Cinematic Discoveries Following the Footsteps of Come Again Smith: ...

Dir: E. Mason Hopper

Mynderse Van Dyun, a wealthy old New York aristocrat, has one goal in life, to see his granddaughter Catherine and grandson Pell married; for, although they are cousins, the marriage would perpetuate the family name. Catherine, however, is in love with Paul La Farge and detests her drug-addicted cousin, who seduces and then secretly marries her maid, Nora Duffy. After a son is born to Nora, who dies in childbirth, the infant is taken to the Van Dyun house where, only a few days before, Pell, in a dispute involving drugs, had been thrown from a window by his valet and killed. When the old man refuses to acknowledge the child, Catherine and Paul adopt the baby, leave the Van Dyun house and are married. Five years later, Catherine comes to visit the old man with his great-grandson, and, seeing what a fine boy he is, the old aristocrat is forced to admit that the boy is worthy of bearing his name.

Dir: E. Mason Hopper

Young engineer Tom Morley is building a railroad through Imperial Valley. Tom's father also wants the job and tries to persuade his son to give up the work, but Tom refuses. Tom falls for a society girl named Alice Hale, who marries him to bring prestige to her family. Initially, Alice plots against Tom, but Tom wins her over and they work together to defeat those who are plotting to destroy Tom's work.

A visual fragment from the archive: The thematic resonance of The Selfish Woman perfectly mirrors the editorial trajectory of our deep dive.

Dir: E. Mason Hopper

An alchemist, about to be burned at the stake, tells his captors that some day the teachings of the alchemists will be generally believed. The alchemist taught that the human character goes through a process of evolution and in the effort to conquer conditions about him, man finds his birth of character. Harry is in love with Grace. She is the good influence in his life. His companions influence him in the other direction. Large losses at cards make him desperate so that at a dance he is momentarily tempted to steal a diamond-studded hair ornament. The impulse immediately and he returns it, explaining that it dropped to the floor and he picked it up. Unfortunately a witness to both the impulse and the quick wit in pulling himself out of the dilemma was Darby, a master criminal. Later Harry is dragged to a gambling joint by his friends; the place is raided through Harry's bitter rival, Arthur Vane, from whom he rescues Alice, a girl who assists her father in the management of the place. All the boys are arrested except Harry, whom Alice saves by means of a secret door. He thus meets her father, who proves to be Darby. This leads Harry to his becoming the tool of Darby, and he is on the downward path. Harry and Grace become engaged. She does not know the life into which he is drifting. A dealer in objects shows them a valuable necklace. This latter is procured by Harry in a successful burglary. He is then sent to a fashionable house party by Darby to see what loot may be obtained there. Grace is a visitor at the same house party, and it is she who shoots him, not knowing his identity. Discovering who it is she saves him; the wound if only a scratch, but with scorn tells him she never wants to see him again. Harry then determines to make a man of himself, surrenders, and is imprisoned to pay the penalty of his crime. As an ex-convict he is welcomed only in the underworld. Alice, because she has fallen in love with him, unselfishly determines to help him, goes to Grace, pleads with her to overlook the past and give Harry a chance. Grace finally agrees to do so, and Alice sends Harry to her. He obtains a position and is rapidly demonstrating a real character. Refusing to have anything further to do with crooked work, he is threatened and only saved from trouble by the unselfish Alice. However, he repays this sacrifice with an open and cruel snub when with Grace he meets her on the street. Her love turns to hate. The master willingly lures him to his den, Alice maneuvers to lure Grace to the underworld, also so that she may be a witness to the punishment of her ungrateful lover. The situation works up to the dramatic climax where Darby is about to kill Harry when the police, summoned by Grace through a ruse, break in and she and Harry are saved.

Dir: E. Mason Hopper

Quartus Hembly, a man without a conscience, is the ruler of the town of Copper City, having made himself rich at the expense of his workers. When Donald Keith, a young lawyer, arrives in town, a hidden spring within him is touched after Hembly viciously kicks his dog. Keith refuses to leave town and warns Hembly that he will fight to see that the people get their rights. Keith's only ally is Thora Erickson, the daughter of Hembly's henchman. Keith's opportunity to topple Hembly presents itself when he rescues Bill Wheeler, who, out of gratitude, confesses that it was Hembly who dynamited the log jam years earlier. With the lawyers and the courts in the palm of his hand, Hembly is acquitted, but the townspeople are so outraged that they capture Hembly and tie him to the whipping post. He is rescued by Keith, who forces a full confession for all Hembly's crimes and then allows him to leave town. Keith is then made district attorney, Thora becomes his bride, and Copper City becomes a decent place in which to live.

A visual fragment from the archive: The thematic resonance of The Birth of Character perfectly mirrors the editorial trajectory of our deep dive.

Dir: E. Mason Hopper

Young Polly Eccles is raising her sickly young brother Billy. When her doctor advises taking Billy away from their dank slum, she packs them both up and they head for California. While hitchhiking there, they are picked up by Kirk Drummond, who just happens to be driving to California himself. Upon their arrival, Kirk's wealthy father John is horrified that he has hooked up with a "lower-class" woman like Polly and does everything he can to make life miserable for her so she will leave. However, an incident occurs at the mine John's father owns that could turn out badly for all concerned.

Dir: E. Mason Hopper

Social worker John Warfield meets socialist radical Guido Garcia, and together they establish a refuge in San Francisco for life's unfortunates. Goldie Shepard, whose father is an alcoholic, develops an interest in socialism and becomes Warfield's stenographer. Goldie's hatred of the rich increases when her father is killed by an automobile in which society woman Lorraine Van Allen is riding. As a result of the accident, Lorraine becomes a supporter of the refuge. Meanwhile, Warfield's mother dies in England and leaves him a large estate. When Warfield marries Goldie and takes her to England, he is shocked to see her fondness for luxury, and soon decides to donate his estate to the poor and return to San Francisco. Guido, who had been Goldie's suitor, learns of her marriage and murders her, after which he leaps from a bridge to his death. Later, Warfield marries Lorraine, and they convert the English mansion into a children's home.

A visual fragment from the archive: The thematic resonance of The Hidden Spring perfectly mirrors the editorial trajectory of our deep dive.

Dir: E. Mason Hopper

The valet of Lord Harold Varden, on a secret mission to our Government, has been murdered. Dick Holloway, a reporter, detailed to the story, calls on Lord Varden just as the latter feels the effects of poison administered to him. He takes the place of the nobleman when his American cousins come for him, and not only saves his lordship's papers, but captures the spies detailed to get them.

Dir: E. Mason Hopper

Abby Lou is the niece of the crabbed old antique dealer, Richard Cobb. Old Richard Cobb has a son who possesses all the qualities that his father seemingly was born without. This son, Tom Cobb, loves Abby Lou and is working on his great invention, a kettle that will not boil over. Finances are the only drawback to its successful achievement. Tom approaches wealthy old Joseph Snow for assistance but is turned down. Snow, though a hard man in money matters, in private life is also an unsuspected follower of Romance. In his home he has a secret chamber from which through the eyes of his portrait he can observe what goes on in his absence. Snow sees Abby in the antique shop and his charity offering of money to the ragged little girl is scorned. It amazes him; for the first time in his life his money is refused. It puzzles him and that night he decides on an eccentric test. The next day Abby Lou is notified that she is the heiress to deceased Snow's wealth. The lawyer takes her away to the mansion and she is surrounded by the parasitical Mrs. Rollins and her son Percival, relatives of Snow. Percival is in love with Marguerite D'Arcy but is as poor as a church mouse. Snow from his point of observation through the eves of his picture watches Abby set up Percival in business, secretly finance Tom's invention to success, reinstate his old and faithful employee Mace, and seemingly make everyone happy with his money. A new understanding of life and its meaning comes to Snow and the night of the mask ball Snow steps through the secret panel in costume, masked and apparently a guest. Then the denouement happens in a marvelously happy way and the Spirit of Romance, her mission finished, disappears forever.

A visual fragment from the archive: The thematic resonance of The Right Direction perfectly mirrors the editorial trajectory of our deep dive.

Dir: E. Mason Hopper

Julie Davenant is the neglected daughter of a Parisian dancer who, tired of her life, commits suicide. With her last breath she tells Julie not to trust men. Julie begins her battle with life as a nursemaid. Sculptor John Ramsey spies the beautiful little girl, gives her his card, and when she is discharged from her nursemaid position she becomes his model. She becomes the most talked-of model in Paris, and modiste Hermineux pays her a handsome sum to have her likeness made in wax, on which he displays his gowns. Julie meets Melville Ilchester, who seems "different." He also falls deeply in love with her. Ilchester, to satisfy a query in his mind if Julie is really "different," goes to her flat at night and walks in just as she, on a dare, takes a sip of wine and lights a cigarette. He refuses to listen to her explanation. In a moment of despair, Ilchester smashes both window and model at the Hermineux shop. Julie surmises Helen (Ilchester's sister) and Ramsey's plan to elope, sends Ilchester a note to go to Ramsey's because a friend is in danger, tells Helen that Ramsey is married, and hides her as Ilchester enters Ramsey's studio. Ilchester, believing this is a ruse of Julie's, leaves, still refusing to allow Julie to explain. Heartbroken she abandons her profession as a model and becomes destitute. She sends Ilchester a last note of appeal, which Helen accidentally sees, and after hearing the truth from his sister, Ilchester hastens to Julie, explanations are made and their happiness is assured.

Dir: E. Mason Hopper

Boston Blackie, a gentleman crook, and his accomplice, Mary, plan to rob the Wilmerding mansion while Mr. Wilmerding is out of town. Mary is hired as a nurse to Martin Wilmerding, Jr., and after Mrs. Wilmerding has gone to a ball, she admits Blackie, who starts to open the safe. Just then little Martin enters, and he and Blackie play and become fast friends. Mrs. Wilmerding returns with her lover, Donald Lavalle, and when Blackie overhears their plans to elope together with her jewels, he tricks Donald into giving him the jewels by posing as the jealous husband. Through several telegrams, he effects the reconciliation of his little pal's parents but cannot decide whether or not to return the jewels.