Cinematic Discoveries Resonating with the Themes of Dollars and the...

Dir: George Terwilliger

Following a prologue which shows that animals frequently desert their young, a jilted prehistoric suitor murders the child of the woman he loves. During the age of the Roman Empire, a soldier has a brief affair with a shepherdess, and long after he has left, she has their child. The shepherdess looks for the father, but returns brokenhearted after finding him with another woman, and then dies while saving her child from a poisonous snake. During the Elizabethan era, a wayward son seeks spiritual redemption through war, and is killed in battle. In modern times, a young, impoverished husband refuses to start a family, despite the pleadings of his wife. Then, when he finally starts earning enough money to consider children, his wife has an accident that makes it impossible for her to become pregnant.

Dir: George Terwilliger

A visual fragment from the archive: The thematic resonance of The Daughters of Men perfectly mirrors the editorial trajectory of our deep dive.

Matthew and Reginald Crosby, two brothers, and their cousin, James Thedford, manage an industrial conglomerate. Reginald marries an actress and gives so many lavish and ostentatious parties that one of them leads to a strike after being reported by labor editor Oscar Lackett. The strike leaders are fiery orator Jem Burress, German immigrant Louis Stolbeck, and Stolbeck's feisty daughter Louise, who is also Jem's girlfriend. John Stedman, a labor lawyer, lends moderation to the cause and thus impresses Matthew and Reginald's sister, Grace Crosby, who joins the workers. When Jem, jealous of Louise's infatuation with John, attempts to discredit him with the union members, Louise goes to John's apartment to warn him, but Grace arrives at the same time to accept John's marriage proposal. To prove her devotion to John and the cause, Grace summons her brothers to John's apartment, and when everyone converges, they finally resolve the strike.

Dir: George Terwilliger

After school one day, Violet, who associates with wicked boys bent on deceiving young girls, persuades her friend Louise to go riding with a couple of boys. Louise, suspicious of the boys' intentions, demands to be taken home. After Louise confesses that she lied to her mother about the escapade, her mother gives her Faust to read. Faust, an old man, sells his soul to the devil for one year of youth to win Marguerite. Marguerite succumbs and soon becomes enshrouded in darkness. The story causes Louise to refuse to meet the boys again. After Violet goes to a distant city with a boy who promises to marry her, Louise receives a letter asking her to help. She follows, and after learning from Violet of the boy's deception, Louise is lured into an apartment by the boy's friend. She attempts to jump from a ten-story window, but the boy catches her. Louise awakens to discover that she has been dreaming since reading Faust and then relates her lesson to Violet.

Dir: George Terwilliger

A visual fragment from the archive: The thematic resonance of The Price Woman Pays perfectly mirrors the editorial trajectory of our deep dive.

A fascinating piece of cinema that shares thematic elements.

Dir: George Terwilliger

A rich artist has never completed a master painting because he could not find a model for the face, sees the wife of a man in hard luck begging on the street so she can buy milk for her baby, and the artist secures just what he desired.

Dir: George Terwilliger

A visual fragment from the archive: The thematic resonance of The Mite of Love perfectly mirrors the editorial trajectory of our deep dive.

A father flirts with an actress in order to teach his son a lesson and himself falls in love with her.

Dir: George Terwilliger

Factory owner John Gray takes ill during a strike at his factory. His doctor suggests that John's brother David, who looks just like him, take his place at home and at the factory. Although the two are look exactly like each other, in temperament and personality they are exact opposites--John is cruel and brutish to both his family and his employees, while David is considerate, thoughtful and kind to everyone. When John sees the effect that David has on his employees--and his wife--by treating them humanely, he begins to re-evaluate the way his own life has turned out, and why.

Dir: George Terwilliger

A visual fragment from the archive: The thematic resonance of The Madonna of the Slums perfectly mirrors the editorial trajectory of our deep dive.

A fascinating piece of cinema that shares thematic elements.

Dir: George Terwilliger

A fascinating piece of cinema that shares thematic elements.

Dir: George Terwilliger

A peasant girl marries a Russian nobleman against the wishes of her parents. A son is born to them and the husband takes him away from her so he can be reared in luxury. The wife spends two years searching for her husband, intending to kill him. She is known as the "mad woman," her mind being partially clouded by grief. But when she finds the husband, a reconciliation follows his promise to restore their son to her.