Hidden Genre Gems for Fans of Does It Pay?: Cult Guide

Dir: Robert N. Bradbury

A simple country girl, brutally mistreated by her stepfather, awakens first the sympathy, then the love, of The Boy. The Spider, who lusts after The Girl, makes a bargain with the stepfather and takes her to the city where, kept prisoner, she is soon broken in health and spirit. Cast out and near death, she is taken in by The Boy. Following the demise of The Spider, The Boy takes her to church, where he prays, and after many hours she is restored to health.

Dir: Charles Horan

A visual fragment from the archive: The thematic resonance of Rose of the Alley perfectly mirrors the editorial trajectory of our deep dive.

When Tom Drogan drunken, wild ways, cause his mother's death, his sister Nell swears to protect and reform him. On the pretext of paying back a gambling debt, Tom brings "Kid" Hogan to the house, but ends up shooting him in the forearm. Dan Hogan, Kid's brother who is a policeman, rushes to the scene and catches Tom running away. To avoid arrest, Tom tells Dan that he fired at Kid for molesting Nell, and in the face of scandal, Dan and Kid back down. As revenge, Kid enlists Mamie, his girlfriend, to force Nell into a compromising situation with a man on a street corner. Conveniently placed, Dan arrests Nell for solicitation, but Frank Roberts, her boyfriend, arrives and extricates her. When Tom hears of the plot, he confronts Kid in a dance hall and soon a raging gun battle breaks out in which Kid is killed. Badly wounded, Tom seeks refuge with Nell, who prepares to protect him with his gun. As the police break down her door, Tom dies.

Dir: Alexander Butler

In Alberta, Canada, a Cornish emigrant unmasks a rustler posing as the girl's "blind" father.

Dir: Edgar Jones

A visual fragment from the archive: The thematic resonance of The Night Riders perfectly mirrors the editorial trajectory of our deep dive.

A mail-order bride arrives at a Maine lumber camp but doesn't like her prospective husband.

Dir: Eduardo Notari

A crime drama in the Gennariello-series. The police detective in Naples that is confronted with modern gangsters and crime events.

Dir: Charles Horan

A visual fragment from the archive: The thematic resonance of In the River perfectly mirrors the editorial trajectory of our deep dive.

Howard Sherbrooke, a wealthy senior at a law university, is infatuated with Ethel Stratton, a girl who is a favorite with the students. Dick Leslie, his chum, is also in love with her. Dick is from the west, working his way through college, and Howard has assisted him financially. Howard does not know of Dick's love for Ethel. After graduation, Howard, whose interest in Ethel has ripened into love, realizes that his family and social friends will not tolerate her as his wife. He plans a mock marriage, intending to take her to New York with him. He tells Dick of this proposed arrangement, and asks him to get someone to impersonate a minister for the ceremony. Dick veils his indignation, but agrees to carry out the plan. Instead, he engages a real minister, who marries Ethel and Howard. Dick goes west. The couple live happily in a Brooklyn flat for several months when Howard receives a letter from his father, stating that he is planning for his son to marry Beatrice Ford, daughter of his friend, Randolph Ford, a multi-millionaire. He adds that Mr. Ford intends making Howard head of the law department in his firm. Howard realizes he must break off his affair with Ethel. He tells her that he is not married to her, and that he must leave to marry a girl of his own caste. Broken hearted, Ethel informs him she is soon to become a mother. Howard blames the mock marriage on Dick, and leaves. Ethel writes a scathing letter to Dick. Dick hurries east and finds the minister who performed the ceremony. It is the morning of the Sherbrooke-Ford wedding. Ethel goes to the church, and as she starts to denounce her husband during the ceremony, falls in a swoon and is carried into the vestry. Dick and the minister arrive at the church, but the guests are leaving. Ethel comes out of the church alone and meets Dick, who tells her she is really married to Howard. Accompanied by the minister they hurry to the Ford home, where they convince Mr. Ford his son is a bigamist. Mr. Ford, in a rage, declares he will send his son to prison. Horrified at the prospect of a prison term and the attending disgrace, Howard goes into the library where a flash from a pistol shot records his unhappy end. A few months later Ethel and Dick are married.

Dir: Dallas M. Fitzgerald

Confidence artist Flossie Golden attempts to fleece foolish but wealthy James Venable with a breach-of-promise suit. Venable's shrewd attorney, Richard Harding, outwits Flossie by proposing that she marry Venable and live on an allowance of $3,000 per year. Flossie is determined to get even with Harding for ruining her plans. In an attempt to con him, she poses as Innocence Page, but falls in love and marries him instead. Larry, Flossie's former accomplice, endeavors to blackmail her with her errant past, but Harding is already cognizant of the facts and Larry fails.

Dir: F. Martin Thornton

A visual fragment from the archive: The thematic resonance of 'A mala nova perfectly mirrors the editorial trajectory of our deep dive.

In Paris an orphan cartoonist loves a man with a mad wife, who dies in time to prevent her marriage to a jilted Comte.

Dir: Charles Horan

The miners at Paradise Gulch are bored. In a session at the "Three Cheers" saloon, owned by Seth Moore, they decide that the trouble with their existence is the fact that there are no women in the place. The verdict is that one of them must marry, and they choose "Happy Jack" Lewis, because he is not present. They go to "Happy Jack" Lewis, make him write out an advertisement for a wife, and sent it to neighboring towns. They stipulate that she must be blonde and pretty. At Gold City, Glad Mason, who answers every requirement, is working in the office of Willet and Condon, mining promoters. Since her father's death she has been obliged to shift for herself. Willet's attentions have become so obnoxious that she is at her wits' end to know what to do, when Lewis' advertisement is pointed out to her. In desperation she answers it, enclosing a photograph. Lewis lines the boys up against the bar and holds them up. Since they have got him into the trouble of getting married, he makes them furnish his shack. He gives a whoop of joy when he sees Glad's photograph among all the ugly ones he receives in answer to his advertisement, but Ben, the bartender, discourages him by saying that probably some old hag sent the picture. "Happy Jack" leaves in haste, first making over his house and his mine to her in recompense for her disappointment. He goes to the junction as Glad is changing trains for Paradise Gulch, and sees for himself what a beauty she is. But one of the boys with whom he has been fighting sees her, too, and without a word the miner gives "Happy Jack" a knock-out blow, and then puts him on the train, bound in the opposite direction. Each of the boys tries to win Glad. They tell her that Lewis is a quitter. Jumping off at a small station, Lewis is arrested as a suspicious character and thrown into jail. His wire to the boys for identification results in the answer that he is a cardsharp and crook. He escapes, and meets Willet, who offers to buy his mine. He accepts, taking the money, forgetting that he has made over the property to Glad, but robbers soon relieve him of his cash and he reaches Paradise Gulch penniless. Willet goes to take charge of the property, which he is anxious to claim because "Sid," the assayer, has told him it is of immense value. He finds Glad in possession and has "Happy Jack" arrested for obtaining money under false pretenses. Glad turns over her claim to Willet and Condon on the condition that they will free Lewis, although he implores her not to do so. But "Sid," the assayer, has made a discovery. He whispers something to Glad, and the last cloud is dispelled. He has made a mistake. The sample ore he has thought Lewis' belonged to Glad's father, who had brought it in to be assayed the day before he died. Glad and "Happy Jack" have lost control of the worthless mine, but they begin life together as owners of the magnificent Mason property.

Dir: Charles Horan

Joseph Wilton is a thrifty German and an expert piano maker, who through his industry has built up a small factory and acquired considerable money. His whole life and further ambitions are centered on his son, Bob, whom he has entered in a big university. His only daughter, Molly, has taken the place of her mother in the home, since Mrs. Wilton's death. Bob is carried away by college life, and begins to feel embarrassed over his father's humble life and surroundings. He falls under the influence of Herbert Graham, a suave society leech and college mate, who inveigles him into drinking, gambling and a life of profligacy. Bob is induced to draw on his father for large amounts, on the excuse that he needs the money for expenses at college. The blindness of the father's love for his son is emphasized when he insists on attending a football game, where his son is the hero of the hour. Bob practically denies his father in the presence of his friends on the campus. Soon afterward Bob's continued escapades cause him to be expelled from college. Graham induces Bob to take him home with him, hoping to get an opportunity to swindle his father. They arrive and explain that they have been granted several extra weeks for the Christmas holidays. Graham induces the elder Wilton to finance a small bank for himself and Bob. They are popular and succeed from the start. But Graham indulges in many wild-cat speculations, and the bank is ruined. In a run on the bank both narrowly escape bodily injury, Graham commits suicide. Bob decides to face the disaster, but after hearing Aubrey Maynard, the father of Grace Maynard to whom he is engaged, denounce him in the presence of his own father, he decides to leave, as he has borrowed money from Grace when the bank was first in trouble, and her father threatens him with imprisonment as a swindler. He leaves her a note, saying he will return when he has made a man of himself, and can make good his obligations. Molly, his sister, is in love with George Lennan, and their advice to the elder Wilton to halt Bob in his early profligacy has resulted in the aged piano manufacturer ordering Molly from home. After Bob's departure, Wilton, who has lost his entire fortune in his son's failure, in an effort to make good with his son's creditors, takes up his abode in the slums, eking out an existence by tuning pianos. In a distant city, Bob starts life over and steadily rises to a position of trust and importance. He is promoted to be general manager of the New York office of the big concern in which he has made his success. Upon his return to New York, his sister Molly, who has married Lennan, has started to search for her father. She succeeds in locating him the very day that Bob returns. There is a happy reunion, including Bob's fiancée and a little four-year-old grandson, the child of Molly, whom the older Wilton sees for the first time.