Cinematic Discoveries Resonating with the Themes of Driftwood: Cult Guide

Dir: Christy Cabanne

Rich, spoiled social butterfly Pamela Sayre lives the good life with her two maiden aunts. Bertie Holden, the somewhat slacker son of a wealthy couple, is in love with Pamela, who seems to prefer muscular, daredevil-type men, which Bertie definitely isn't. Pamela flirts with the wealthy but much older Charles Van Gordon in order to make Bertie jealous, but her plan seems to backfire.

Dir: Christy Cabanne

A visual fragment from the archive: The thematic resonance of Sold for Marriage perfectly mirrors the editorial trajectory of our deep dive.

A poor Russian girl's beauty leads her unscrupulous uncle to bring her to the United States. There he is going to sell her into a marriage with a rich old man she has never met. But her lover, an returning immigrant visiting Russia from the U.S., sails on the same ship. When they arrive he learns, to his surprise, that the American police, unlike those of his native country, are not oppressors of the poor, but friends that will aid in securing the release of his beloved Maria.

Dir: Christy Cabanne

While with the French Foreign Legion in Algeria, Lt. Dubois seduces the lovely Zora, leaving her with a child and his medal for bravery. Sheik Achmed generously befriends Zora, and when she is killed in an accident he raises her son, El Rabb, as his own, and soon El Rabb and Achmed's biological son Bel Khan become best friends. Years later Lt. Dubois, now a general, is dispatched to Algeria to crush a revolt led by El Rabb and Bel Khan--and he doesn't know that El Rabb is his son--who wears his father's medal around his neck.

Dir: Christy Cabanne

A visual fragment from the archive: The thematic resonance of The Dishonored Medal perfectly mirrors the editorial trajectory of our deep dive.

The home of Mrs. Bryson and her two daughters is happy except for the poverty that prevents the girls from sending their sick mother away to the mountains. Both help to support the household, but it is Shirley who feels the responsibility of her mother's approaching death and her worry is evident to all about her. She is employed in a manicure shop frequented by wealthy men and meets Wilfred Templeton, who invites her to dine with him. He questions her about her dejected air and she tells him of her mother's illness. This is Templeton's opportunity, and he asks her to make a bargain with him. He will give her all the money she needs and in return she is to live with him in an apartment which he will establish for her. Shirley refuses, but when her mother grows worse she yields and leads her mother and her sister to believe that she has married Templeton and Mrs. Bryson is happy. When James Lowery, the butler in Shirley's new home, finds that she is not married to Templeton, he forces his way into her boudoir when she is dressing. With the greatest difficulty Shirley repulses him. She informs Templeton and Lowery is discharged. Everything runs smoothly until Shirley invites her sister to visit her. Emma wants to see this wonderfully generous husband. Shirley is unable to conceal her secret, and Emma wrings a confession from her. The news so preys upon Emma's mind that she is unable to keep it a secret from her mother. Stricken at her child's dishonor, Mrs. Bryson gives up her battle for life. Shirley leaves Templeton and goes to work as a cabaret entertainer. Lowery again forces his attentions upon her. He openly insults her and a young man at a nearby table comes to her rescue. The man is Harold Templeton, "Wilfred's son, who is the "black sheep" of the family, and is living away from home. The acquaintance finally ripens into real affection. The young people are married, but their happiness is clouded by the girl's fear that her husband will discover the truth about her past life. The expected happens when Wilfred Templeton forgives his son and comes to call on him and his bride. Shirley and her husband's father are brought face to face, and their manner accuses them before either makes a confession. Harold turns against his wife. Later, however, his better nature asserts itself, and he drives his father away. Realizing Shirley's mistake was made, not for her own sake, but for her mother's, he forgives her and takes her into his arms.

Dir: Christy Cabanne

The life and career of Pancho Villa from young man to revolutionary leader is chronicled.

Dir: Christy Cabanne

A visual fragment from the archive: The thematic resonance of One of Many perfectly mirrors the editorial trajectory of our deep dive.

In Mexico, a humble peon has great difficulty retaining his small farm because of the greediness of those controlling the government. While he is in another town, two federal officials search for loot in his cottage and attack his two sisters. The elder, lame from birth, shoots herself rather than succumb to their lust. Her 14-year-old sister loses her mind and dies after telling her brother what occurred. The peon vows vengeance and is branded an outlaw by the frightened officials. After he escapes from jail with help from an old family servant, he is aided in eluding his pursuers by Americans traveling in a covered wagon. Years later, the outlaw, now the commander-in-chief of the Constitutionalist Army, wins many victories and kills one of the officials who attacked his sisters. When he learns that the Americans who helped him are in trouble, he leads a cavalry charge to rescue their wagon train from being attacked by revolutionists. He recognizes one of the attackers as the other official and is about to exact vengeance as the film ends.

Dir: Christy Cabanne

Theatrical manager Isaac Shuman has a reputation for taking advantage of young girls who want to become stars on Broadway. Reporter Tom Warder investigates these stories and exposes Shuman in his newspaper. Shuman threatens to kill Warder, then leaves town. He returns several years later and hatches a scheme to frame Tom and have him sent to prison. He succeeds, but Tom hatches his own plan to get his revenge.

Dir: Christy Cabanne

A visual fragment from the archive: The thematic resonance of The Life of General Villa perfectly mirrors the editorial trajectory of our deep dive.

The National Red Cross Pageant (1917) was an American war pageant that was performed in order to sell war bonds, support the National Red Cross, and promote a positive opinion about American involvement in World War I. This pageant was a production put on in support of funding for America's participation in World War I, also known as the Great War. It was also an all-star revue silent film, now considered a lost film.

Dir: Christy Cabanne

Robert Wallace, the elder son of a rich and indulgent father, marries Margaret Christy, a spirited patriot, so that he can escape the call to war. Discovering the reason for Robert's haste to get married, Margaret is appalled and resolves to bring home to her husband a sense of his personal responsibility. In order to instill patriotism in Robert, Margaret contrasts him with John Harding, the man who gave her up to go to war. When Robert protests his wife's tactics, Margaret accuses him of being a contemptible coward. The next day a German insults the American flag, and Robert, his sense of justice aroused, makes him salute it. He then bids Margaret farewell and marches off to war. Margaret sees him off without divulging the secret that she is pregnant, thus sacrificing her own welfare for that of her country.

Dir: Christy Cabanne

Romeo and Juliet type story loosely based upon the famed Hatfield/McCoy feud.