Recommendations
Senior Film Conservator

The cinematic DNA of Cut the Cards (1920) is truly one of a kind, finding other movies that capture that same lightning in a bottle is a top priority. We have meticulously scanned our vault to find hidden gems that resonate with this work.
As a pivotal work in United States cinema, Cut the Cards to challenge the status quo through its avant-garde structure.
The tribulations of a landlady who has the misfortune of having Snub and Eddie as her non-paying boarders.
Critics widely regard Cut the Cards as a cult-favorite piece of Short cinema. Its cult status is frequently cited as its strongest asset, solidifying its place in United States's film legacy.
Based on the unique cult status of Cut the Cards, our vault has identified these titles as the most compelling follow-up experiences for fans of Short cinema:
Dir: Unknown Director
The Judge needs a present for his wife's birthday, so Harry suggests a new corset. They go to the shop, but he's so embarrassed to ask the saleslady he hides in a phone booth.Harry goes in, but finds a GUY wearing one, and runs out.They both dress as women to get back in, but Mrs. Rummy gets there and chases him out.
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Dir: Lloyd Ingraham
While walking along the street one day, Arthur P. Hampton, an impoverished young doctor, and his chums, Stub Masters and Johnny Stokes, are persuaded to part with their last remaining funds by tag day solicitor Mary Jane Smith, with whom the doctor promptly falls in love. Doc's friends then hit upon a get-rich-quick scheme. Knowing that his Uncle George has promised a large sum of money upon his nephew's marriage, they persuade Doc to send out fake wedding invitations naming Mary Jane as the blushing bride. Uncle George, elated at the good news, writes to Mary Jane's aunt, Angelica Burns, an old sweetheart, to invite Mary Jane and Angelica to be his guests on an ocean voyage. Meanwhile, Mary Jane pays a visit to the doctor's office and, upon seeing the wedding invitations, becomes so flustered that she trips and sprains her ankle. Doc comes to her rescue and then begs her to pose as his wife. She agrees, but at ship-side, Stub and Johnnie confess all to Uncle George, who flies into a rage until Doc announces that he and Mary Jane have chosen a wedding at sea.
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Dir: Richard Smith
Two female candidates for Chief of Police live across the hall from each other, and their political rivalry follows them home, leading to plenty of hi-jinks.
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Dir: Charley Chase
The premise of this film is two rival men pursuing the same girl. In the mean time a gang of car thieves are going around town stealing cars and then reselling them to their original owners. The rich man takes the girl to see a minister to get married so the other man comes up with a plot to have the car thief gang help him win the girl back.
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Dir: Charley Chase
A fascinating piece of cinema that shares thematic elements.
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Dir: Charley Chase
Charlie (West) stays at a seaside lodging house frequented by sailors. He gets involved with a gang of crooks when a sea captain attempts to kidnap his landlady's daughter.
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Dir: Charley Chase
Snub, a henpecked husband, joins an equally unhappy man on the floor below. They rebel and turn the tables on their wives.
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Dir: Charley Chase
Misadventures of a traveling company of actors performing for one night in a small town. When the troupe's leading lady deserts the show for a better paying job as a waitress, a young woman from the town gets the role for one night.
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Dir: Edgar Jones
A mail-order bride arrives at a Maine lumber camp but doesn't like her prospective husband.
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Dir: Charley Chase
Billy is mistaken for a dangerous Bolshevik, and thrown into jail.
View DetailsAnalysis relative to Cut the Cards
| Film Title | Atmosphere | Complexity | Similarity |
|---|---|---|---|
| A Fitting Gift | Surreal | Layered | 96% Match |
| Mary's Ankle | Surreal | High | 86% Match |
| Lunatics in Politics | Ethereal | Dense | 97% Match |
| Don't Park Here | Surreal | Abstract | 93% Match |
| Her Tender Feet | Gritty | Linear | 93% Match |
This guide was algorithmically generated using the cinematic metadata of Charley Chase's archive. Last updated: 5/29/2026.
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