Recommendations
Senior Film Conservator

Looking back at the 1926 milestone that is College Days, the specific artistic bravery of this work is a gateway to a broader Romance world. Our archive is rich with titles that mirror the artistic bravery of Richard Thorpe.
As Richard Thorpe's most celebrated work, it defines to create a dialogue between the viewer and the artistic bravery.
Jim Gordon, the son of a proud and loving father, enters the University of California as a student. There he meets Mary Ward, a campus coed who captures his heart on the first day. He becomes close friends with Larry Powell, his roommate, but incurs the wrath of Kenneth Slade, who is unable to take a practical joke. Jim and Larry attend a campus dance with Bessie and Phyllis, two vamps, and through a series of romantic complications Jim tries to convince Mary of his love for her. Later, Louise successfully waylays Jim on his way from the training field and the sight of them disillusions Mary; trying to repair matters in a classroom, Jim is reprimanded, is physically punished by Professor Maynard, and is expelled. Later he is reinstated by the dean and plans to join the football squad against Stanford, but the day of the game finds him again in disgrace because he has gone to a roadhouse to protect Mary from her jazzy companions, and then to assist her after an accident. At the last minute, he is called into the game, and his team wins.
College Days was a significant production in United States, showcasing the immense talent of Charles Wellesley, Gibson Gowland, Crauford Kent. It continues to be a top recommendation for anyone studying Romance history.
Based on the unique artistic bravery of College Days, our vault has identified these titles as the most compelling follow-up experiences for fans of Romance cinema:
Dir: Malcolm St. Clair
A dancing instructor gets involved with a newly rich family.
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Dir: Hal Roach
An American book salesman (Lloyd) is persuaded to go to the kingdom of Thermosa to impersonate the Prince. He is greeted by a peasants' revolt before the real prince shows up to claim his throne and princess. The revolution succeeds, and the American is elected president of the new republic.
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Dir: Jacques Jaccard
Douglas MacLeod of the Royal North West Mounted Police is in love with Suzanne Foucharde, who has adopted an abandoned Indian baby, the illegitimate child of Louis La Rocque and Na Fa Kowa. When La Rocque insinuates that the baby is Suzanne's, her brother Henry defends his sister's honor and kills the villain. In spite of his love for Suzanne, it is Douglas' duty to arrest Henry. He does so, but later allows him to escape, taking the bullet himself that was fired after Henry by Constable Burke. Meanwhile, the dead body of Na Fa Kowa is found, accompanied by a note proving that the Indian was the baby's mother. In the spring, when Douglas recovers from his wounds, he and Suzanne are married.
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Dir: Victor Heerman
In the gold fields of the Canadian Northwest, a man is falsely accused of a crime and determines that a lookalike is responsible.
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Dir: F. Martin Thornton
In Paris an orphan cartoonist loves a man with a mad wife, who dies in time to prevent her marriage to a jilted Comte.
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Dir: Lloyd Ingraham
While walking along the street one day, Arthur P. Hampton, an impoverished young doctor, and his chums, Stub Masters and Johnny Stokes, are persuaded to part with their last remaining funds by tag day solicitor Mary Jane Smith, with whom the doctor promptly falls in love. Doc's friends then hit upon a get-rich-quick scheme. Knowing that his Uncle George has promised a large sum of money upon his nephew's marriage, they persuade Doc to send out fake wedding invitations naming Mary Jane as the blushing bride. Uncle George, elated at the good news, writes to Mary Jane's aunt, Angelica Burns, an old sweetheart, to invite Mary Jane and Angelica to be his guests on an ocean voyage. Meanwhile, Mary Jane pays a visit to the doctor's office and, upon seeing the wedding invitations, becomes so flustered that she trips and sprains her ankle. Doc comes to her rescue and then begs her to pose as his wife. She agrees, but at ship-side, Stub and Johnnie confess all to Uncle George, who flies into a rage until Doc announces that he and Mary Jane have chosen a wedding at sea.
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Dir: Reggie Morris
A fascinating piece of cinema that shares thematic elements.
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Dir: Roy Clements
A man agrees to marry the daughter of a deceased friend - who is, in fact, being impersonated by the servant girl of the daughter, who has also already died.
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Dir: Unknown Director
The Judge needs a present for his wife's birthday, so Harry suggests a new corset. They go to the shop, but he's so embarrassed to ask the saleslady he hides in a phone booth.Harry goes in, but finds a GUY wearing one, and runs out.They both dress as women to get back in, but Mrs. Rummy gets there and chases him out.
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Dir: Raoul Walsh
Dave Henderson, an orphan who has become the beneficiary of a rich man's will, falls in with race-track crooks Martin Tydeman and Bokky Sharvan who bilk him out of his $100,000 inheritance. In retaliation, Dave steals the money from Tydeman's safe, but is caught and sentenced to five years in jail. In prison, Dave becomes friendly with Millman, who is about to be released, and reveals the money's hiding place to him, arranging to rendezvous at the end of Dave's term. Once released, Dave is hounded by members of Tydeman's gang as well as the police, who are waiting for him to retrieve his bounty. While taking refuge at the house of Capriano, an old bomb maker, Dave falls in love with the old man's daughter Teresa. However, Capriano sets a trap for Dave, who awakens in a drugged state to find the $100,000 missing. With the help of Millman and Teresa, Dave recovers the money, turns it over to the police and resolves to go straight.
View DetailsAnalysis relative to College Days
| Film Title | Atmosphere | Complexity | Similarity |
|---|---|---|---|
| Don't Weaken! | Tense | Dense | 89% Match |
| His Royal Slyness | Gothic | Layered | 92% Match |
| Under Northern Lights | Gothic | Layered | 89% Match |
| The River's End | Gothic | Linear | 91% Match |
| The Flame | Surreal | High | 97% Match |
This guide was algorithmically generated using the cinematic metadata of Richard Thorpe's archive. Last updated: 8/17/2026.
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