Recommendations
Senior Film Conservator

Looking back at the 1926 milestone that is College Days, the specific artistic bravery of this work is a gateway to a broader Romance world. Our archive is rich with titles that mirror the artistic bravery of Richard Thorpe.
As Richard Thorpe's most celebrated work, it defines to create a dialogue between the viewer and the artistic bravery.
Jim Gordon, the son of a proud and loving father, enters the University of California as a student. There he meets Mary Ward, a campus coed who captures his heart on the first day. He becomes close friends with Larry Powell, his roommate, but incurs the wrath of Kenneth Slade, who is unable to take a practical joke. Jim and Larry attend a campus dance with Bessie and Phyllis, two vamps, and through a series of romantic complications Jim tries to convince Mary of his love for her. Later, Louise successfully waylays Jim on his way from the training field and the sight of them disillusions Mary; trying to repair matters in a classroom, Jim is reprimanded, is physically punished by Professor Maynard, and is expelled. Later he is reinstated by the dean and plans to join the football squad against Stanford, but the day of the game finds him again in disgrace because he has gone to a roadhouse to protect Mary from her jazzy companions, and then to assist her after an accident. At the last minute, he is called into the game, and his team wins.
College Days was a significant production in United States, showcasing the immense talent of Marceline Day, James Harrison, Duane Thompson. It continues to be a top recommendation for anyone studying Romance history.
Based on the unique artistic bravery of College Days, our vault has identified these titles as the most compelling follow-up experiences for fans of Romance cinema:
Dir: Charley Chase
A young married couple volunteer to take charge of several orphans after the asylum has burned down. Of course they find their hands full with their troublesome charges.
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Dir: Robert Thornby
Mary Willard takes over her father's railroad after his death. Her major competitor is a ruthless crook named Harvey Judson. She arranges for Judson to be kidnapped and taken to an isolated spot deep in the forest and turned loose to fend for himself. She accompanies the kidnappers to the wild and Judson, not knowing who she is, begins to fall in love with her. Complications ensue.
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Dir: Maurice Campbell
Carver Endicott, a young sophisticate, is rejected by his fiancée for being too foppish and dull. When she feigns an interest in his father, Carver attempts to disgrace his family name by working as a farmhand and later as a busboy in a hotel. However, the newspapers only praise him for his self-sacrificing principles; and finding that he cannot bring shame to the family through menial labor, he takes up with a notorious actress. But when this maneuver also fails, he returns to his former fiancée, who has no further complaint about his being an inexperienced dullard.
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Dir: Vernon Stallings
Krazy Kat is held in jail and Ignatz finally bails him out after encountering "guilt".
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Dir: Jacques Jaccard
Douglas MacLeod of the Royal North West Mounted Police is in love with Suzanne Foucharde, who has adopted an abandoned Indian baby, the illegitimate child of Louis La Rocque and Na Fa Kowa. When La Rocque insinuates that the baby is Suzanne's, her brother Henry defends his sister's honor and kills the villain. In spite of his love for Suzanne, it is Douglas' duty to arrest Henry. He does so, but later allows him to escape, taking the bullet himself that was fired after Henry by Constable Burke. Meanwhile, the dead body of Na Fa Kowa is found, accompanied by a note proving that the Indian was the baby's mother. In the spring, when Douglas recovers from his wounds, he and Suzanne are married.
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Dir: Henry Edwards
A millionaire bets £25,000 that he can earn his own living for six months.
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Dir: J. Gordon Edwards
William Farnum is Drag Harlan, a tough cowboy vigilante. After learning about a gold mine from a dying man, he seeks his daughter (Jackie Saunders) as well as the gold. He falls in love with her, but the same gang that shot the old man is after the gold.
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Dir: Richard Smith
Two female candidates for Chief of Police live across the hall from each other, and their political rivalry follows them home, leading to plenty of hi-jinks.
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Dir: Unknown Director
The Judge needs a present for his wife's birthday, so Harry suggests a new corset. They go to the shop, but he's so embarrassed to ask the saleslady he hides in a phone booth.Harry goes in, but finds a GUY wearing one, and runs out.They both dress as women to get back in, but Mrs. Rummy gets there and chases him out.
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Dir: Reggie Morris
A fascinating piece of cinema that shares thematic elements.
View DetailsAnalysis relative to College Days
| Film Title | Atmosphere | Complexity | Similarity |
|---|---|---|---|
| Kids Is Kids | Tense | Layered | 94% Match |
| The Deadlier Sex | Gothic | Layered | 97% Match |
| An Amateur Devil | Tense | Linear | 98% Match |
| The Great Cheese Robbery | Surreal | Linear | 87% Match |
| Under Northern Lights | Gothic | Layered | 89% Match |
This guide was algorithmically generated using the cinematic metadata of Richard Thorpe's archive. Last updated: 6/24/2026.
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