmically generated using the cinematic metadata of Maurice Tourneur's archive. Last updated: 8/16/2026.
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