Masterpiece Selection Resonating with the Themes of Cross Currents:...

Dir: Francis J. Grandon

After Kathlyn's seemingly marvelous escape from the Temple of the Lion, where she almost became a victim of fanatical men, not to remark the hungry and marauding lion, she is still followed by the wild beasts that rove in that vicinity in search of prey. She realizes her peril through some keen second sense, and eventually makes her way by woodcraft to a tree, at the base of which is an idol. This being in the nature of a votive shrine. It is frequently visited by the Pilgrims and pious Parsees, who offer prayers for protection from the beasts of the jungle and also leave peace offerings in the form of food. Above in the branches of this spreading tree is propped a rude hunting booth, where the native hunters have been accustomed to watch in security for the stalking game that prey upon one another in the depths of the jungle. This umbrageous tree seems to have kindly shadows, and Kathlyn takes refuge among its branches, exhausted after her terrible flight through the tangled woodlands. Unarmed, she realizes that she must now depend upon her woodcraft and fleetness of foot to avoid the dangerous inhabitants of that neighborhood. With this idea in view, she weaves for herself a dress of fibrous grass that blends with the flora and the branches of the trees, just as the markings of many wild animals does, comporting with their environment, giving them unconscious security. She completes this garment none too soon, when the carnivora which has been upon her trail, rounds up at the base of the tree and settles down with fearful roars and snarling, warning her that it is time for her to look to her safety. She is so surprised that in her haste to get away she drops her tattered and discolored temple gown, fleeing further into the depths of the everglades in her new garb blending so well with the surroundings that it helps to conceal her whereabouts. Bruce, the American hunter, who accomplished Kathlyn's rescue in the amphitheater from the forty hungry lions, has been hot upon her trail since the stampede of elephants drew them far apart. Undeterred, however, he has penetrated the depths of the jungle, followed her from the Burning Gat to the ruined temple, and now to the base of the tree, where he finds her torn and discarded garment. He is encouraged to continue his search with greater zeal. In the interim, some passing traders lose an elephant that has strayed far afield to feed and give chase. The elephant becomes panicky and in its flight almost knocks down the tree that shelters Kathlyn. In her fright, she tries to run away, but the traders who have come upon the scene, capture her, believing her to have been an escaped slave. The chief of this band, after taking counsel, concludes to take his captive to a nearby city, place her in a slave market and sell her. Then follow a series of interesting scenic events, showing the method of caring for captives that have more than ordinary value in the eyes of their owners, for the fair Kathlyn at once excites the cupidity and admiration of the leader of the band, who naturally concludes he has a pearl of great price in her. (Incidental to this is the caste-mark on the forehead of the human chattel.) A few days after Kathlyn emerges from the jungle, she is put upon the auction block in the slave market of Allaha. Disguised in her wild garb of woven grass, bearing her caste-mark, and deprived of all the finery that once marked her as a queen, she is so heavily veiled she is not recognized by any of the dusky magnates who frequent the market of Allaha. Eventually she is sold, curiously enough to Umballah, who does not recognize her on account of the Saree over her face. Kathlyn, who has been successful in outwitting Umballah, concludes to reveal to him her identity, and when she does he is furious and indignant beyond words. While she was in the slave market, she managed to learn the whereabouts of Bruce, and conveyed a message to him through the caste-marker of Allaha. Bruce is again close, but is a few minutes too late to save her, as Umballah, in his fury, has ordered Kathlyn to be incarcerated in the same prison that confines her father. She had believed her sire dead, but when she is placed into the dungeon she recognizes the ragged and emaciated lost one and a joyous meeting drives melancholy from the inhospitable place. This, however, is short-lived, for the malignant Umballah appears and tells Col. Hare that his daughter Kathlyn is now his slave, his chattel, and that he will do with her as he likes. Instead of having the effect he hoped, in humbling the prisoner in chains at his feet, it inspires him with fury, and Hare, now possessed of maniacal strength, springs upon Umballah like a wild beast and bears him down, grinding him against the rocky floor of the dungeon.

Dir: Francis J. Grandon

Bessie, a girl of the slums, is left an orphan. Her father was a drunkard and during one of his periods of intoxication he killed his wife and then, in trying to escape, was himself killed. Left destitute, Bessie is invited by a couple of youngsters to keep house for them. The two boys earn enough money selling papers to keep up the little establishment and Bessie does the housework. One day as she is playing in the street she is run over by an auto belonging to society lady Mrs. Latham, who feels sorry for her and visits her at the hospital where she is taken. On leaving the hospital Bessie goes to see the wealthy widow, who procures her a position at a modiste's shop. A couple of months later Bessie goes to a cheap dance hall with a friend, where she is noticed by theatrical agent Abrams, who offers her a job as a cabaret dancer and she accepts. While dancing in the cabaret she is noticed by wealthy clubman Shirley Martin, who says that he will make her a great dancer. He introduces her to a manager and all arrangements are made for the Broadway production. Shirley expects a price for his favors, but to his chagrin, he discovers that Bessie is incorruptible. Bessie's debut as a dancer is a success. Mrs. Latham, who has designs on Shirley's money, is jealous of the attentions he is paying the little dancer. She plans to so compromise her that his love will be cured. Accordingly, she invites the two of them on a weekend trip to the country and then, at the last minute, does not go herself. When the two young people arrive at the hotel, they find rooms engaged for Mr. and Mrs. Shirley Martin. When Bessie confesses that she loves him, he tries to force his attentions on her, but she repulses him. Then Shirley realizes that he has acted like a cad and when he asks her to marry him the next day, she agrees. Meanwhile, Mrs. Latham has written a note to Old Man Martin saying that Bessie is trying to ruin his son's life and that if he does not want a scandal, he must go at once to the hotel where they are registered as husband and wife. Martin hurries down and finds them there the next day. He accuses Bessie of having designs on Shirley and forbids the marriage. So Bessie, thinking that perhaps after all, the marriage would not be for the best, agrees to go away. When Shirley finds out what his father has done, he is furious, and says that he will not come home until his father consents to the marriage. But he cannot find Bessie, as she has left without giving anyone her address except old Martin. But at the Martin home, the mother has become ill, and the doctor thinks that the only thing that will save her life is a reunion with her boy. So Mr. Martin hunts up Shirley at the club and persuades him to come home for the sake of his mother, and then he goes to find Bessie. Of course the two are reunited and agree to have the long-delayed wedding take place at once.

A visual fragment from the archive: The thematic resonance of The Narrow Path perfectly mirrors the editorial trajectory of our deep dive.

Dir: Francis J. Grandon

The inventor of the first clock, which would eliminate the use of the village's sacred bell, is sentenced to life imprisonment by the Emperor, but escapes his fate by hiding with a father and his daughter.

Dir: Francis J. Grandon

The daughter of an adventurer in India is kidnapped by a native king, whom she is forced to marry. She has several adventures battling natives and wild animals.

A visual fragment from the archive: The thematic resonance of Lotus Blossom perfectly mirrors the editorial trajectory of our deep dive.

Dir: Francis J. Grandon

When socialite Ethel Wyndham turns down his marriage proposal because of his working-class status, Jim Carew leaves civilization and goes prospecting in the Yukon. While striking it rich in Alaska, he begins a romance with Little Snowbird, but before settling down with her, he decides to take one last look at life in the big city, and so he goes to New York. At a restaurant there, he sees Ethel, and immediately tells her of his success and proposes once again. Ethel is tempted to accept him until Thomas Martin, who has involved her in a blackmail operation, threatens to expose her if she marries Jim. Once again broken-hearted, Jim returns to Little Snowbird, only to find that, believing that he would never return, she committed suicide. Before dying, however, she gave birth to their daughter, to whom Jim devotes the rest of his life.

Dir: Francis J. Grandon

Justina Howland lives in Mexico near the U.S. border with her uncle Miguel and his son, Luis Alvarez. The uncle plans to have Justina marry Luis in order to get the money which she will inherit. Matters come to a climax when Miguel sends for a priest and announces the marriage will take place at once. Justina escapes on the mule that brought the padre to marry her and crosses the border, where she is given shelter by the soldiers under command of Lieutenant Morton. In the morning she tells her plan to get to her Aunt Betty in Lowell, Mass. The soldiers discover she can dance and get her to dance for them, taking up a collection to take her safely to her aunt. Justina arrives safely and all goes well until Uncle Miguel makes the discovery of Aunt Betty's address on a photograph and comes to Lowell, bringing Luis with him. The two Mexicans arrive at about the same time as Lieutenant Morton's regiment. Betty is delighted to see her rescuer again, and when she learns that he is the local Boy Scout Master, she envies the boy scouts and decides to become one of their number. Miguel hunts up the local sheriff and brings him to Aunt Betty's home to capture the runaway. Miguel asserts that he is the girl's lawful guardian and will force her to marry Luis. One of the scouts has been hurt and brought to Aunt Betty's home, so Justina decides to put on his uniform and gets away through the window, while Aunt Betty holds off the searching party. A long chase follows until Justina finds herself unable to go a step farther and breaks down. The pursuers catch up, and at the same time Lieutenant Morton, warned of Justina's fate, appears. The girl is leaning against a large stone (the state boundary mark) and she unconsciously moves to the other side of it, putting herself across the boundary of New Hampshire. For that reason the uncle is unable to take his ward until he secures a New Hampshire sheriff. While this is being accomplished Morton secures the services of a minister and the little party is turned into a wedding procession, the Boy Scouts forming a lane of honor through which the latest recruit, plucky little Justina, and her new husband, walk.

A visual fragment from the archive: The thematic resonance of The Adventures of Kathlyn perfectly mirrors the editorial trajectory of our deep dive.

Dir: Francis J. Grandon

The story opens in the office of an oil company. The president received a letter from a friend notifying him there is oil in the town of Glory. He forms a dummy railroad company and sends a representative to Glory to get rights to the property by promising that the dummy company will establish a station at Glory. While getting the rights to the property, the oil representative goes through what he supposes a fake marriage with the postmistress of the village. Time passes and the postmistress leaves the village for a neighboring town, where she gives birth to a child. Unable to support the child, she brings the baby to the village hotel run by two Germans, and, under cover of darkness, leaves the baby there. The baby is adopted by the village, named Glory Glory, and brought up by the two Germans. In the meantime the mother has made her way to the city and drops from exhaustion in front of the president of the oil company's house, when she is picked up and carried in. Upon examination by the doctor he finds the fall has caused her to lose her memory. The president is a widower and upon the woman's recovery decides to have her stay as governess and bring up his young son. Several years pass by and both Glory and the president's son are grown up. They accidentally meet and fall in love. The oil company decides to take possession of the property at Glory and then a fight ensues, the son taking sides with the girl he loves and her people. During the lapse of years the man who put through the original deal for the oil company and who married the postmistress has risen to be a judge. The case is brought before him and he dismissed the charges of the citizens of Glory. The son decides to assist and steals the papers relative to the case. The judge and president of the company finally decide to make restitution. The marriage is found to be legal. The people get the oil property back, and Glory is happy with her sweetheart.

Dir: Francis J. Grandon

A raft carrying a little girl and a dead woman drifts in from a shipwreck to Devil's Island. There, a band of thieves and smugglers name the girl Rose Marie, though she grows up as "nobody's girl." Living in a cave, she learns to read through the kindness of Jason, who is soon killed by the cruel leader, Red Gull. In Red Gull's power, and urged on by Jason's jealous wife, Rose Marie makes her escape in a rowboat, where she is spotted by an aviator flying above the sea. He rescues her, taking her to be cared for at his home where she is well treated. When newspapers report a mysterious shipwreck on Devil's Island, Rose Marie reveals the way in which Red Gull lured ships to their doom there. She guides the authorities to the island, where, after a fierce battle, the thieves are wiped out. Eventually the aviator falls in love with Rose Marie, and "nobody's girl" is somebody's sweetheart at last.

A visual fragment from the archive: The thematic resonance of The Lure of Heart's Desire perfectly mirrors the editorial trajectory of our deep dive.

Dir: Francis J. Grandon

Jean Servian's eyesight is failing and is desperate for money, marries wealthy widower Geoffrey Vane after telling him that he must be satisfied with her gratitude rather than her love. Then, following an affair with artist Philip Derblay, who finally leaves her, Jean settles down to a quiet, boring life with Geoffrey, who knows nothing about her failed romance. Years later, however, after Lucille, Geoffrey's daughter by his first wife, becomes engaged to Philip, Jean feels compelled to tell the story of her own affair with him. The disclosure has little effect as Lucille makes no change in her wedding plans, but then, when she breaks in on a violent argument between Philip and Lucille, Jean accidentally shoots and kills her former lover. A trial results in her acquittal, however, after which Jean realizes that she really does love Geoffrey, who easily forgives his wife for her past indiscretion.

Dir: Francis J. Grandon

Henri Le Rocque's arrival to an island village causes much consternation when he insists upon advanced rental for the land he owns. Accompanying Le Rocque is his nephew Paul, recovering from the effects of an unfortunate love affair. One day, little flower girl Fleurette visits the Le Rocque estate to make a present of a rare flower and is shot as a trespasser. She is nursed back to health at the mansion, and Paul falls in love with her. However, her former sweetheart, Jacques, appears and persuades Fleurette to run away. As Fleurette returns to the village, she learns that the villagers are planning to storm the mansion and, realizing that she loves Paul, rushes back to warn him. This endears her to Henri, who urges Fleurette to marry his nephew and bring happiness into their lives.